Sporting t-shirts and jeans and short haircuts, it might be easy to confuse We Barbarians with New Order- era Euro arena rock, but they are indeed Long Beach, NY natives. Living in Brooklyn now, they’ve been hard at it. In the past five years, they’ve released four records and have opened for big indie bands from Ra Ra Riot to Tokyo Police Club. Their latest self- released EP Headspace contains a much more direct and close-mic’ed sound than their previous EP’s, which were much more dronier and awash in reverb by comparison.
Standout “Chambray” yields that classic righteous warrior sound we’ve been hearing from bands like U2 for years now, but David has the voice capable of delivering a range to easily rival Bono’s, and the three-piece locks it in for anyone missing singers like Jeff Buckley singing to the rafters.
Arguably, the standout is their cover of David Byrne’s “Strange Overtones”. We Barbarians’ treatment of this classic marries Byrne’s world music dance vibe to Quon’s penchant for anthems. It’s a unique idea, and I give them credit for owning up to the challenge.
After so many EP’s released in such short succession, I can only imagine a full-length is on the docket. But right now the band is getting ready for a tour, so I’m hoping they announce new dates soon! – Mike Levine (@goldnuggets)

Lotte Kestner has the quiet, understated intensity made possible by her bare bones production.  She is reminiscent of Seattle’s Tiny Vipers, but even more closely related to the likes of Grouper with her wonderfully thin, beautiful, reverb kissed vocals.  Her compositions in general, at the heart of them, are melancholy folk meditations.  Rather than evoking woodsy, finger-picked platitudes, they manifest feelings of dissolution and isolation.

China Mountain, Kestner’s last release in 2009 named after a mountain range in southern Oregon, was recorded over a year in her basement bedroom, and mixed with Trespassers bandmate Matt Brown.  Recently, on September 27th, Kestner released a cover of The National’s "Conversation 16", which with her stripped down means, lays bare the effectiveness of the vocal pattern and lyrics, acting as a kind of distillation showcasing what makes the song function in its essence.