Prince Rama is post-modern psychedelic world music (from Florida). Or Prince Rama is experimental electro-opera (from the future). And only then it begins to make sense. It’s especially disarming (and charming) in tracks such as “Lightening Fossil” when you’re manipulated into thinking this is rock music. The buzz is building for the Brooklyn trio’s third full-length album, Shadow Temple. It’s their first release under Animal Collective’s label (Paw Tracks), and Avey Tare and Deakin helped in the production department. Experience the wall of sound at the record release party on Sept. 13 at Glasslands, Brooklyn, NY supported by Deakin, Silk Flowers and Amen Dunes. — Whitney Phaneuf
Straight Outta McAllen: Dignan
Since Dignan’s conception within a church sanctuary seven years ago, the indie rock outfit from McAllen has been diligently carving into Texas’ music scene.
Between extensive touring schedules, Andy Pena (lead vocals/guitar), Devin Garcia (bass), Heidi Plueger (keyboard/vocals), and David Palomo (aux instruments/vocals) have released two successful EPs and a debut album, Cheaters and Thieves.
The quartet has performed twice at South by Southwest. They rocked New York City’s 2009 CMJ Music Marathon, and they played a special in-house show at Paste Magazine’s headquarters.
This small town band is on the verge of breaking completely onto the music scene.
“We’re not unknown, but we’re not really known either,” Garcia said. “We’re in the middle…Right now it’s a lot of multitasking and doing little odd and end jobs on the side [for income], doing a lot of internet work, all while performing each night.”
Dignan is currently on the road again, playing through Texas, the Carolinas, Florida and other southern states. They will hit The Mohawk in Austin at the end of August. This tour, and all events prior, has been fueled on the band’s own budget and determination.
“We don’t have any label support or booking agents or anything,” Garcia said. “We’ve kind of done it all. We’ve done it by slowly working towards it, working our way up, and doing it by ourselves.”
Dignan attributes the internet to their independent success.
“These days you can do anything through the internet,” Garcia explained. “With the right dedication and drive and persistence, I think [a band] can build themselves as big as they’d like to be.”
And big they will be. For the next three months, Dignan will take on various stages and perform a shifting set list for fans.
“It will be kind of different each night I think,” Garcia said. “Hopefully we will have some variation.”
Although their shows will be a mix of old and newer tracks, the band hopes the atmosphere remains the same.
“Having a really energetic crowd and a good response is what we hope for of course every night,” Garcia said. “It’s really nice when that happens—when it’s a good intimate moment with the crowd and the band.”
Dignan’s emotional lyrics paired with sweet melancholy melodies could easily consume a crowd.
“I feel like [our music] is very hopeful—our songs are very hopeful even when the lyrical content is darker,” the band’s bassist said. “It’s kind of eerie at some points. It shakes my bones up sometimes even playing it on stage. It throws a chill down my spine. I like it.”
Their whimsy, wanting sound has been described as a blend of Arcade Fire, Cursive, and Broken Social Scene.
“It’s always nice being compared, or people telling us that they hear a certain band in us,” Garcia said. “That’s always a nice compliment.”
For their own influence, Dignan draws from other indie works.
“We are all very big fans of David Bazan of the band Pedro the Lion,” Garcia explained. “Just recently we found out he had our record and he sent us a picture of himself holding our CD. He is such a big influence on our band, and a personal influence on our lead singer. It’s a great moment when you look up to someone and then they turn around and are like, ‘No, you’re great too. We enjoy what you do.’…We’ve had a couple of moments like that, where people we look up to shine light on us.”
By this time next year, Dignan fans will have another album to hold.
“Right now we are in the early stages of slowly working towards getting some songs complied for, what I believe will be, our full length release,” the bassist said. “We are trying to have that out late July or early August of next year.”
Until then fans will just have to hold themselves over with Dignan’s current tour and hits.
After each show fans can catch Garcia, and the rest of the members, hanging around their merch table and talking about their sound.
“Our band just kind of enjoys meeting new people and talking to people, and spreading the word about our music—one by one,” he said.
–Cassie Morien, photo by Taylor Pool
(As mentioned above, Dignan hits the Mohawk this coming Sunday, 8/29…)
Coasting celebrate CD Release at Dead Herring on 09.11
There is a charming element to the music of Brooklyn’s Coasting. A two female outfit that marries clean surf guitar and crisp drum sounds to insistent reverberated vocals. "Snoozefest" is anything but, as the spirit of early B-52’s (think "52 Girls") is modernized to align more closely with the current purveyors of this sound (Best Coast and The Dum Dum Girls). "Same Old Same Old" ramps up the drum rolls as clean echo-tinged guitar lines lead it up to a full blown cathedral chorus. "What You Wanted" skewers the sound down tremolo twisted avenues, as the vocal sentiment states that "I never wanted to – do you what you wanted to me." Yeah, girls can be cruel sometimes. "Just because you do it to me, doesn’t mean I’ll do it for free," is both playful wordplay and negotiable terms. "Don’t Fight" lays out the rhythm via Mo Tucker tom thump as a spatially enhanced single guitar line glides over top. The lyric "snows fallin’ down, and I don’t wanna fight tonight" shifts in and out of focus in cascading patterns. It then builds Jesus & Mary Chain style to a dramatic high point and ultimate conclusion. The band plays their record release show at Dead Herring in Brooklyn on September 11. – Dave Cromwell
Dead Heart Bloom – upcoming release + Live at Spike Hill on 09.17
New York City’s Dead Heart Bloom are much sweeter sounding than what their name suggests. Their freshest release, “Strange Waves” channels British Invasion tenor, psychedelic auras, and folksy roots. “Someday Will Not Come Again “ opens the record with dreamy countermelodies that flow together and transition into the cheery guitar bends of “Sentimental Cure.” Twinkling piano lines undulate through the lullaby-like “Meet Me,” “Don’t Worry For Me,” and operatic “Fall.” Title track “Strange Waves” showcases wistful vocals and exotic horn flair, which is followed by the enchanting “Some Will Rise.” The serene acoustic guitar strums of “Another Mistake” relax listeners and flower alongside operatic vocals on “Fall” and delicate woodwinds on closer “Love Will Have It’s Day.” Dead Heart Bloom will be back in Williamsburg on September 17 at Spike Hill. – Meijin Bruttomesso
Perculators
The latest video from Serengeti for his track “Perculators” was directed by Paul Matian.
Kid Sister on Daytrotter
Kid Sister stopped by the Daytrotter studio last week and recorded all of your favorites, “Pro Nails”, “Right Hand Hi”, “Daydreaming”, and “Switch Board”. You can check out the session here.
Where Is My Mind?: Mose Giganticus’ Matt Garfield
Party Photographers – Live Studio Performance at WPRB Aug. 23
Taxicab Racers @ 8 off 8th
Nashville local band Taxicab Racers blew the crowd away last week at 8 off 8th. The high-energy power pop band brought heavy rhythms and heartfelt lyrics, which the girls seemed to love as they lipped their own version of the songs. The band, which moved to Nashville from Chattanooga, seem to have found their nook among the Nashville music scene. Their instrumental sound has a lot of the familiar sounds of Paper Route and for good reason. Taxicab Racers worked with Chad Howart (of Paper Route) to produce their new EP “Hunter/Beggar,” set for release in October. Although a lot of the sounds are almost overly familiar and at times it becomes hard to differentiate between what is Taxicab Racers and what is Paper Route, the new EP sounds phenomenal. The heavy use of synthesizers and rhythms allows for listeners to actually feel the band. Vocalist Michael Roddy sounds a lot like those from Owl City with a twang. Brittany Painter of The Bridges also did some guest vocals on the EP. The new album is loaded. The band knows their target audience and knows that the EP has a mainstream appeal. “We’re commercial. It kind of hurts us and it helps us,” Roddy says. The commercialism of the band doesn’t hinder the sound these artists offer; they offer something the audience can move to, something the crowd can relate to and something fun to listen to. This band is fast on the move and well worth the time it takes to go see their next show. – EJ Hirsch