Philadelphia

New Track: “When Women Played Drums” – White Birds

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White Birds premiered a new track today called “When Women Played Drums” via YVYNYL. The song will appear on their forthcoming full-length with the same name that will be released on Valentine’s Day February 14. Check out their latest single and some words from the band about the song and the album as well as the LP’s track listing below. White Birds will be performing next in Philly this Friday, February 3 at Kung Fu Necktie with Univox and Tutlie.
 
“We decided to go ahead and release this album as kinda a little fuck you to Valentines Day since it is most definitely a break up album through and through. The song itself is of that same nature, just being the ghost to your widow who’s now living her life on earth without you.”

When Women Played Drums Track Listing:
1. No Sun
2. Hondora
3. We Both Scream
4. Floating Hands
5. Bee Hive
6. Mirrors in Mirrors
7. When Women Played Drums
8. Body When You Coming Back
9. Veins Lined with Rust
10. Youths
 

Chicago

Willis Earl Beal

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2012 is going to be another great year for Chicago music, but one of the releases that I am most excited about is the debut release from the local blues-man Willis Earl Beal. The hype surrounding Beal has slowly been building since the summer and his recent signing to XL Records has added greatly to the swell. Earlies this month, Beal released a new track called "Evening Kiss" that can be streamed below.

Willis Earl Beal’s Acousmatic Sorcery is due via XL/Hot Charity on 19 March.

Willis Earl Beal – Evening’s Kiss by HotCharity

NYC

Vacationer releases “Gone” EP + plans 2012

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As the bleakness that is post-holiday winter in New York stretches endlessly ahead, the phrase, “I need a vacation” rings all too true for many. If you can’t get the time off, look no further than Vacationer’s “Gone EP” set to drop on the last day of the month. Members of electronic collective Body Language plus Kenny Vasoli, formerly of The Starting Line, bring lush waves of ambient indie pop stacked with beachy melodies. The Brooklyn and Philly based band’s dreamy sound is bound to transport souls to a hazy, thoroughly tranquil parallel world. While their music may be quintessentially mellow, Vacationer certainly won’t be relaxing much in the next few months. After they release their EP on the 31st, they’ll be supporting The Asteroids Galaxy Tour, playing shows throughout the US as well as several dates in Canada. In March, Vacationer comes out with their “Gone LP” and will be joining Naked and Famous on another tour. – Corinne Bagish

Nashville

Gretchen Peters Album Release, 1/27/12

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Gretchen Peters graced the stage of The Rutledge last Friday in celebration of her new album, Hello Cruel World. The album’s title, a pun on the famed exit line, reminiscent of the Shakespearean quote, “once more into the breach, dear friends, once more,” the 11-track record is a masterful voyage through the pains and promises of morality, presupposing the album will be a favorite among fans of the singer/songwriter for countless years to come.

Gretchen, backed by four of the city’s most dynamic professional musicians, including husband Barry Walsh on the keys and accordion, took the audience on a flirtatious voyage through a set textured in raw chords and minimal exposure to distortion, taking on Americana roots and genre-defying flexibility. Songs like the title track “Hello Cruel World” maintains an eerie and dark-textured country and bluegrass feel, while a song like “Camille” is a slow-paced bluesy and jazz-sounding trip. The set, a reflection of the album, was a poetic voyage that showed Gretchen’s vulnerability, strength and triumphs, finding comfort in a chaotic world she has come to know so well.

Her textured rhythms and full band sound rounded out the set with grace and an honest grit only known as southern elegance. Gretchen’s voice is sweet, aged in honey, with each note a mellifluous stroke of environmental beauty meeting a hard working industrial past. She approached the stage last night the same way she approaches life, with a rock ‘n’ roll temperament, a poetic soul and in the company of Nashville musicians that are as professional as it gets.

In songs like “5 minutes,” Gretchen embodies every person who has ever lost something that has shaped them more than ever could be said, and before being taken away by the memory, continuing with life after 5 minutes are up. On “The Matador” she tells a story of love and pain, suffering from the ephemeral woes quickly made, deep seated emotions bring. The performance is possibly the most elegant Nashville has seen this year, and as Gretchen takes to the road for a European tour, fans from all around the world will be rejoicing to experience so much of this woman’s life through honest storytelling and poetic vulnerabilities.

The lines from the song “Paradise Found,” “I don’t believe in no hold jihad, I don’t believe in original sin, I believe in theheat underneath our skin,” it’s clear Gretchen Peters sure as hell believes in her art, and seeing her play live is an experience in personal discovery and a soul warming attraction. – D.H. Wright

Stream the whole album here.

New England

In Like Lions — Through Red & Blue

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Making a solid record is like creating a “perfect storm” of music—all the instruments must be precisely aligned and in time, with the vocal performance cutting through and above the instruments, tying the whole project together. In Like Lions latest album, Through Red & Blue, harnesses all of those qualities to forge a truly impressive collection of pop songs. The record, set to drop this Valentine’s Day, is a unique combination of Top 40 pop sound, soul, and R&B, with a splash of rock n’ roll added for good measure.

The album opens with an ethereal, spacey instrumental that is highlighted by drums that sound like they are straight from a Fine Young Cannibals track. This piece flows perfectly into the next song, "Far Away," a soft rock number that showcases lead-singer Troy Ramey’s vocal abilities. Ramey’s vocals are the driving force behind the record, adding a dynamic and powerful element to each track.

"Honey" is the stand-out track on Through Red & Blue, complete with up-tempo guitar riffs and a hook so catchy you’ll be singing the words long after the song is over. I found myself drawing comparisons to the Counting Crows throughout the entire album, but “Honey” is one particular song where Ramey’s similarities to Adam Duritz are quite striking.

Overall, I was pleasantly surprised by Through Red & Blue. In Like Lions have found the formula for making great pop songs and seem poised to make a huge impact on the Boston (and New England) music scene with this latest release. Check out the band’s Facebook page or inlikelions.com for more music and updates about the band and don’t forget to grab a copy of Through Red & Blue for you or a loved one this February 14th.–Daniel McMahon

NYC

Snowmine lands February residency at Pianos – every Thursday

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Brooklyn-based five-piece band Snowmine will be curating and headlining four nights at Piano’s beginning on February 2 and continuing every Thursday for the remainder of the month. Each night will feature three supporting acts and be co-presented by a different partner including ExFm (2/2), The Wild Honey Pie (2/9), our own The Deli Magazine (2/16), and the creative agency Pulp Lab (2/23). The shows are sure to be unique events each time, and will serve as essential hometown showcases before the group heads out to SXSW in March, as well as an upcoming tour in the South & Midwest. The band’s sound embraces an imaginative brand of psych-pop with emphasis on echo pedals, tribal beats, electro-acoustic soundscapes and classical orchestrations. Snowmine is fronted by composer Grayson Sanders, whose vocals have been compared to Robin Pecknold of Fleet Foxes, and Jim James of My Morning Jacket. – Dave Cromwell

Philadelphia

Free Download: “Video Games” (Lana Del Rey Cover) – Resistor

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On a day when the reviews seem to be coming in for Lana Del Rey’s Born to Die (BTW: They’re not looking good, but most of you probably guessed that was going to happen already.), Resistor, the new synthpop project from Steve Goldberg, ponders the question: “What if ‘Video Games’… sounded more like a video game?” Well, Goldberg also answers his own question below, and you can download it for free.
 

Philadelphia

Free Download: “Tibetan Pop Star” – Hop Along

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Take a listen to the new track from Hop Along called “Tibetan Pop Star,” which will appear on their upcoming first full-length album Get Disowned. The “nearly two-year long project” was recorded at North Philly’s Headroom Philadelphia in the art space Big Mama’s House. It was produced by Algernon Cadwallader’s Joe Reinhart and mastered by Ryan Schwabe (RJD2, King Britt, Hoots & Hellmouth, etc.). You can download “Tibetan Pop Star” for free (or donations would be greatly appreciated) below.
 

NYC

Caveman wins The Deli’s Best of NYC Poll 2011 for Emerging Artists

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Deli Readers,

After a month and a half long painstaking process, we finally have the overall results of The Deli’s Best of NYC 2011 Poll for Emerging Artists.

Congrats to Caveman – who won the poll after being featured on the cover of the NYC Summer 2011 issue of The Deli. This fantastic band received a record number of votes from our jury of NYC scene makers (see list here), which sealed the deal since the early stages of the poll.

Lucius

Congrats also to Lucius, who will be featured on the cover of our Spring 2011 issue, since we never give the most coveted glossy page of The Deli to the same band more than once. Lucius – a female fronted alt-roots band we highlighted and booked several times in 2011 – earned the cover by winning the Readers’ and Fans’ Poll. But make no mistake: they fully deserve this prize, just go see them live tonight (01.25) at The Mercury lounge and you will understand why.

Widowspeak

Well done to dream-pop masters Widowspeak for their third place, sanctioned by lots of love from our jury and writers. Their stunning debut album on Captured Tracks Records was The Deli’s Record of the Month in August 2011.

 
Artist
J

OS

W

F

TOTAL
 
1
Caveman
13
2
 
0.023
15.023
2
Lucius
4
 
2
3
9
icon
3
Widowspeak
6
 
2
0.012
8.012
icon
4
Friends
7
 
 
0.015
7.015
icon
5
Monogold
4
1
1
0.128
6.128
icon
6
Ski Lodge
6
 
 
0.003
6.003
icon
7
Big Wilson River
3
2
 
0.234
5.234
icon
8
Ava Luna
3
 
2
0.014
5.014
icon
9
The Denzels
5
 
 
0.009
5.009
icon
10
Apollo Run
3
 
1
0.203
4.203
icon
11
Kung Fu Crimewave
3
 
1
0.101
4.101
icon
12
Tall Tall Trees
3
1
 
0.077
4.077
icon
13
Ambassadors
3
 
1
0.033
4.033
icon
14
Fort Lean
4
 
 
0.013
4.013
icon
15
Arms
3
 
1
0.007
4.007
icon
 
Grassfight
1
3
 
0.007
4.007
icon
17
Body Language
4
 
 
0.005
4.005
icon
18
Stephie Coplan & the…
 
1.5
 
2.5
4
icon
19
Starlight Girls
 
1.5
2
0.007
3.507
icon
20
Hurrah! A Bolt of Light!
 
2
1
0.239
3.239
icon
21
Black Taxi
 
2
1
0.052
3.052
icon
22
A$AP Rocky
3
 
 
0.041
3.041
icon
23
The Can’t Tells
3
 
 
0.017
3.017
icon
 
Yellow Ostrich
2
 
1
0.017
3.017
icon
25
Spirit Family Reunion
3
 
 
0.011
3.011
icon
26
The Men
3
 
 
0.009
3.009
icon
27
Diane Cluck
2
 
1
0.008
3.008
icon
 
Zambri
3
 
 
0.008
3.008
icon
29
Devin
3
 
 
0.007
3.007
icon
30
North Highlands
2
 
1
0.006
3.006
icon
 
Skaters
3
 
 
0.006
3.006
icon
32
Hidden Fees
3
 
 
0.003
3.003
icon
 
Illuminator
3
 
 
0.003
3.003
icon
34
Brothers
1
 
 
2
3
icon
35
The Bottom Dollars
 
1.5
1
0.113
2.613
icon
36
Field Mouse
 
1.5
1
0.027
2.527
icon
37
MiniBoone
 
1.5
1
0.008
2.508
 
38
Futurist
 
1
 
1.5
2.5
icon
39
Merrily & the Poison Orchard
 
1.25
 
1
2.25
icon
40
Exemption
 
2
 
0.213
2.213
icon
41
Mal Blum
 
1
1
0.196
2.196
icon
42
Deathrow Tull
 
1
1
0.17
2.17
NYC

Sandy Dickerson Experiments on Fifth Ukelele-Centric Solo Album

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At once progressive and rustic, Sandy Dickerson’s solo forays with the ukulele are far from what you would expect from such an apparently simple instrument. From the opening chords on his fifth solo recording, Songs from the Cold Coast, Dickerson shows that the perceived limitations of the instrument won’t prevent him from creating complexly layered folk tunes. He explores its possibilities, making each of its four strings work. Dickerson may be known around town as the bassist for a handful of other bands – the Panda Conspiracy, Big High, Missing Players and the Subdwellers – but with another album, High Seas, on the way in March, this project is hardly sitting on the backburner. Accompanied by drummer and percussionist Steven Barci, and Chris Poage on flute, accordion and clarinet, his commitment to his solo work shows in the thoughtful composition and varied products on each of his albums. Songs from the Cold Coast balances understated, unconventional sounds with accessible language, and its songs run the gamut from upbeat to somber. Sparse melodies on tracks like “This Room” provide a backdrop to Dickerson’s whispery vocals and quietly disconcerting lyrics, while the four-string twang on the comparatively lively “3 or 4” underscores the song’s – and the album’s – alternately assertive and confessional tone.

– Kate Shepherd

Philadelphia

The Horrible Department Record Release Party at The Rotunda Jan. 29

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The Horrible Department will be making their triumphant return to The Rotunda in West Philly tonight to celebrate the long-awaited vinyl LP/poster/digital download version of Capital I and the Royal Waltzing We. Their debut album is based on songs from last year’s stage production of the same name. It is near impossible to narrow this group’s unique and original sound down to one genre so I’ll just lay out some of the its best parts so you can get an idea: Accordion-centered, waltzing, theatrical art music played by a group raised on punk rock, and also knew somebody who happened to play the French horn. Okay, so this may seem like a strange combination of influences for a band, but trust me it is quite enjoyable. Also on the bill is the Balkan-influenced free jazz from the West Philadelphia Orchestra, as well as the gypsy jazz sounds of Octomonkey. Last March, the surreal stage production of this album was featured at two sold out nights at the Rotunda, so if you missed the experience last time around be sure to be there this evening. The Rotunda, 4014 Walnut St., $5 – $10, Doors  pm, All AgesDan Brightcliffe

NYC

Interview with The Will To Survive: DC Deli’s Band of the Month (January)

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VA’s indie rockers The Will To Survive not only were nominated for best emerging band of the year, earlier this month they were voted by you as our Band of the Month. And with the rad EP The Chattering Teeth Demos, upcoming tours, and an ever growing fanbase, its not a shocker. So we wanted to know more about TWTS, and got a hold of Adam Blackburn (Guitar/ Vocals,) Jared Tampa (Guitar,) Ben Stivers (Bass,) Nic Carchietta (Drums,) and Austin Claywell (Guitar). Here they tell us about basement shows, delay pedals, and their plethora of recordings coming out this year. Now onto the interview…

Check out their awesome track "Drab as a Fool" below, and catch them live next in Richmond VA at the Canal Club on Feb. 8th! –Dawn