Willis Earl Beal
2012 is going to be another great year for Chicago music, but one of the releases that I am most excited about is the debut release from the local blues-man Willis Earl Beal. The hype surrounding Beal has slowly been building since the summer and his recent signing to XL Records has added greatly to the swell. Earlies this month, Beal released a new track called "Evening Kiss" that can be streamed below.
Willis Earl Beal’s Acousmatic Sorcery is due via XL/Hot Charity on 19 March.
Vacationer releases “Gone” EP + plans 2012
As the bleakness that is post-holiday winter in New York stretches endlessly ahead, the phrase, “I need a vacation” rings all too true for many. If you can’t get the time off, look no further than Vacationer’s “Gone EP” set to drop on the last day of the month. Members of electronic collective Body Language plus Kenny Vasoli, formerly of The Starting Line, bring lush waves of ambient indie pop stacked with beachy melodies. The Brooklyn and Philly based band’s dreamy sound is bound to transport souls to a hazy, thoroughly tranquil parallel world. While their music may be quintessentially mellow, Vacationer certainly won’t be relaxing much in the next few months. After they release their EP on the 31st, they’ll be supporting The Asteroids Galaxy Tour, playing shows throughout the US as well as several dates in Canada. In March, Vacationer comes out with their “Gone LP” and will be joining Naked and Famous on another tour. – Corinne Bagish
Gretchen Peters Album Release, 1/27/12
Gretchen Peters graced the stage of The Rutledge last Friday in celebration of her new album, Hello Cruel World. The album’s title, a pun on the famed exit line, reminiscent of the Shakespearean quote, “once more into the breach, dear friends, once more,” the 11-track record is a masterful voyage through the pains and promises of morality, presupposing the album will be a favorite among fans of the singer/songwriter for countless years to come.
Gretchen, backed by four of the city’s most dynamic professional musicians, including husband Barry Walsh on the keys and accordion, took the audience on a flirtatious voyage through a set textured in raw chords and minimal exposure to distortion, taking on Americana roots and genre-defying flexibility. Songs like the title track “Hello Cruel World” maintains an eerie and dark-textured country and bluegrass feel, while a song like “Camille” is a slow-paced bluesy and jazz-sounding trip. The set, a reflection of the album, was a poetic voyage that showed Gretchen’s vulnerability, strength and triumphs, finding comfort in a chaotic world she has come to know so well.
Her textured rhythms and full band sound rounded out the set with grace and an honest grit only known as southern elegance. Gretchen’s voice is sweet, aged in honey, with each note a mellifluous stroke of environmental beauty meeting a hard working industrial past. She approached the stage last night the same way she approaches life, with a rock ‘n’ roll temperament, a poetic soul and in the company of Nashville musicians that are as professional as it gets.
In songs like “5 minutes,” Gretchen embodies every person who has ever lost something that has shaped them more than ever could be said, and before being taken away by the memory, continuing with life after 5 minutes are up. On “The Matador” she tells a story of love and pain, suffering from the ephemeral woes quickly made, deep seated emotions bring. The performance is possibly the most elegant Nashville has seen this year, and as Gretchen takes to the road for a European tour, fans from all around the world will be rejoicing to experience so much of this woman’s life through honest storytelling and poetic vulnerabilities.
The lines from the song “Paradise Found,” “I don’t believe in no hold jihad, I don’t believe in original sin, I believe in theheat underneath our skin,” it’s clear Gretchen Peters sure as hell believes in her art, and seeing her play live is an experience in personal discovery and a soul warming attraction. – D.H. Wright
Stream the whole album here.
In Like Lions — Through Red & Blue
Making a solid record is like creating a “perfect storm” of music—all the instruments must be precisely aligned and in time, with the vocal performance cutting through and above the instruments, tying the whole project together. In Like Lions latest album, Through Red & Blue, harnesses all of those qualities to forge a truly impressive collection of pop songs. The record, set to drop this Valentine’s Day, is a unique combination of Top 40 pop sound, soul, and R&B, with a splash of rock n’ roll added for good measure.
The album opens with an ethereal, spacey instrumental that is highlighted by drums that sound like they are straight from a Fine Young Cannibals track. This piece flows perfectly into the next song, "Far Away," a soft rock number that showcases lead-singer Troy Ramey’s vocal abilities. Ramey’s vocals are the driving force behind the record, adding a dynamic and powerful element to each track.
"Honey" is the stand-out track on Through Red & Blue, complete with up-tempo guitar riffs and a hook so catchy you’ll be singing the words long after the song is over. I found myself drawing comparisons to the Counting Crows throughout the entire album, but “Honey” is one particular song where Ramey’s similarities to Adam Duritz are quite striking.
Overall, I was pleasantly surprised by Through Red & Blue. In Like Lions have found the formula for making great pop songs and seem poised to make a huge impact on the Boston (and New England) music scene with this latest release. Check out the band’s Facebook page or inlikelions.com for more music and updates about the band and don’t forget to grab a copy of Through Red & Blue for you or a loved one this February 14th.–Daniel McMahon
Snowmine lands February residency at Pianos – every Thursday
Brooklyn-based five-piece band Snowmine will be curating and headlining four nights at Piano’s beginning on February 2 and continuing every Thursday for the remainder of the month. Each night will feature three supporting acts and be co-presented by a different partner including ExFm (2/2), The Wild Honey Pie (2/9), our own The Deli Magazine (2/16), and the creative agency Pulp Lab (2/23). The shows are sure to be unique events each time, and will serve as essential hometown showcases before the group heads out to SXSW in March, as well as an upcoming tour in the South & Midwest. The band’s sound embraces an imaginative brand of psych-pop with emphasis on echo pedals, tribal beats, electro-acoustic soundscapes and classical orchestrations. Snowmine is fronted by composer Grayson Sanders, whose vocals have been compared to Robin Pecknold of Fleet Foxes, and Jim James of My Morning Jacket. – Dave Cromwell
Free Download: “Video Games” (Lana Del Rey Cover) – Resistor
Free Download: “Tibetan Pop Star” – Hop Along
Caveman wins The Deli’s Best of NYC Poll 2011 for Emerging Artists
Deli Readers,
After a month and a half long painstaking process, we finally have the overall results of The Deli’s Best of NYC 2011 Poll for Emerging Artists.
Congrats to Caveman – who won the poll after being featured on the cover of the NYC Summer 2011 issue of The Deli. This fantastic band received a record number of votes from our jury of NYC scene makers (see list here), which sealed the deal since the early stages of the poll.
—
Congrats also to Lucius, who will be featured on the cover of our Spring 2011 issue, since we never give the most coveted glossy page of The Deli to the same band more than once. Lucius – a female fronted alt-roots band we highlighted and booked several times in 2011 – earned the cover by winning the Readers’ and Fans’ Poll. But make no mistake: they fully deserve this prize, just go see them live tonight (01.25) at The Mercury lounge and you will understand why.
—
Well done to dream-pop masters Widowspeak for their third place, sanctioned by lots of love from our jury and writers. Their stunning debut album on Captured Tracks Records was The Deli’s Record of the Month in August 2011.
|