NYC

Jennifer O’Connor hosts monthly songwriter series at The Rock Shop

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Established New York City songwriter Jennifer O’Connor is starting a new monthly concept at The Rock Shop in Gowanus involving many NYC artists: a songwriting show series. The second Tuesday of each month for 2011, she and three other songwriters (changing with each month; the first two shows have Chris Brokaw, Amy Bezunartea and Tim Foljahn from Two Dollar Guitar and then the following month Charles Bissell from Wrens, Kendall Meade and Richard Baluyut from Versus) will talk about the songwriting process, collaborating, and possibly playing a cover or two. This series, termed the Tower of Song, promises to be an interesting and ever-changing, as Jennifer is welcoming fans’ suggestions as to songs to play, ideas to discuss and songwriters to invite. The first night of Tower of Song beings at 7:30 on Tuesday, January 11 and tickets are $10. – Leah Tribbet

NYC

Japanther fans get the Rock and Roll Circus to shut down early

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Last night kicked off the first ever Rock and Roll circus at Lincoln Center, in a staggering amalgamation of sonic exploration, creative energy and… chaos. Many New Yorkers (at first glance mostly Brooklynites and "Downtowners" filtered their way through the stuffy uptown building accessing the Big Apple Circus tent to see some cool NYC indie bands. Electric Tickle Machine kicked off the show to cheering hipsters, as off beat circus dancers jived around the ring, followed by The So So Glos who rocked as they always do with their aggressive indie punk. But it was Japanther who "succeeded" in bringing the real Brooklyn DIY spirit (consisting in creating situations that piss off security and police) to this event. Their show was interrupted after 3 songs because about 100 fans rushed the stage and started crowd surfing and jumping on each other. Bigger Circus show tonight (but not free) with LA’s Ariel Pink and Saint Motel. – Christine Castanon

Chicago

Lupe Fiasco

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Lupe Fiasco will be releasing his third album, Lasers, on March 8th on Atlantic Records. On Christmas day he released a video for his new track and the albums first single "The Show Goes On".

NYC

A “Chill Wave” accross the East coast: Woods and Ducktails tour

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Woods, hailing from Brooklyn and Ducktails (pictured), from New Jersey, are setting out on a shared East coast tour. Woods will be stripping down their set and playing mostly acoustic versions of their older songs, as well as songs from their upcoming album, due out later this year. Ducktails are along for part of the ride, joining Woods in five shows (from Burlington on February 2nd to Baltimore on February 8th), before playing solo on three dates (Brooklyn on the 8th and 18th of January and Philadelphia on the 15th). Ducktails will be joined for one show (the Brooklyn January 18th date) by Chicago-based Smith Westerns. And, beginning on March 14, Woods embarks on a European tour, hitting cities such as London, Paris, Berlin and Helsinki (March 16th, 18th, 21st and 27th, respectively). Their European tour ends with the End of the Road Festival in North Dorset in the UK. Be sure to bookmark these tour dates, for this is a tour you definitely do not want to miss! – Leah Tribbett

Philadelphia

Free Download Available This Week Only of RJD2’s Remix EP

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Looks like RJD2 is starting off the year in a generous mood. You can download for FREE a new remix EP with three versions of his track “The Glow” from The Colossus here. The EP features a reworking by Chicago DJ duo Flossstradamus, which you can take a listen to below, as well as “The Glow” remix contest winner, Paolo Palazzo, and Candy Panther. But download it quick because it will only be available for free this week. Enjoy! – The Deli Staff   

L.A.

The Mormons release Forge Ahead EP

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It was a cold and easy drive down to Pehrspace on Dec. 30th to catch Hello My Name Is Record’s year end show. Tucked away in an unassuming commercial building dotted with restaurants, it’s a venue where the uninitiated only seem to enter when dragged in by friends; it breeds a level of intimacy in the crowd.

The band I was most impressed with, in part that I hadn’t seen them live up to this point, was the straight ahead punk rockers The Mormons. Donning the missionary garb of white dress shirts, ties, slacks, bike helmets, and backpacks, I knew from first glance the band would be a treat. Their vocalist, Patrick, contorted and shook like a special ed case before ending the show by crawling under a rug and letting the crowd drag him away. I should be wearing a bike helmet too, my skull feels like it was cut open and the Mormons took a hand blender to it.

The Mormons recently released their EP, Forge Ahead, on their own label MorMusic. It’s available for purchase and download at CDBaby. For fans of Bad Brains, Fugazi, or even Devo, it’s a fresh musical fix.

-Angelo Lorenzo

New England

Aimee Mann, Lori McKenna & Special Guests to play benefit show for drummer John Sands on 1/21/11, at the Paradise Rock Club, Boston

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Once again the kindness, generosity and incomparable sense of community that defines the unique Boston music scene comes together to support a dear friend and drummer, John Sands, who in November suffered a terrible heart attack. He is expected to recover, but the recovery is going to be long and arduous and the medical bills are building up.

Two legendary Boston musicians, Aimee Mann and Lori McKenna (also two artists Sands has played with) will be preforming during a very special benefit show for his family at the Paradise on 1/21. Other performers and special guests will be announced later. There will also be a silent auction. More info on that at the bottom of this post.

“John’s family and friends are touched by the love and support they’ve received from the community during this very difficult time,” said local bassist and longtime Sands friend Richard Gates, who has spearheaded benefit efforts. “John faces a tough road ahead, but I can’t think of a better way to help him and celebrate him on his way to recovery than with a benefit show featuring a lineup of some of his favorite artists and collaborators. He’s a passionate about the artists he accompanies, and he’s a musician’s musician. Plus, he’d be the first guy to pass the hat for anyone else in need, so we’re happy to help do exactly that for him.”

Tickets are $40 and are available via Ticketmaster, and the Paradise Rock Club box office. Concert organizers are looking for additional items for the silent auction. Anyone wanting to donate items can contact concert organizers at teamhuggybear@gmail.com. Information on how to make individual or corporate donations to the John Sands Care Fund is also available at: http://www.teamhuggy.com

–Meghan Chiampa

Philadelphia

The Deli’s January CD of the Month: Utopian Tree – An American Chinese

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Somewhere between psych pop and fuzzed out folk, indie darlings An American Chinese proves to possess a sound as unique as it is fun. Heard throughout their prior EP Panic Pilgrim, their latest full length, Utopian Tree continues in this tradition, refashioning listeners to ease into a sound that eludes the pitfalls of convention, keeping the band’s work far from feeling so-so. From the buzzing charm of “Jersey Claw to the acoustic drive of “The Distaste of Dairy Frank”, Utopian Tree blooms clever and crisp, full of pop charm and acoustic based chants.

Recorded in the band’s South Philly studio, An American Chinese’s debut LP begins with an atmospherically brief intro by way of “Safe Tigers”, which bleeds effortlessly into the windy backdrop of “Japanese Salesman”. Dreamy chords alongside textured vocals by frontman Mitch Marzec sets the album’s second track catchy with tambourine shakes and snare. Followed closely by “No No Like That”, An American Chinese makes the most of sparse yet concise backbeats alongside an acoustically seeped progression enriched by harmonized lines and a sharp chorus. “Jersey Claw” one of Panic Pilgrim’s best, resurfaces, with buzzing hums that lean into tongue-in-cheek lyricism nestled between steady drums and chords that play out like a chilled out b-side by the Violent Femmes with a pinch of scattered synth that vaguely conjures memories of the electrified interludes of The Cars’ power-pop single “Just What I Needed”. A presumable favorite for fans, “Indian Punk” remains upbeat and nears full-throttle while “Petition To Dear St. Augle” gradually eases into an energized conclusion by way of a stripped down intro that brings to mind pop smith Kiwi Lawrence Arabia. “Chasing Rabbit” is dancey with hints of acoustic punk sensibility and delectable synth. The cricket chirps of “Building a Blue Jay”, in addition to the track’s melodic integrity, render the song cinematic and bright. “Panic Pilgrim, Quick Grab Your Suitcase” showcases An American Chinese’s chops for imaginative storytelling with finesse. Ending with a final track bearing the quintet’s name, Utopian Tree roots itself in the swirling psych pop dreams of an act with the power to render listeners swaying and spellbound well after its latter notes. You can purchase the album here. – Dianca Potts

 
NYC

Best lo-budget video of 2010: Rubblebucket

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Rubblebucket formed in Burlington, VT. between saxophonist/vocalist Kalmia Traver and trumpet player Alex Toth. We covered them already in our New England site but part of the band has now relocated to NYC so here they are in our NYC homepage… Their recently released "Triangular Daisies" EP is a new direction for the band. The album is psychedelic indie-pop, with a wider appeal. A track off the album “Came Out of a Lady” was made into a music video, and proves great works can be achieved when a bunch of art majors get down to business. The new EP was recorded at DFA studios, but the sound is refreshing and not your typical bass-heavy “neon party yeah!” flavor. After a two-night stint in San Francisco, the band toured Maine to Florida. Rubblebucket recently played La Poisson Rouge with The Rebirth Brass Band, the show brought out a secret “horn attack,” of a 10 piece horn section.


 

NYC

Noteworthy NYC Artists from Best of NYC Submissions: Rachel Zamstein

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So it’s a pattern that’s been seen innumerable times throughout history- a woman and her guitar. But Rachel Zamstein’s pop-rock gems are not to be overlooked, a fact proved by her recent bookings along the east coast and as far away as Stockholm. Her debut album, “Bouquet” features her melodies backed by a full band in true rock ‘n roll fashion, with jazz infusion in her soulful vocals, a demonstration of her influence from her grandfather, a professional jazz musician. See Rachel at Rockwood Music Hall on January 10. – KB

L.A.

The Fling signs with Dangerbird Records + books residency at Spaceland

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Dangerbird Records holds a pretty strong name, representing bands like Silversun Pickups, Eulogies, Minus The Bear, and Darker My Love. They just recently announced their signing of The Fling, hailing from Long Beach and taking the world of indie rock by storm. The Fling just returned from a tour with Darker My Love and Delta Spirit, lifting the heads of those rock ‘n’ rollers who thought they were too cool to listen to the opening act. They play deep, melodic rock that could be compared to bands like Black Rebel Motorcycle Club or The Jesus and Mary Chain (that’s right, I said it). They have a slight folk and psychedelic undertone, with guitars that make the blood in your chest surge to the surface, pounding drumbeats that echo against the outskirts of your soul, and dark piano keys that make your heart ache. Their songwriting is intimate and honest.  

Their debut album "When The Madhouses Appear" was released in August of 2010 under a different label, and is available on Bandcamp. I just listened to all 12 songs twice in a row. They will re-release the album off of Dangerbird Records later this year.
 
The Fling has booked a Monday night January residency at Spaceland beginning on the 10th…so break in the new leather jacket and boots you got for Christmas and start 2011 off on the right foot! 
 
Jenna Putnam
NYC

Deep River Could be Playing on Your Front Porch

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Deep River

If you’re not already familiar with the musical endeavors of songwriter Luke Brindley, guitarist-slash-everything elseist Bryan Dawley and singer Rachel Beauregard, then you are never going to believe that their band, Deep River’s debut album was produced over the span of ten short days.  The aptly titled "Ten Mornings" is a polished but deeply earnest set of emotionally riveting songs that manage to represent both what American folk music has been and what it could be.  The arrangements are thoughtfully minimal and allow Rachel’s iron-strong voice and the surrounding powerful vocal harmonies to shine.  And they really do shine.

Deep River has coined their own genre-name for their sound:  "Front Porch Pop."

And, as if to let all you music lovers out there know that they take that genre name seriously, they’ve recently offered to play in the homes of their fans.  If you’re interested, then contact amy@adjmgt.com for details!  

If that’s just not feasible for you, I’m sorry.  But, all is not lost.  They will also be opening for Chely Wright later this month on January 21 at The Birchmere.  You can still purchase tickets here. –Jarrett