Austin

@quietcompanytx

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The ferocious but cuddly men of Quiet Company are on a roll…they just cleaned house in our recent Artist of the Month poll, and they’re gearing up for an 11/27 "Twitter" show at ND/501 Studios, which will feature all live time tweets projected on the movie screen wall. Your 140 are welcome. They’ll be joined by Love at 20, Moving Castles, and Guns of Navarone. 

Philadelphia

Shaking Through w/Party Photographers

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Weathervane Music is back with their November edition of Shaking Through. It features noise-pop rockers Party Photographers, and is the final installation of this season which was curated by local blogger Mark Schoneveld (YVYNYL) and had included local favorites Reading Rainbow and Strong Island’s Twin Sister. Below is a glimpse into the Party Photographers’ world as they lay down the recording for their new track “21”, which happens to be the 21st song written by the young band. Enjoy! (Photo by Peter English) – The Deli Staff 

Shaking Through Vol 1 Ep 10: Party Photographers from Weathervane Music

L.A.

The Black Apples at The Echo

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 If you’ve ever wished you could go back in time and go to underground music and art shows in New York City during the late 1960’s, I suggest listening to The Black Apples. They sound like a cross between The Velvet Underground and The Seeds or The Germs. They have that Johnny Thunders stage presence going on, and their shows are where it’s at. Which leads me to their November residency at The Echo…you can catch them there the next two Mondays, so grab your leather jacket, put on some flair and get your act together!

Jenna Putnam
 

Nashville

B.ET.A. & The Neon Panthers @ Hard Rock Cafe, 11/19/10

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Go check out some new local artists at Hard Rock Cafe, this Friday night, including my new personal favorite, B.et.a. She does dance/electro-pop kinda in the style of Gwen Stefani or Lady Gaga. Super dramatic, super catchy, super different, super entertaining, super danceable. Her dancers/backing band are called "The Neon Panthers." They have only played a handful of shows in Nashville but they’re incredible to watch and get better every time. Other artists that evening include Amanda Price, John Flanagan–(this feller here was recently made the spokesman/face for the Foxwood Casino! HEYOH!)–The Dirty Holidays, and Dom Liberati. You can check here for more details, and here to watch this kooky little stop-animation video just for fun.–Erin Manning

Philadelphia

Album Review: On Velvet – Grimace Federation

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Grimace Federation’s On Velvet has an appropriate name. There is a certain smoothness to the EP, both in the delicately churning atmospherics it offers, as well as the way each track seems only a logical next step after the one preceding it. But you’d be hard pressed to find anyone that would call this Muzak, at least not with a straight face. While you can definitely put the EP on and relegate it to the background if you choose, the ambiguity of the mood it produces will most likely challenge you to give it a closer listen. On the surface, it’s fairly lighthearted stuff. But wrapped around the contours of even the brightest brass arrangement is a pervading sense of mystery, and slight rumblings of darkness.
 
Trying to file the record into some preset genre would be a little unfair. “Post-rock” seems the closest match for these guys, considering the highly textured arrangements and math-y rhythm section. But even that proves misleading, partly because the sonic palette of Grimace Federation is fuller than what most people expect when they hear that term. The spaced-out guitars are there, but so are various keyboards, tinkling bells, horns, and the band’s trademark vibraphone (ok, ala post-rockers Tortoise). But instead of Explosions in the Sky or Mogwai, we have something different altogether. The tracks also spare the listener from the tired “build-build-crescendo-dissolve” formula that characterizes a lot of similar acts, instead opting for upbeat openings followed by playful, more contemplative bits towards the middle.
 
Opener Bosico might be the best microcosm of the record as a whole.  It sounds almost krautrock with its steadily propulsive rhythm. The EP’s centerpiece, “Black Mesa” starts with a heavy guitar intro, then shifts through a variety of textures all based around a vaguely Latin beat, replete with horns and desolate, delayed guitar and keyboard. Fans might be surprised at the almost complete lack of electronic sheen that permeated their previous releases. But the changes aren’t drastic by any means, as the record is still warm and jazzy, sprawling and involved. While this album may seem outdated compared to their current live sound which is leaning more to the darker side of metal, this snapshot of music history may have to tide you over until the next album. Keep your fingers crossed that it won’t take a few years again.
 
You can check out On Velvet’s opening track “Bosico” below as well as the video for the remix by Aesop Rock (that Grimace’s Xack Xweig mentioned in his interview for our Where Is My Mind? section here). – Joe Poteracki
 

Bosico by Grimace Federation 

Philadelphia

Happier Days w/Tough Shits at KFN Nov. 16

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Tough Shits swing from old-time, nostalgic rock ‘n’ roll that might just kickoff the sock hop or induce a spotlight dance in an episode of Happy Days, but you’ll also find them slumming it with the type of garage rock from below the waist found in seedy bars that Richie Cunningham would never enter (well, not without Fonzie). I know. Ah, what’s Happy Days? And who’s Richie Cunningham? Well, they’ll be surrounded by plenty of grrrl power tonight at KFN with our dirty dames of rock from Slutever and Atlanta’s The Coathangers. I have a feelin’ these “ladies” are “below the waist” kinda gals. Kung Fu Necktie, 1250 N. Front St., 8pm, $8, 21+ (Photo by Jughead) – H.M. Kauffman

NYC

NYC Artists on the rise: Young Magic

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Young Magic is the newest addition to the Carpark family. Hailing from the east coast of Australia and currently residing in New York, Young Magic is Isaac, a portable studio, and friends. These songs were recorded over the last six months in various places around the world: old spy bases near Berlin, empty rooms in Iceland, kids’ playgrounds in Melbourne, and no water flats in New York. These various locales are sampled and integrated into the fabric of Young Magic’s sound: the fluidity and songwriting of late 60’s psychedelic soul combined with modern-day beat making. We dig, dudes!

 

NYC

Acrylics announce debut album + play two Bkln shows this weekend

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After spending the last two years in and out of the studio, Acrylics will be releasing their first full-length on January 25, 2011 on Hot Sand Records. The band has been on tour with A Sunny Day In Glasgow, Morning Benders and The Smith Westerns, through SXSW and beyond, and just performed at this year’s CMJ. Acrylics will perform live Glasslands on Friday 11.19 and Cameo Gallery the day after, awesome opportunities for a first date – the band’s mellow and intense tune can help spread love in the air.

NYC

CD Review: Elika’s new CD “Snuggle Bunnies”

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Personal relationships are the endgame for most people. The search to connect your innermost feelings with another person is what Elika‘s new album “Snuggle Bunnies” often hints at. At the core of the lyrics are emotional ties that revolve around the struggle of the human being’s fight for happiness on earth, and the band’s wide palette of sounds complements these lyrics. Released on Peruvian label Automatic, classic Elika resounds on the 1st single “Summer”. Shoegazer-style soundscapes are scattered throughout the album, but it’s a simple plaintive side that finally emerges in the highlight song “Death and Avalanches”. Pure talent and a bare acoustic guitar set in motion resounding, deep feelings when singer Eva relies on just her voice and her metaphors. “The Darkside” musically reflects its lyrical counterparts, revealing 2 songs in one and releasing its somber verses instantly into an uplifting arpeggiated chorus. The closer “Tidal Wave” is a complete musical movement based on a simple progression, with drums that wash around each other in synch. When it all comes crashing down, you are left to roll in the emotional feedback they create: a symbiotic tie making you wonder what is there left when you’ve relied everything on someone else. – Simon Heggie