Philadelphia

The Deli’s September Album of the Month: Slave Ambient – The War on Drugs

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Slave Ambient starts with a buzz and a warm, acoustic hum that swells into something reminiscent of the Broken Social Scene’s glory days. The latest effort by Philly four-piece, the War on Drugs, sonically fits into Secretly Canadian’s aesthetic, striking the same emotive chord as label mates Throw Me the Statue or Here We Go Magic. A cohesive fusion between indie pop and what feels like lo-fi folk, the hybridity of their sophomore LP release amplifies the War On Drugs’ ability to create lyrical texture and sound.

The alum’s opener, “Best Night,” is subtle and unfolds cathartic. A tempered mix of vocals and instrumentation frame the core appeal of the song. It is honest, lush, and memorable, much like lead vocalist Adam Granduciel’s diction. Effortlessly, “Best Night” eases into the following track, “Brothers.” Atmospheric wind premises jangly chords that seem to drip with harmonization. Granduciel’s delivery brings to mind Bob Dylan or a young Lou Reed, rendering the song into an apt anthem for autumn in the wake of summer’s decline. “I Was There” slides in with rustic distortion and vibrant melodies that swoon romantic to the tune of its harmonica and twangy riffs while “Your Love Is Calling My Name,” with its almost instantaneous tempo and rushing sounds, resembles the cinematic feel of traffic or the brilliance of a city skyline at dusk. The shift from “The Animator” to “Come to the City” is flawless and organic, occurring without a shred of disconnect or dissonance. Latter tracks like “It’s Your Destiny” glisten and feel prophetic with echoey vocals and persistent beats, making instrumental cuts like “City Reprise” feel like a less strung out AnCo laced with the skill of a psyched out Mogwai. “Baby Missiles” harbors a pop-friendly charm while “Original Slave” is an introspective revisioning of melodies rampant throughout the album’s length. Closing with “Blackwater,” the War On Drug’s Slave Ambient stands as a testament to earnest longings and the band’s prolific potential from start to end.

It may have been an excruciatingly long wait for the full-length follow-up to Wagonwheel Blues, but one that is worthy to be treasured. You can purchase Slave Ambient via Secretly Canadian HERE. – Dianca Potts

NYC

Most droney band in NYC: Heavy Birds, play Bruar Falls on 09.01 (tonight)

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If you are not afraid of musical drones (many people are!), but actually enjoy their hypnotic, trascendent quality, you may want to check out Heavy Birds on 09.01 at Bruar Falls – their music is so friggin’ droney it may transport you to one or three altered states of consciousness. The guys play some of most trippy psychedelia we’ve heard in a while, it almost feels like it 1967 all over again. To give you an idea, think of a super mellow version of early Pink Floyd. On the bill also DeGreaser & Love Butchers. – (as posted in The Deli’s Open Blog – post your band’s entries, videos, and Mp3s here). The Deli’s NYC Open Blog is powered by The Music Building and APS Mastering.

Philadelphia

The Deli’s Featured Artist(s) Poll Winners: Coup Couroux

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Coup Couroux are no strangers to winning. They emerged victorious in last year’s Beta Hi-Fi competition at World Café Live, and just recently won our Featured Artist(s) Poll. We had a chance to throw our get-to-know-you questions at the band so check out HERE the story of their somewhat mythical beginnings as well as the band’s likes and dislikes that includes Philly’s infamous problem with chicken bones (which also ranks at the top of our list of things we hate about Philly). They’ll be performing next in town on September 10 at Kung Fu Necktie.

Philadelphia

Acid Kicks w/Creepoid’s Pat Troxell on Drums at Little Bar Sept. 1

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ACID KICKS is made up of 3 bass players and 1 drummer. 3+1=4. The rest that you hear is just another part of the punk rock american dream.” And tonight at the Little Bar that one drummer will be Creepoid’s Pat Troxell. He’ll be filling in this evening while Acid Kicks search for a new drummer to replace Alex Zilinski who has moved to New Orleans to join Dead People on tour. (Any takers ready to step up to the skins?) If three bassists sound like overkill to you, then you need to check out Acid Kicks and experience how wonderful being bombarded by heavy artillery fire of low-end can feel. They might just be the band that you’ve been looking for your whole life, but never even knew it. Acid Kicks will be joined in the cozy Little Bar by Baltimore’s Witch Hat and Weekends as well as locals Fire in the Hearts and Minds (ex-The G, Gods and Queens). Little Bar, 736 S. 8th St., 8pm, $5, 21+ (Photo by Sam Levine) – Q.D. Tran

Chicago

Magicks “Triangles”

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What does it take to get a random person or random music fan interested in hearing your music? For Jason Magicks (aka Magicks) it is simple, walk around music festivals carrying a box marked "Free Kittens". When someone inquires you open the box and they find shirts with your name on them and download codes for you music. Genius!

Magicks is an experimental audio engineer who has released two albums digitally through bandcamp and on cassette. His latest is available for free digitally and is called Triangles.

Chicago

Paper Thick Walls @ Schubas

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Paper Thick Walls are headlining at Schubas this Friday, Sept 2, to celebrate the release of their new video for the track "Orange Tree". The video is a tripping journey complete with animated campfire, and is perfect for this catchy campfire track. The video was premired this week by Playground Misnomer.

Dastardly and Madison’s Sleeping in the Aviary will also be performing on Friday at Schubas. The show begins at 9pm.

 

NYC

CD Review: Alec Gross – “Strip The Lanterns: The Night Terrors of Mr. Ron Avery”

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There are two ways to listen to Alec Gross’ latest take on Americana. On first listen, Strip The Lanterns: The Night Terrors of Mr. Ron Avery might be torch music best experienced with your lover close by. On closer inspection, one finds a meticulously detailed concept on par with Dylan’s "Bringing It All Back Home". Listening to the record this way, Gross re-conceptualizes a lost America told through the eyes of its dark protagonist, Ron Avery. Like a lot of folk singer-songwriters, Alec paints a specific time and place for the experiences that his character makes his way through. Most of these aren’t happy times, and this comes through loud and clear on songs like the haunting ‘Burning Grounds,’ inspired by Alec’s trip to the Holocaust museum in Jerusalem and a poem he saw there by Anatoly Kuznetsov. Most tracks are quiet and moody impressions of an imagined idyllic existence, from the Irish ballad ‘Be Not Jealous of the Sea,’ to the tormented ‘Looking Glass Lies.’ It isn’t until barnburner ‘Strip the Lanterns’ that we hear Gross really cut loose, but it’s well worth the wait through the record’s more even-tempered and traditional sections. With such a buttery voice, one might wonder why he felt the need to go through all this trouble to showcase his enormous talents in the first place. ‘If You Don’t Mind (Baby Go Ahead)’ could be wedding song of the year, and there’s plenty more on this record to make you think of Alec simply as a romantic, like Don Williams with a high tenor. But it’s stuff like this that reminds me of how different an artist’s vision for their music can be to your own, and makes the trip of discovering Alec’s voice all the more fun. – Mike Levine (@goldnuggets)

Philadelphia

Edelweiss Headline All Ages Show at The Fire Sept. 1

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While we generally stay in the Philly area, we do enjoy discovering and giving exposure to other Pennsylvania bands who come perform to our great music city and don’t happen to have a Deli branch in their town. After all, we might have missed out on interesting acts like Soars (Lehigh Valley), Strand of Oaks (Wilkes-Barre, at the time, but he might have made it to Mount Airy by then – you know how everyone stopped updating their MySpace, and he hadn’t made a Facebook or Bandcamp page yet), and all the fine Bucks County groups. Well, indie pop-rockers Edelweiss are from Stroudsburg, PA, and they’ll be headlining an all ages show tonight at The Fire. The quartet will be releasing its debut EP Pre-Columbians, which was produced by Jeremy Sklarsky (Freelance Whales, Teenage Fanclub, The Morning Benders), on September 13. Edelweiss delivers a delightfully smooth sound with multitudes of textures and a captivatingly casual play between bass and guitar. And they are still in high school so you (older Deli readers) may not want to go backstage with them to avoid any run-ins with the law. The Fire, 412 W. Girard Ave., 7pm, $10, All Ages – Brandi Lukas