Nashville

Tim & Eric @ Cannery Ballroom, 12/3/10

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Photo by Steve Cross for the Nashville Scene

“I like parties, I like fun. I want to live in a hamburger bun.” Don’t we all? Comedy duo and stars of the Comedy Central TV show, “Tim & Eric’s Awesome Show, Great Job!” invaded Nashville last weekend with their live Christmas (Chrimbus) spectacular show, which has been touring the United States this winter.

The show took place at the Cannery Ballroom on Friday night, but a few lucky Nashvillians were pleasantly surprised to catch a secret performance at Third Man the evening before. This consisted of Tim Heidecker doing a “fake” set where he pretended to be a really terrible standup comedian who only did impressions of presidents.

Friday evening brought us one of the more wildly inappropriate shows we’ve ever witnessed—(the only comparable ones that immediately come to mind are Peelander Z at Exit/In and the Totally Snake show at The Basement where the lead singer wore a diaper and continuously exposed himself to the audience). It wasn’t until the very end that anyone could actually determine who had performed and when—(most people thought the entire thing was actually over at 11 pm)—and it’s doubtful that anyone could comprehend what the hell had just taken place, given the random nature of the show and how there were “so many things,” as Cy Barkley put it, so the general sense of confusion was pretty awesome to witness.

The Chrimbus spectacular incorporated pre-filmed, supplementary skits that were shown on a projection screen, in combination with the live acting by the participants, who lit up the stage with their portrayals of our favorite Tim & Eric characters. A variety of props and costumes were used to really make the show come alive; (cue Eric making jazz hands and a sparkly smile). They even had many of the show’s original cast members on tour with them, including everyone’s favorite bumbling health expert, Dr. Steve Brule, played by John C. Reilly. Some audience participation was used as well, and generally made everyone feel pleasantly uncomfortable.

The audience participation was especially prevalent in the set of the third act, Pusswhip Banggang, a four-man band featuring Tim & Eric. Surprise, surprise. They were just as absurd as the nonsense that occurred before their performance, playing all original, classic rock and hair metal tunes about strange things like jambalaya and crude sexual subjects. But they both actually played instruments—Tim on guitar and Eric on percussion—which was so impressive amiright?! They opened with a song called “Pussy Whipped,” that ended with Eric shrieking, “I’m leaving,” before he pranced off the stage because the audience wasn’t screaming “pusswhipped” loud enough. At one point, Tim uttered, “Thank you very much ‘Nishville’,” in a most debonair manner, before making everyone in the audience scream their uncle’s name. Despite the excessive amount of bathroom humor, the show left us feeling privileged to live in Nishville. —Erin Manning

P.S. Check out a slideshow of the night here, compliments of Nishville Scene 😉

Philadelphia

Nightlands Announces Debut Live Shows

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The peeps from Secretly Canadian just shot us an e-mail about hometown boy David Hartley’s debut live shows as Nightlands. He’ll be performing in Philly on Saturday, January 22 at The Ox w/Michael Johnson’s Ape School. The rest of the dates are below. – The Deli Staff
 
TOUR DATES:
01/20 Brooklyn, NY – Glasslands w/ The Tony Castles, and Dustin Wong
01/22 Philadelphia, PA – The Ox w/ Ape School
01/26 Chicago, IL – The Empty Bottle
01/27 Pontiac, MI – The Pike Room
01/28 Bloomington, IN – FARM Root Cellar w/ Tammar
 
San Francisco

The Deli SF’s Weekend Highlights For 12/8-12/11

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Well compared to last week’s live music bonanza there seems to be a little less going on. Regardless, here are a few selections from the calender.

Wednesday night former Artist of the Month winners Blackstone Heist will be playing with Death Jazz and Lloyd’s Garage at the Elbo Room, 9pm.

Thursday at El Rio catch Commissure with Distance from Shelter and Granted Earth, 9pm

Saturday, KUSF will be presenting a show at the Hemlock with Shannon and the Clams, The Night Beats, and Outlaw, 9pm.

 

Ada Lann

NYC

CD of the Month: Dead Mechanical “Addict Rhythms”

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I would imagine that Dead Mechanical would cringe to hear me describe their newest album, Addict Rhythms, as a "throwback" to 1990’s era underground pop-punk.  But, when you first play this record, that’s exactly what you think.  And, for me, that made me instantly excited.  However, as I listened to Addict Ryhthms a few more times, it began to take on a life outside of The Jawbreaker Era from which it may have been born.  It began to sound like this record had been crafted as if the pop-punk anthems of the 1990’s had never really gone away, leaving these songs as a natural progression of the genre into the cultural realities of today.  Dead Mechanical manages to convey this feeling on a record that is well crafted and arranged, but produced low-fi enough to still carry the energy of a live show.  Their songs are catchy and melodic, but with edges that are just rough enough to let you know that they mean business.  

Their song, "Last show," depicts the final show of a band that may or may not be fictional from the perspective of an adoring fan.  The feeling of loss is expressed openly, but the song doesn’t sound like a lamentation, it sounds like a celebration.  You can’t help but feel like this is somehow a metaphor for an entire genre or scene of music, ending and beginning, but always filled with vigor and life.

Addict Rhythms is at its best during anthemic choruses that challenge a generation at risk of losing its identity to re-take control of their lives.  You can really feel this on "Sidewalks," a song that surrounds a lyrical portrait of voiceless and unappreciated youth with a resoundingly optimistic refrain:  "You can hit the sidewalks early," a call to arms for the weary to pick themselves up by the bootstraps and start going somewhere.

If you’re in need of picking up, the first place you should head is to Traffic Street Records to pick up Addict Rhythms. –Jarrett

Chicago

Young Man Strangers

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Frenchkiss Records released a new digital single by Colin Caulfield (aka Young Man). The single for the track "Strangers" which was an outtake from Young Man’s debut EP Boy. The single also includes a remix of the track by The Great Red Shark.

Young Man will be performing at Schubas on Jan. 16th as part of Tomorrow Never Knows.

Philadelphia

New Mammal of Paradise Music Video for “Only a Switch”

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Check out the new music video from Brooklyn/Philly-based Mammal of Paradise for their track “Only a Switch” below. It was directed by Ashley Connor and Michael Vincent. With hauntingly beautiful vocals and lyrics, Mammal of Paradise craft cerebral indie pop gems made for big screen soundtracks. They’ll be performing Thursday, December 16 at Bruar Falls in Williamsburg. Enjoy! – The Deli Staff
 

MAMMAL OF PARADISE – Only a Switch from Ashley Connor

Philadelphia

Yes, More New Reading Rainbow – 7” Split w/Coasting!

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We know that Reading Rainbow just released a new full length album Prism Eyes on Hozac. Well, they just release the split 7” today with Brooklyn’s Coasting (that they mentioned in their recent interview for Where Is My Mind? here) via French Label Atelier Ciseaux. They covered Velvet Underground’s “Can’t Stand It” for the split as well as the rockin’ “Euphoria”, which you can stream via Pitchfork. They’ll also be having a release party with Coasting and Moon Women on December 16 at Danger Danger Danger Gallery. – The Deli Staff  
 
Philadelphia

Free Orbit to Leslie Show at KFN Dec. 7

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When I last spoke with Orbit to Leslie frontman Chris Wood, it seemed that the band was experiencing some growing pains. That’s why it was surprising to see that they’ll be performing tonight at KFN as well as a rare out-of-town gig in Baltimore. Well, they’ll be down one guitar player, Steve Schaller, this evening from the usual lineup, but the show is also FREE so you really don’t have much to complain about. I also noticed that they just posted a new track “Babinka” on their Myspace page. The tune is driven by percussive polyrhythmic beats and hushed vocals. It possesses a much more understated artsy, experimental feel in comparison to the big pop hooks that you might be used to from Orbit to Leslie. They’ll be joined tonight by local melodic prog rockers The Tea Club and music veteran Brett Kull & Friends. Kung Fu Necktie, 1250 N. Front St., 8pm, Free, 21+ – Q.D. Tran
 
L.A.

The Petrojvic Blasting Company play The Troubadour for Monsters of Accordion 2010

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This post didn’t end up on the wrong blog, I swear! Accordion doesn’t have to equal your great aunt’s polka music, it can be an equal mix of masculinity and beauty much like the mythical unicorn. That’s why The Petrojvic Blasting Company is playing the Monsters of Accordion 2010 tour whose last stop parks it at the Troubadour on Dec. 19th with other squeezebox superstar acts. There is just something about folk and Gypsy punk that allows it to translate from the street corner to the stage so easily, and The Petrojvic Blasting Company is a fine example. If they don’t excite a jig from the crowd, they may be brewing a barrom brawl – I can’t wait!

-Angelo Lorenzo