Fursaxa for Sure at Highwire Gallery June 17
B.O.M.B Fest 2011 re-cap (Saturday May 28th)
The atmostphere at the BOMB festival was probably one of the more calmer but still high-energy, less-douchebaggy ones (more love, less violence) that I’ve experienced in a festival atmosphere. Covering two days at the Comcast Center in Hartford, the BOMB festival featured a great varitey of acts from Weezer, to Snoop Dogg to Edward Sharpe and the Magnetic Zeros.
One of the great things about the BOMB festival were the featured local acts. I have a suspicion that the venue sold much less tickets then it was counting on. Which is a shame, and this is all on assumption, but they did a really good job collecting and promoting acts regional and national. I was reluctant to go to The Comcast Center. I don’t really like the corporate festivals. They seem to be doused in product placement, etc. This is the first time The Comcast Center has hosted a non-profit event — all the proceeds went to The Hole In The Wall Gang Camp and Connecticut Children’s Hospital.
We got there a little late on Saturday, around 4pm, there weren’t many people there, but the bands were still giving their all.
The first band that really caught our ears was Forget Paris out of Derby, Connecticut who won the crowd with their feirce power-pop melodies. We got a chance to hang out with them backstage, share some mini-Budweisers and chat it up.
Read the whole article HERE
New Music Video: “I Can’t Sleep at Night” – Dry Feet
Show Review: Ocote Soul Sounds @ Beauty Bar
With Grupo Fantasma already earning a Grammy this year, another of Adrian Quesada’s pursuits, Ocote Soul Sounds, celebrated the release of their fourth studio album, Taurus, at Beauty Bar last Friday (6/10). Quesada and Martin Perna turned stranded-roadside jam sessions into fresh Latin roots and funklore. Taurus was officially released May 31st and has been strongly acclaimed for its bold fusion of salsa, funk, jazz and tropical flavor. On stage, they captured a brilliant blend of saxophone solos, bass riffs, flutes, shakers and the sultry vibe of Columbian soundscape. The music was raw and so organically vibrant with the essence of Latin groove and moves, the crowd was completely soulspun. Next up, the band will be taking some summer heat to New York City in early July.
–Jamie Hsu
Shakey Graves and more more at the Parish
Tomorrow night (6/17) at the Parish: David Ramirez, Black Books, Fox and the Bird, and Shakey Graves. And just who the hell/what the hell/why the hell is Shakey Graves? Why, he’s a gentleman from Texas, of course. A gentleman named Alejandro, but not that Alejandro. A gentleman with a bandcamp and a tumblr and a facebook, with a fedora and a banjo, but without an inflated sense of self-promotion. He is, in short, a gentleman you’ll have to go see in order to learn very much about. Which you can do, tomorrow. Remember where we started?
The Deli’s Featured Artist(s) Poll Winners: Cold Fronts
Your Children is Beautiful, Synth Sircus, and More at Millcreek Tavern June 16
Report from Japanther’s 10 year anniversary show
Last night, I think I got about as close to Brooklyn’s early 00’s punk mess as anyone these days should come. Before everyone started talking about this borough ad infinitum, there was the great and all-powerful Japanther representing, and last night at Music Hall of Williamsburg they came out in force to celebrate ten years underground, along with buddies Shellshag and Heavy Cream.
Now a decade old, they’re reaching middle age time, where they’ve become something of a reluctant institution. The hipster symbol of last night’s party, complete with a decades’ worth of silly string, telephone microphones, and a weird but enthusiastic stagediving hypeman with wooden wings on stage to remind us of why mosh pits still work for shows like this. While some members of the crowd looked a bit more grizzled after 10 years of hipster flag waving, Ian Vanek and Matt Reilly themselves still looked fresh out of Pratt, and their hour-plus set of exhausting, high-energy wailing dared anyone to count how many years it’s been since they formed way back in 2001.
Japanther haven’t given us a new LP in too long, (though Tut, Tut Shake Ya Butt still works in its weird little way) but the pair still do that messy party thing better than any of their peers. Their noisy bass/drum/Casio SK-1 combo worked great in my faves ‘She’s the One’ and ‘Surfin Coffin’. Happy ten years Japanther!!! – Mike Levine (@goldnuggets)
P.S. Japanther in 2005 declined to be featured on the cover of The Deli. Asked to explain why, they answered: "It’s not our kind of thing, you know? We are not that good looking either… You should put a good looking band on the cover, like our friends Matt & Kim"
Jason Ajemian & The HighLife
Jason Ajemian & the HighLife announced the details of their new album Riding The Light Into The Birds Eye yesterday. The album will be released on August 9th through Sundmagi, and will feature eight new tracks including "Bliss Is This" below. Ajemian is a long-time member of Chicago’s improvastional jazz scene, and has applied just enough structure and guidance to allow the band to lay down some incredible tracks.
The band is releasing a series of interesting videos in advance of this release that may or may not have anything to do with anything.
Colin Schiller and The Reactions release video and debut album
"Endless Holiday", Colin Schiller and The Reactions’s debut record, is a bit of a throwback to the days of Huey, Costello, and The Boss with just the right twist of light hearted "nerdiness". The band’s full-on fun-antics bring back that old feeling of sincere and earnest rock n’ roll that never comes up short on the charisma and entertains crowds. Colin Schiller and The Reactions recorded the album at Vacation Island Studios (MGMT, Gang Gang Dance, Lemonheads) and it will be released Aug 2 on Milk It To Deaf Records" – (as posted in The Deli’s Open Blog – post your band’s entries, videos, and Mp3s here). The Deli’s NYC Open Blog is powered by The Music Building.
How To Dress Well “Just Once”
How To Dress Well will be releasing an ep called Just Once on 7/12 through Your Truly’s Love Ink label. The four song ep will be released as a 10" and also digitally. These are beautiful orchestral tracks that lement a lot of the same issue Tom Krell tackled on his debut Love Remains. A portion of the proceeds from the release will go to mindfreedom.org.
In the video below Krell talks about what prompted him to create this ep. How To Dress Well will be performing at Pitchfork Music Festival on July 17th.