Ambassadors is one of those bands that are just impressive in some kind of good old way: band members who can play their instrument, strong and staright-forward onstage presence, interesting sound and songwriting – such a band 10 years ago would have easily been picked up by a major label. To us, their avant-alt-rock seems strongly influenced by a particular sound that emerged in the mid 80s – a musical era perceived as prehistoric (and therefore cool) by many twenty-somthings. It’s the era of Peter Gabriel’s pop rock experiments from the "SO" and "US" period, and of a particular drum sound that is huge but controlled – think of the drums from Robert Plant’s records with The Power Station. In a NYC rock scene that’s been mostly flirting with lo-fi, surf and shoegazer influences (without mentioning the hordes of rather generic alt rockers), Ambassadors’ sound is definitely a welcome addition. See them live at Brooklyn Bowl on August 2.
New Music Video: “I Had To Go Away” – Young Gliss (Feat. Dice Raw)
Young Gliss Ft. Dice Raw "I Had to Go Away" from Sil "Spike Jordan" Beyah
Disappears on LaundroMantinee
Last week My Old Kentucky Blog’s live music site LaundroMantinee released their session with Disappears. The band has been exploding since releasing their latest album Guider.
Disappears next hometown show is August 6th at Lollapalooza, but they are also performing that night at House of Blues with Arctic Monkeys.
Nice Gifts for Mister Heavenly Pre-orders
Mister Heavenly has some nice gifts for those who plan to pre-order their most excellent upcoming release Out of Love. For the first 500 pre-orders, you’ll get a signed/numbered, two-sided art print illustrated by Nick Thorburn (Mister Heavenly/Islands) and a Mister Heavenly stencil (“so you can neatly spray paint your fandom all over town!”) as well as a few stickers and a link to stream Out of Love in its entirety so you don’t have to wait for your order to arrive to hear it. Also, for the first 350 pre-orders on vinyl (which will come with a digital download code), you’ll receive a limited edition mustard-colored vinyl. You can pre-order Out of Love HERE. – The Deli Staff
Twin Sister debuts video + announces release + tour
Twin Sister will celebrate the release of their debut full length "In Heaven" at the Mercury Lounge on September 29, and they also announced additional support dates with Explosions in the Sky, Wild Beasts, and Pains of Being Pure at Heart. Today they are launching this video for "Bad Street," which was shot at lead singer Andrea Estella’s family’s house in Long Island and populated by her band mates, friends, and family.
The Bottom Dollars’ show at The Rock Shop
Fate was cruel to Brian Cherchiglia on July 25th. Even though it had been rainy all day, the roof of his building had somehow caught fire. Now he couldn’t stop breaking strings. Smiling on the stage of The Rock Shop, Cherchiglia, guitarist and lead vocalist for The Bottom Dollars, swapped out his first borrowed instrument (his own had already broken) for a second. Lightouts had already taken the stage and then their gear with them, but final act and Deli Artists of July 2011 The Nuclears had a seemingly endless guitar supply in their rock arsenal, and would never leave fellow musicians in need.
But through the power of positive thinking (and drinking), Cherchiglia, Evan Berg (drums, backing vocals) and Doug Guttenberg (bass, backing vocals) persevered like professionals and rolled out a set of analog rock, suffused with blues and muddled with folk. Imagine The Raconteurs with some Cake, including a "Satan Is My Motor" cover. Near the end of the band’s on-stage odyssey, Dyalekt of Deathrow Tull joined them for a song titled "Peace and Anarchy." And peace (or the rock version anyway) inside of anarchy was just what The Bottom Dollars had accomplished, broken strings be damned. Take that, fate. Now if only the roof would stop smoldering. –allison levin
The Future “Grow Young” review
Grow Young, the latest effort from The Future, is an improvement overall from their 2009 debut Is Now, but it lacks the individual gems that the first record boasted.
The Future, whose members call Tennessee home by way of North Dakota, have made a great impression on the local scene over the past few years with a sound that mixes the soulful rock of Nashville with good old-fashioned Midwestern angst. However, they have also suffered from a disease that has plagued many rock bands – they sound great live, but they have trouble keeping up the same energy on recorded tracks.
The first track, "Man of the People," seems to be an attempt to address that issue. It is one of the most fascinating on the album, with vocalist Adam Culver adopting an eerie falsetto over a creeping dirge of instrumentation. It’s deeply interesting, and it seems like it would be difficult to recreate during a live show. "Locker Bay" and "Another Last Chance" also seem to contain some experimentation with the abilities of a studio as a fifth band member.
Other parts of the record, however, move along too slowly; while I imagine those same songs sound amazing in a live setting, to listen to them on an iPod is not an energizing experience. (While live music is, generally, going to be a more invigorating experience for a listener, when a band doesn’t pay enough thought as to how it will sound recorded, it begs the question as to why one should buy the album at all).
This album is, however, much more polished and thoughtful than The Future’s previous work, though it doesn’t have the same danceable quality that Is Now had. One track that does seem to be a tip to fans of their first record is the immensely fun, Hives-esque "Don’t You Dare,” though again, I imagine the live version transcends the recording.
The Future is in a state of transition, from an anonymous indie act to one that is on the proverbial verge. Grow Young might not be the act’s herald onto the national stage, but it is nonetheless a step to greater things. – Katharine Heriges
Roommate @ Quencher’s
Roommate is performing tonight (July 28th) at Quencher’s and opening for Joe Jack Talcum of the Dead Milkmen. The band recently released a great animated video for their track "August Song". The track comes from their new album Guilty Rainbow which was released by Antephonic earlier this year. The video was animated by the talented Jodie Mack.
Get Toxic w/Spank Rock at The Barbary July 28
Alternative hip hop/electro group Spank Rock is coming out of their brief hiatus tonight for a special show at Toxic, the top 40 dance party night hosted by resident DJs Dirty South Joe and Low Budget, at The Barbary before heading off on their U.S. tour with Kesha. Emcee Spank Rock (a.k.a. Naeem Juwan) and producer XXXChange (a.k.a. Alex Epton) have steadily gained recognition for their genre-blending style of club oriented hip hop since 2005’s single “Put That Pussy on Me” and the release of their debut album YoYoYoYoYo back in 2006. The duo is scheduled to release their long-awaited sophomore album Everything Is Boring and Everyone Is a Fucking Liar (great fucking name), which will have contributions from Santigold, Neptunes’ Pharrell Williams, Big Freedia, Sam Spiegel (a.k.a. Squeak E. Clean of N.A.S.A), and Chris Rockswell, on September 27 via their label Bad Blood Records. Based on the album’s lead single “Energy,” a club banger featuring a sample of “Vitamin C” by Krautrock legends Can, expect Spank Rock to be taking their sound in a different direction with the upcoming release. Be one of the first to hear what they’ve been up to lately! The Barbary, 951 Frankford Ave., FREE, 11pm (Open Bar from 9 – 10pm), 21+ – Dan Brightcliffe
Energy (Produced by Boys Noize) by Spank Rock
Show Preview: Billy & Dolly at Bottom of the Hill
Don’t miss Billy & Dolly‘s last show at Bottom of the Hill on July 28 before they hibernate to record a second album with producer Jason Quever, the frontman and mastermind of the Papercuts. The San Francisco duo will be joined by fellow locals Karina Deinke and Carleta Sue Kay.
Billy & Dolly is the musical venture of Bill Rousseau and Dahlia Gallin Ramirez. They write songs about love and loss, old friends, Gene Clark and the Garden of Eden. The two recently opened for Dr. Dog, Corrin Tucker and Apples in Stereo.
The Trashies are BAACCCKKKK!!!
The Trashies return from a three year dormant period with their new LP Space Jam! The Trashies, as you can imagine from their name, are not an ambient project. They’re a thrashy, psycho-garage outfit that incorporate musical elements ranging from The Stooges to Bo Diddley. They’re not the tightest band in the world, but they’re not trying to be, and if that’s what you’re looking for in garage music of this brand, you’re missing the point. Sloppy, thumpin’ backbeats lay the groundwork for catchy, hook-laden guitar riffs that even sound sweaty. The songs on Space Jam are all short punk-jams, clocking in under three minutes, with the exception of "Bug Smoker," which is typical of their last few albums (which I’m obviously just trying to work in here so I can type their very perfect names), Let it be Trashed, Taz Tattoo, and Fartstorm. "I wanna Destroy," the probable hit of the album, is below, along with tour dates. Total Fest sounds fun.
The Trashies on Tour
August 5th @ The Funhouse – Seattle, WA
August 6th @ SMMR BMMR – Portland, OR
August 12th @ Total Trash Fest – Oakland, CA
August 14th @ LA Record Psycho Beach Party – Los Angeles, CA
August 19th @ Total Fest – Missoula, MT
All shows w/Shannon and the Clams. More tour dates will be confirmed shortly.
Kurt Vile & Woods Release Split 7”
According to Tiny Mix Tapes, Kurt Vile and Woods have a new split 7”, which was released via Woodsist, and is currently available for purchase on Vile’s tour. The 5-song 7” contains three from Vile and two from Woods. You can check out its tracklist below. As we mentioned last week, Vile will perform again in Philly on November 12 when he headlines Union Transfer so hopefully he’ll still have some copies left because they don’t appear to be available online. – The Deli Staff
A2. “Cold Blue” – Woods
B1. “Commercial Reject” – Kurt Vile
B2. “In/Out Blues” – Kurt Vile
B3. “Water Fingers” – Kurt Vile