NYC

CD Submission roundup: Wyndham Baird, The Library is on Fire, Graveyard Lovers, Cordelia Stephens and Away Aways

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Our Year End Best of NYC Poll for Emerging Artists took a heavy toll on our time in the last few weeks, and also distracted us from our digital pile of music submissions – it was time to get a few of them out of the way (so to speak). All these bands submitted their music for review here (it’s free), and so can you – if you make music and live in the NYC area.

Singer Zach Reynolds has described his band, Graveyard Lovers, sound as “the entire spectrum of American music.” While this quote is undoubtedly far more ambitious than any two piece deserve, Zach and drummer Tricia Purvis certainly give it a solid go. The bluesy rockers tear it up in personal fave ‘Ripe to Misbehave,’ not unlike Sonic Youth… if Sonic Youth grew from Tennessee’s swamps and traded their soul to the devil while on the same road as Blind Willie Johnson. Even when they’re not shredding it out, this group will get up inside you with the rattlesnake ‘Burn the Malls’ and ‘Everyday is a War.’ If you’re looking for trouble, look no further. Graveyard Lovers knows what you’ve been up to, and is here to provide the soundtrack.

Wyndham Baird can be seen panhandling in Washington Square Park from the same benches that time hasn’t changed since the folkie ‘60s. Baird’s husky renditions of otherwise unheard of folk jams carry the same water as his patently eclectic originals. Lifting urban love affairs to the stuff of Gospel, and twisting personal disappointments into universal folk anthems, Baird’s six-string and harmonica playing will make it so you won’t have to choose between the Leonard Cohen or Bob Dylan of your parent’s age. This old soul’s found room for both these giants throughout his 7 song self-titled debut.

Here’s a band that’s been through a lot in a short time, and all of this has made it’s way on to The Library is on Fire‘s latest record ‘Works on Paper.’ Having traveled back and forth with his group between Ohio and NY several times over the past year, and witnessing some heavy stuff happen to several of his friends in that same time, singer/songwriter Steve Five shoves a multitude of conflicting life lessons right next to one another on this latest canvas. Described as ‘art punks,’ there are certainly a lot of colors flying around here. And like any great journey, repeated listens reward the patient listener. The three-piece looks to constantly search for the right color to tell their story, and whether acoustic or power punk, the effect is equally cutting. See them when they play the Brooklyn Museum April 7th.

A quick glance at the artists Away Aways have ‘liked’ on their facebook is revealing: ‘The Smiths, David Bowie, Arctic Monkeys…”. Ok, that’s a good start. Add Libertines to the list, and you’ve got it. But make no mistake. They may owe a good deal of their post-punk revival to our friends across the Atlantic, but this four piece is unmistakably New York. Their rock n’ roll constists largely of anthemic rockers goading you to get moving like Springsteen used to do it in blue jeans. But there’s plenty of downbeat here to chill to as well. ‘Some Things We’ll Never Know’ (from their new record of the same name) bops to the bounce I wish I could still hear from the Strokes these days. But singer Evan de Augustinis has claimed the post-punk revival for his own torch, and it suits Away Aways like the lower east side they’ve claimed for their own.

Cordelia Stephens is all about traveling. From turning the keys and putting the pedal down in ‘Drive,’ to The clear-voiced siren will make you think you’re on a straight road for some time, before taking you through a rolling detour filled with Beatlesque horns in ‘The Shapes of London,’ and the Wes Anderson-ready love ballad ‘Night Sky.’ Not unlike Natalie Merchant’s tireless curiosity and poetic adventures, Stephens and her band showcase a wealth of ideas brought together under her flowering muse. If you’ve listened to just one of these songs, you haven’t even begun to hear Cordelia yet. – All review by Mike Levine

NYC

Sleigh Bells premeiers album via… The New York Times???

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Any artist is obviously free to choose whichever website they want to premiere their new album, but I honestly feel perturbed by Sleigh Bells‘ decision to use The Times. It must be noted that this is not a game The Deli is involved in (we deal with emerging acts, not with established ones), so this feeling is not generated by envy, but I guess by some kind of solidarity towards other music blogs. All blogs survive because of advertising, and advertising is supported by traffic. An album première by Sleigh Bells means a decent amount of traffic for any music blog, but for the NY Times, it means ALMOST NOTHING (because its web traffic is about 200 times the one of – say – Pitchfork). So you may think that since the newspaper’s site has so much more traffic, the promotion will be more effective for the band, right? I doubt it. The announcement of the Sleigh Bells release is at the bottom of the NYT homepage where hardly anybody reads anything, and it will probably go away by the end of the day. I wish artists would stick with their favorite music blog for stuff like that. Blogs provide constant exposure for these bands at no cost to them; it would be nice if they could reciprocate when they have the opportunity. Rated: not very cool.

New England

The Sinbusters — Second Coming

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From the moment I heard the amp buzz on the opening track of Second Coming, I knew The Sinbusters were going to be full of raucous, rowdy energy. While the album is short (no track is over 2:30 in length), the band manages to leave a lasting impression on the listener with their classic, hard-nosed punk rock style. The Lowell-based quintet is heavily versed classic punk rock, while borrowing occasionally from other genres. One example of this mixing of styles would the fourth track on Second Coming, “Gimme the Word.” The track, a surf rock-ish groove mixed with a bit of a The Kinks, had me dancing in my seat and longing for the days when I would frequent basement punk rock shows.

I especially loved the distorted organ the band incorporates in many of the tracks on this album. I think it adds depth to the tracks and really thickens the sound of the album.  The second song on the album, which also happens to be the title track, is my favorite on this record.  “Second Coming” showcases the organ well and really highlights the lead vocals in a Stooges/Iggy Pop-like style. I could practically feel myself being pushed around in the mosh pit as I listened to this song.

Overall, I thought Second Coming was an excellent album. The band has managed to produce a punk rock album that stays true to its roots–while adding their own original touch–keeping the songs from sounding too mundane. Be sure to check out Second Coming (as well as some of the band’s older material) on their bandcamp page and keep an ear out for their next live appearance in the New England area.–Daniel McMahon

New England

A Wilhelm Scream opens for Less Than Jake Sunday, Feb. 19 @ MIddle East Downstairs (SOLD OUT)

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Less Than Jake will be playing a sold-out show this coming Sunday, February 19, at The Middle East Downstairs in Cambridge, MA with local hardcore punk rockers A Wilhelm Scream (pictured above).

Initially, I found myself a bit perplexed at the notion of Less Than Jake sharing a stage with a hardcore punk band such as Wilhelm, but then I realized how truly awesome that combination will be. Wilhelm has been playing hardcore music and steadily making a world-wide name for themselves for the better part of a decade (the band has toured internationally many times and will be embarking on another European tour in March). The band mixes punk and hardcore rhythms with a speed and intensity that is truly remarkable. Each of their records is full of complex riffs and technical perfection.

Less Than Jake is a band that needs little introduction. A popular ska/punk band for over two decades, they will certainly command attention when they take the stage Sunday night. Their use of trombone and sax really carries their songs, adding an extra blast of intensity to their distorted, punk influenced guitar riffs.

The show starts early, with doors at 6:30pm.–Daniel McMahon

NYC

Live Review: Black Wing Halo at The Mercury Lounge

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Just last month, Black Wing Halo put to rest their previous name, decibel., and began 2012 afresh, sharing the stage with a handful of prime NYC artists and Deli magazine favorites, Your 33 Black Angels, That Handsome Devil, and Black Taxi at Mercury Lounge this past weekend. A multifaceted, sonic hybrid, BWH, comprised of Josh Weinstein (vocals /guitar), Doug McGregor (bass/vocals), Justin Hofmann (drums), and Stephanie Linn (vocals), delivered tunes from their upcoming album, including highlights, “Bite My Lip,” “Welcome to the Show,” “Sway,” “Rats,” One More for the Chopping Block,” and “Above My Head,” that incorporate the impassioned force and primal screams of punk, intoxicating beats and cadence of hip hop, intricate layering of progressive rock, and eerie electro-effects and distortion. BWH’s expansive soundscape swept across and grabbed the sold out venue’s undivided attention with aggressive energy and notable vocal interplay. Catch Black Wing Halo next Saturday, February 18th at The Quarter/MMC 16 in Harrisburg, PA. – Meijin Bruttomesso

Philadelphia

Shows to Make Valentine’s Day a Little More Bearable

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Love it or hate it – Valentine’s Day is here. If you’re looking for some tunes to share with your significant other or to help get that gal or guy you are eyeing up in the mood, there is not a shortage of places to go. The Northern Liberties Winter Music Festival will be kicking off this evening at The Fire with “A Night of Duets” by some of your local folk-y/bluesy favorites like Adrien Reju & Chris Kasper, Kristen Sylvester (Spirit and Dust) & Todd Henkin (The Great Unknown), Emily Zeitlyn (The Weeds) & Cowmuddy, Kate Foust & Liz Zook (of Lady), and much, much more. You can swing by Johnny Brenda’s for A Valentine’s Day Lover’s Ball with Franks & Deans where Toy Soldiers’ Ron Gallo and Bill McCloskey will croon their way into your hearts with the tunes of Ol’ Blue Eyes and Dino Martini. Hoots & Hellmouth will be sharing their down home good lovin’ at a sold out Tin Angel. And we do dig the idea of turning The Blockley into a skating rink while King Britt and friends keep you rolling along. So stop hiding in your room, and get out there tonight!
 
Chicago

Nonagon “People Live Everywhere”

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Nonagon is raw, wild, loud, and so enjoyable on a primal level. Their latest ep, People Live Everywhere, reminds of Fugazi, dirty basements, high school, and what made me fall in love with music so many years ago. Check out the lastest from Robert Gomez, John Hastie, and Tony Aimone (aka Nonagon) below.