I don’t think singer songwriter Melati Melay was being entirely serious when she posted "ghettotech" as her genre on Myspace. In fact, of the three genres listed, only "tropical" seems somewhat descriptive of her music and… life. Malay, originally from Indonesia, lived in Australia, Singapore and a whole bunch of other places before finally settling in New York, and the international influence resonates throughout her tracks. The songs we hear on her myspace profile are quite clearly split in two: rather traditional, intimate but tense ballads with bluesy overtones on one side, and more orchestrated, lush and sophisticated tracks like "Big Potential" on the other – we guess this is a new direction in her sound, which we like a lot. All her music though conveys this overwhelming feeling of an intensely sunny day with a breeze…albeit a breeze with a bite. Windbreaker weather. – allison levin
The Spooks Announce Break Up!
Cozy Galaxies Invade Our Universe at The M Room March 19
Southwork Sell Out Debut Performance at KFN March 19
SXSW Day 3: Ben Kweller, Living Days, Bahamas, The Autumn Defense
Another day walking South Congress in the sun…Bahamas at the San Jose, a very well-named guitar and drum duo, sounded like the islands: laid back, quirky, carefree. Before that some thumping electro-pop from Living Days, somewhat at odds with the beer & taco vibe at Guero’s.
Kind of enjoyed the improv mood that sprang up at Music By the Slice after they were forced acoustic, so returned there in time to check out Still Corners, who I don’t think were ever very loud to begin with. The Autumn Defense turned in an elegant set at San Jose; but easily the highlight of the day was the Ben Kweller listening party for Go Fly A Kite.
Billed as ‘blogger kegger’, it was a low-key event in the backyard of the very hip St. Cecilia’s Hotel, involved a couple of kegs, pizza, some toddlers running around. Kweller said a few words about the album + old school recording process, and pressed play…and Go Fly A Kite sounded rich, warm, vibrant, fun. Maybe it’s the beer talking. If it was the beer talking, the beer liked the album quite a bit. The beer would like to listen again. Kweller’s left his previous label (ATO) + started his own (The Noise Company), seems to have done him good.
And we head back out…
Meijin’s SXSW day 2
St. Patrick’s Day at SXSW 2011 was unlike any March 17th I had ever experienced. The Deli Magazine teamed up with Brooklyn Lager, GAT5, and Black Knight Productions to showcase thirty bands, eight of which I was proud to present, on three stages at Hotel Vegas/Volstead Lounge in the heart of downtown Austin at the Brooklyn BBQ. My day began with The Gay Blades, who are becoming a household name. Unfortunately, the set was cut short by a loss of diesel power. The crew quickly replenished the generator for the outdoor stage, but TGB unleashed some mega-phone free-styling, a resourceful and entertaining solution to the unexpected events.
Fueled up, Fan Tan (top picture) hit the stage, while speed metal, Goes Cube, shook the indoor “Dive” stage. Bouncing between stages, I encountered Butcher Bear Soundsystem with Charlie who included a man in a yellow bear suit, pretty painful for the 86 degree Texas temperature. Following the plush performer was reggae-tinged rock quartet, Deadbeat Darling, special guests, fashionable and punky The Vandelles (pictured below), and ethereal Dream Diary.
As the sun set, the crowd grew and feasted on BBQ , enjoying on-the-house beverages (during the last quarter of ever hour), and one of NYC’s top artists, soothing, bass-driven, The Dig, outside, while piano accompanied poet, Emily Greene (pictured below), played the acoustic “Volstead” stage, and The Wicked Tomorrow’s sultry sound stopped attendees in their tracks.
Continuing the rock duo them, The Courtesy Tier echoed throughout the “Dive” space, followed by guitar-heavy Blackbells, and simultaneously, in the backyard, Black Taxi drew the crowd into a dancing frenzy. The ear-catching melodies and moving vocals of Brooklyn trio, Apollo Run, pulled the audience indoors before the last, but not least, dynamic and rhythmically complex decibel., closed the BK BBQ with a bang, literally, as the duet landed in a pile atop the drum kit. All in all, the day was a memorable and proud twelve hours for New York music. – Meijin Bruttomesso
SpiderFriends Album Release w/ Vinyl Thief, Sol Cat, & New Pleasure, 3/18/11
There is something to be said about a band with a sound that has continued to change since they formed almost two years ago, which is why Nashville can look forward to lots of surprises tonight at Exit/In for the new album release of SpiderFriends. It’s been a while since we’ve seen SpiderFriends play, so we have no idea what they’re going to sound like now, but for what it’s worth, we totally enjoyed their last record–(which, by the way, was pressed on fancy electric pink semi-transparent vinyl, so we’ve got high hopes for the aesthetic aaannnddd musical appeal of this album). Also playing will be local artists Vinyl Thief, Sol Cat, and New Pleasure. The show starts at 9, 18+, $10 cover, which is a bit steep, but you receive the 14-TRACK ALBUM HOLY COW THAT’S A LOT OF SONGS, so just bite the bullet and cough up the cash!–Erin Manning
Weekend Warrior, March 18 – March 20
Welcome AZI Fellas Back at The M Room March 18
The Smoking Popes New Album
The Smoking Popes released their latest album, This Is Only A Test, on March 15th and performed down at SXSW the next night. The album is triumphant return for these ’90’s Chicago punk-pop hero’s. The album is a concept album of sorts, and the band is currently down at SXSW tearing it up. Check out their live performce on JBTV here, and the video for their new track "Punk Band" below.
Chill Out w/Tadoma and Friends at Pilam March 18
SXSW Day 2: Typhoon, Operator Please, K’s Choice…
One of the reliable treats of SX is the unexpected show…stumbled on to a couple good ones totally unplanned today. Out under the oaks at Guero’s (which my auto-correct wants to call ‘hurtle’ – what?) I caught Operator Please, a dance/punk Australian band with echoes of Bananarama and plenty of attitude. Singer had a bubbly, love-it-or-hate-it sound; I loved it. Across South Congress, Ross Flournoy of Apex Manor (whose set I just missed) told me the venue had a visit from the Austin police, who informed them that they would be shut down if they plugged in…so all of Music By the Slice went impromptu acoustic. Typhoon, a tightly packed twelve-person band, adapted well to the new set up.
Out later in time for the end of Cowboy & Indian, Austin locals with a freak-folk-blues thing going, then back across South Congress once again for the end of Wanda Jackson – no sign of Jack White. Finally ducked into the Continental Club for the Blurt showcase & saw K’s Choice, a Belgian band with a four-guitar attack and an androgynous, Bowie-esque lead; imagine Mars Volta with Simon & Garfunkel harmonies, and you’re halfway there. Now back to it…