NYC

Best of NYC #102: Melati Malay, live at Judson Memorial Church on March 20

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I don’t think singer songwriter Melati Melay was being entirely serious when she posted "ghettotech" as her genre on Myspace. In fact, of the three genres listed, only "tropical" seems somewhat descriptive of her music and… life. Malay, originally from Indonesia, lived in Australia, Singapore and a whole bunch of other places before finally settling in New York, and the international influence resonates throughout her tracks. The songs we hear on her myspace profile are quite clearly split in two: rather traditional, intimate but tense ballads with bluesy overtones on one side, and more orchestrated, lush and sophisticated tracks like "Big Potential" on the other – we guess this is a new direction in her sound, which we like a lot. All her music though conveys this overwhelming feeling of an intensely sunny day with a breeze…albeit a breeze with a bite. Windbreaker weather. – allison levin

Philadelphia

Cozy Galaxies Invade Our Universe at The M Room March 19

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Philly-based music blog Noise Narcs have decided to make everyone’s weekend by rounding up three of its favorite local bands and encouraging “the entire audience to get drunk” (which we totally support). The main attraction is Cozy Galaxies, who have a knack for unflinchingly honest lyricism laid on top of impossibly lush, romantic instrumentation. “Clean Yourself Up” sounds like Noah and the Whale with some bite, a steady-build track with a majestic guitar refrain. “Dreamer” centers around a rousing military march. There’s also Grubby Little Hands, who are possibly in a genre all their own with their apathetic slacker-folk, while Bridge Underwater provide the pop jangle with a post-punk streak. So grab a special, and cheers! The M Room, 15 W. Girard Ave., $10, 8pm, 21+ – Joe Poteracki
 

Philadelphia

Southwork Sell Out Debut Performance at KFN March 19

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Tonight’s sold out show at Kung Fu Necktie might be Southwork’s debut performance. But it’s far from the first time that you’ve seen the seven-piece multi-instrumentalist rock outfit. The classically trained group is a former street pirate band of Mummers who have marched across South Philly with an ensemble of horns, percussion, ukuleles, and then some. It also features members of bands like The Swimmers, Fat City Reprise, and Distant Orange. When the collective takes the stage you will bare witness to a cavalcade of layered harmonies, mellotrons, kazoos, and more. Univox will be on hand to give the show a boost of energy with their arena rock anthems and multipart harmonies. Rounding out the bill will be New Jersey’s electro misfit duo Brick + Mortar. Kung Fu Necktie, 1250 N. Front St., 8pm, Sold Out, 21+ – Bill McThrill
 
Austin

SXSW Day 3: Ben Kweller, Living Days, Bahamas, The Autumn Defense

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Another day walking South Congress in the sun…Bahamas at the San Jose, a very well-named guitar and drum duo, sounded like the islands: laid back, quirky, carefree. Before that some thumping electro-pop from Living Days, somewhat at odds with the beer & taco vibe at Guero’s. 

Kind of enjoyed the improv mood that sprang up at Music By the Slice after they were forced acoustic, so returned there in time to check out Still Corners, who I don’t think were ever very loud to begin with. The Autumn Defense turned in an elegant set at San Jose; but easily the highlight of the day was the Ben Kweller listening party for Go Fly A Kite. 

Billed as ‘blogger kegger’, it was a low-key event in the backyard of the very hip St. Cecilia’s Hotel, involved a couple of kegs, pizza, some toddlers running around. Kweller said a few words about the album + old school recording process, and pressed play…and Go Fly A Kite sounded rich, warm, vibrant, fun. Maybe it’s the beer talking. If it was the beer talking, the beer liked the album quite a bit. The beer would like to listen again. Kweller’s left his previous label (ATO) + started his own (The Noise Company), seems to have done him good.

And we head back out… 

NYC

Meijin’s SXSW day 2

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St. Patrick’s Day at SXSW 2011 was unlike any March 17th I had ever experienced. The Deli Magazine teamed up with Brooklyn Lager, GAT5, and Black Knight Productions to showcase thirty bands, eight of which I was proud to present, on three stages at Hotel Vegas/Volstead Lounge in the heart of downtown Austin at the Brooklyn BBQ. My day began with The Gay Blades, who are becoming a household name. Unfortunately, the set was cut short by a loss of diesel power. The crew quickly replenished the generator for the outdoor stage, but TGB unleashed some mega-phone free-styling, a resourceful and entertaining solution to the unexpected events.

Fueled up, Fan Tan (top picture) hit the stage, while speed metal, Goes Cube, shook the indoor “Dive” stage. Bouncing between stages, I encountered Butcher Bear Soundsystem with Charlie who included a man in a yellow bear suit, pretty painful for the 86 degree Texas temperature. Following the plush performer was reggae-tinged rock quartet, Deadbeat Darling, special guests, fashionable and punky The Vandelles (pictured below), and ethereal Dream Diary.

As the sun set, the crowd grew and feasted on BBQ , enjoying on-the-house beverages (during the last quarter of ever hour), and one of NYC’s top artists, soothing, bass-driven, The Dig, outside, while piano accompanied poet, Emily Greene (pictured below), played the acoustic “Volstead” stage, and The Wicked Tomorrow’s sultry sound stopped attendees in their tracks.

Continuing the rock duo them, The Courtesy Tier echoed throughout the “Dive” space, followed by guitar-heavy Blackbells, and simultaneously, in the backyard, Black Taxi drew the crowd into a dancing frenzy. The ear-catching melodies and moving vocals of Brooklyn trio, Apollo Run, pulled the audience indoors before the last, but not least, dynamic and rhythmically complex decibel., closed the BK BBQ with a bang, literally, as the duet landed in a pile atop the drum kit. All in all, the day was a memorable and proud twelve hours for New York music. – Meijin Bruttomesso

Nashville

SpiderFriends Album Release w/ Vinyl Thief, Sol Cat, & New Pleasure, 3/18/11

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There is something to be said about a band with a sound that has continued to change since they formed almost two years ago, which is why Nashville can look forward to lots of surprises tonight at Exit/In for the new album release of SpiderFriends. It’s been a while since we’ve seen SpiderFriends play, so we have no idea what they’re going to sound like now, but for what it’s worth, we totally enjoyed their last record–(which, by the way, was pressed on fancy electric pink semi-transparent vinyl, so we’ve got high hopes for the aesthetic aaannnddd musical appeal of this album). Also playing will be local artists Vinyl Thief, Sol Cat, and New Pleasure. The show starts at 9, 18+, $10 cover, which is a bit steep, but you receive the 14-TRACK ALBUM HOLY COW THAT’S A LOT OF SONGS, so just bite the bullet and cough up the cash!–Erin Manning

Philadelphia

Weekend Warrior, March 18 – March 20

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Noise rock all-stars Pissed Jeans are back at Johnny Brenda’s tonight. Currently signed to Sub Pop, this local minded four-piece brings the mosh with sick riffs and thrash-worthy preludes. From the brooding baseline of “Ashamed of My Cum” to the provocative sleeve of King of Jeans, Pissed Jeans blurs the definition between hardcore punk and noise while managing not to sound retro, trite, or forced. Lose yourself in the serious shred of “Caught Licking Leather” or the snarky diction of “Lip Ring” and hints of The Jesus Lizard’s bravado amped up with a side of Drunkdriver’s visceral grit can’t help but come to mind. Liable to melt your face, get a taste of Pissed Jeans antics tonight at one of Philly’s best with M Ax Noi Mach and Purling Hiss. Johnny Brenda’s. 1201 N. Frankford Ave., 9pm, $10, 21+ (Photo by Gabrielle Stabile)
 
It’s fuckin’ beautiful out! Go do something…
 
Johnny Brenda’s (1201 N. Frankford Ave.) SAT Reef The Lost Cauze
 
Kung Fu Necktie (1250 N. Front St.) FRI Gang, SAT Southwork and Univox, SUN Da Comrade! and Caboder
 
North Star Bar (2639 Poplar St.) FRI Grimace Federation, Agent Moosehead, The New Connection, SAT Kelly & The Ruths CD Release Show w/Chris Kasper
 
The Fire (412 W. Girard Ave.) FRI (Early) Ghosts and Androids, (Late) Guys + Dolls SAT Xande Cruz and Oud Blues
 
M Room (15 W. Girard Ave.) FRI AZI Fellas, Young Gliss, Voss, SAT Noise Narcs Present: Cozy Galaxies, Grubby Little Hands, Bridge Underwater
 
Tritone (1508 South St.) SAT Phreak N’ Queer Arts Festival w/Manscape and Rainbow Destroyer
 
Millcreek Tavern (4200 Chester Ave.) FRI Ports of Call
 
The Blockley (3801 Chestnut St.) FRI Phillybloco, SAT Sonni Shine & The Underwater Sounds
 
Connie’s Ric Rac (1132 S. 9th St.) SAT The Discount Heroes EP Release Party w/Dan Collins and Early Ape
 
Danger Danger Gallery (5013 Baltimore Ave.) SAT Negative Department
 
The Rotunda (4014 Walnut St.) SUN Zevious and Electric Simcha
 
The El Bar (1356 N. Front St.) SAT Mount Joy
 
The Station (1550 McKean St.) Frost Watson and Coup Couroux
 
Theatre of Living Arts (334 South St.) Among Criminals
 
The Legendary Dobbs (304 South St.) FRI Ike, SAT The Absolute Zeros
 
Irvine Auditorium (3401 Spruce St.) SPEC-TRUM Presents: Diplo
 
Philadelphia

Welcome AZI Fellas Back at The M Room March 18

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Socially conscious Cambodian hip hop crew AZI Fellas just landed back in Philly after returning from their homeland. While the boys had made their first trip to Phnom Penh to soak up some of the underground sounds of their country’s evolving hip hop community, their journey had a higher purpose. They returned with the One Love Movement, a Philly-based non-profit in support of better immigration policies and stopping deportation, to videotape footage and help bring awareness to this issue haunting the immigrant population. I love do-gooders, especially when they have mad skillz. So welcome the posse back this evening at the M Room! They’ll be joined by the smooth flow of Young Gliss (who I’m also really feelin’) and Voss. The M Room, 15 W. Girard Ave., 9pm, $10 adv/$15 door, 21+ – H.M. Kauffman
 

Philadelphia

Chill Out w/Tadoma and Friends at Pilam March 18

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When multi-instrumentalist Joe Patitucci, otherwise known as Tadoma, felt inspired by his previous physical and chemical journeys, he created the sonic sideshow that was his 2010 album Fieldnotes. The songs that manifest themselves during live performancesexploit the senses with an ever looping pattern of toy instruments, drum machines, and enough bizarre samples to mirror 70’s krautrock icons. I was highly impressed by his last minute set when he opened Arc In Round’s EP release show that The Deli presented after Post Post abruptly broke up dropping off the bill. He is the perfect addition to this evening’s lineup of experimental music cohorts at Pilam, which will be headlined by the constantly evolving psychdelitronic wizardry of Gemini Wolf. The band has been hitting the studio and aiming to drop their newest release Infinite Sand Dunes, but also released a hot new ambient remix for I’ll Take U that needs to bbe heard! Also on tap will be chiptune fuzzy-headed superstar Dino Lionetti a.k.a. Cheap Dinosaurs, who headlined last year’s chiptune extravaganza, Magfest. And rounding out the lineup will be recent Deli Philly Artist(s) of the Month winner, Music for Headphones. Pilam, 3914 Spruce St., 8pm, $5, All Ages – Bill McThrill
 

Austin

SXSW Day 2: Typhoon, Operator Please, K’s Choice…

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One of the reliable treats of SX is the unexpected show…stumbled on to a couple good ones totally unplanned today. Out under the oaks at Guero’s (which my auto-correct wants to call ‘hurtle’ – what?) I caught Operator Please, a dance/punk Australian band with echoes of Bananarama and plenty of attitude. Singer had a bubbly, love-it-or-hate-it sound; I loved it. Across South Congress, Ross Flournoy of Apex Manor (whose set I just missed) told me the venue had a visit from the Austin police, who informed them that they would be shut down if they plugged in…so all of Music By the Slice went impromptu acoustic. Typhoon, a tightly packed twelve-person band, adapted well to the new set up. 

Out later in time for the end of Cowboy & Indian, Austin locals with a freak-folk-blues thing going, then back across South Congress once again for the end of Wanda Jackson – no sign of Jack White. Finally ducked into the Continental Club for the Blurt showcase & saw K’s Choice, a Belgian band with a four-guitar attack and an androgynous, Bowie-esque lead; imagine Mars Volta with Simon & Garfunkel harmonies, and you’re halfway there. Now back to it…