New Music, Emerging from your Local Scene
Former Woods/Meneguar songwriter Christian DeRoeck will be playing Cake Shop with his new band Little Gold next Wednesday, August 11th along with Texas’ Fergus and Geronimo (recent signees to Sub Pop imprint Hardly Art). Haven’t heard Little Gold yet? The material is definitely more upbeat than average Woods songs, and less punky than Meneguar’s ones: it’s DIY indie pop!
EL-P, preeminent producer and founder of Def Jux records, is back to rock the apocalypse. The “Weareallgoingtoburninhellmegamixxx” series, like Atmosphere’s “Sad Clown Bad Dub” releases, began as a mishmash of outtakes and instrumental throwaways released on a limited CD and sold on the road as tour support. Lucky for us all, fans of El-P don’t discriminate between his lyrical productions and his instrumental wallops. In effect, we find ourselves eagerly anticipating the third installment of El-Producto’s signature psycho-space funk. It’s being released on August 3rd by Gold Dust Media, and if it’s anything like its precursors, you can expect gooey synths, gritty drum breaks, and a delightful spread of cacophony ideal for cleaning oil off of dying pelicans. – BrokeMC
Julian Lynch’s most recent LP, Mare, is pure atmosphere. It’s a record you listen to when establishing a natural and relaxed type of setting – chilling outside on the porch, drinking wine, smoking some pot, doing the nature thing. But inside the confines of the dimly lit, slightly smelly basement of the Delancey last night, Julian Lynch’s set was far more impressive both sound and music wise. There’s a powerful intimacy to the music live – it’s all about mood, about ambient movement and organic energy. After taking their time doing the sound check, fucking with their guitars amidst clashing, loungey background music, Julian Lynch blasted into their first song. They jammed through the first, went on to the second, and so on, just jamming. This band is all about instrumentals; heck, even the echoey, primal vocals were instrumental in themselves. And that’s what makes this band so great, so unique. Because, after all, it’s all you want to listen to when hanging out on a couch in the chilly darkness, on a Sunday night in the summer.
Check out the Kopecky Family Band show(s) and other upcoming events in conjunction with the release of their new album, "The Disaster:"
–Tuesday August 3rd–iTunes Release!
AAANNNDDD
–Tuesday August 3rd–In-store performance @ Grimey’s, 6pm
–Sunday, August 8th–CD Release Show @ 3rd & Lindsley, 8pm
—Deli Editor
The latest video from Giant System TV features the electro sounds of Chandeliers. The band will be performing at Reggie’s on August 8th with Health.
When you listen to the music of Black Moth Super Rainbow (BMSR) you can tell that it is the culmination of many different sounds and styles. The release recently by Tobacco provided an explanation of the darker and more electronic elements in the sound. Now comes the latest released from band member (and the only Chicago-based member) Dreamend aka Ryan Graveface. It’s clear while listened through So I Ate Myself, Bite by Bite (Graveface Records, 8/10/10) that Ryan supplies the more the folk-ladden, banjo-soaked moments of BMSR. This album is a pure and gentle psychedelic freakout, but it is not without an element of the darkness and derangement that you might expect from BMSR. Complete with bells, guitar, organ, and the humble and honest vocals of Graveface this album is the soundtrack to a campfire attended by zombies and other creatures.
So I Ate Myself Bite by Bite will be released on the 10th by Graveface Records and the LP version will be presented like a phenakistoscope, a classic Victorian animation machine. The LP was designed by William Schaff and will be a sight to behold.
In most cases the difference between a musician and a wanna-be is the amount of struggle one is available to put up with in order to keep making music. It’s probably also the (always painful and challenging) acceptance that a music career cannot be judged by the bourgeois standards we all use on a daily basis to define what is successful or not. Choosing the rock’n’roll experience can mean living in a car for 5 years, traveling the country by yourself to play intimate shows, having the self discipline to write 365 songs a year, and the strength of being a team of one. This is what makes Paleo a real indie musician. "A View Of The Sky" is his third effort. The songs contained therein (vivid scrawls of a remarkable mind) are the first compositions he made following a marathon year – it is also Paleo’s first collaboration with Partisan Records out of Brooklyn, NY– home to Deer Tick, JBM, Mountain Man, and more. For a taste of the new album, check out this mp3.
Love at 20 is the new project from former members of Clap Clap. Clap Clap received MTVU’s "best new band" award, performed ME Television Special and a KVRX radio show, and were featured on "Real World Austin". Members of Love at 20 have produced and engineered acts like: The Sword (Austin), Iron Age (Austin), Nate Grace (Pitchfork Forkcast), Bluu Suede (American Idol Top 12 Finalist) and Cursive (Omaha, NE).
"If Maroon 5’s Adam Levine was more into Brit rock bands like Stereophonics rather than Prince, he would have called his band Love at 20." –urb.com
"Love At 20 is not a fad band that will disappear into the masses. It has the sincerity and talent to stand on it’s own. "Time To Begin" contains the type of music that has the longevity to stay with you for years ahead." –sailorlegs.com
"Love At 20 combines their old band’s inclination toward the dance floor with propulsive guitar fireworks and Groener’s pent-up, Rivers Cuomo-esque croon." –AV Club
To support the release of "Time to Begin" in early November, four video vignettes will be released, each of which will feature a new up and coming Austin director paying homage to their favorite film maker.
(Ed.: this post taken from Love at 20’s post on our DIY Open Blog, check out other Open Blog posts in the Deli Kitchen. Love at 20 are also among the nominees in our current poll…)
We continue our "Best of NYC Countdown", covering every day one of the artists that made our Year End Best of NYC list (a chart compiled by a jury comprised of local bloggers, music writers, promoters, record store personnel, DJs, and our writers and readers).
In a Brooklyn full of up-and-coming female artists, Van Etten’s sparse yet powerfully passive expressiveness creates a magnetic pull-quality that seems to set her apart. This is most un-rushed stuff I’ve heard in a long time – all while being totally captivating. The slow-paced, hypnotic melodies and harmonies, backed only by an acoustic guitar and set alongside self-reflective lyrics, are by no means boring. Getting utterly lost in the thoughtfully slow-paced arrangements isn’t a voluntary reaction Put that Xanax away – Van Etten’s soft falsetto and meditative melodies will calm both mind and soul. – On August 2, Sharon will be performing at a new venue/bar just next to Brooklyn Lyceum on 4th ave, called The Rock Shop. It’s a cool space, we recommend you check it out.
Don’t get them wrong – Philly’s indie quartet Post Post is a band of college kids, not a college band. Their brand of clever and infectious indie pop is bigger than any campus that can hold the unsigned troupe – comprised of Michelle Zauner (vocals/guitars), Kevin O’Halloran (bass/vocals), Casey Sowa (drums/vocals) and Marisa Helgeson (synths/vocals). And now, after trading in makeshift, DIY soundboards for a formal recording space, Post Post is ready to unleash (digitally and physically) their first-studio EP, Residents, with a CD release party at Kung Fu Necktie this Saturday August 7. We had a chance to chat with Zauner about the double-life of students/musicians and all things Post Post. Check out the interview here! (Photo by Neal Santos)
High-octane guitars mixed with a heavy dose of southern hospitality is what Night Horse is all about. Channeling inflences from southern rockers like the Allman Brothers, 38 Special, and The Black Crows, the new album was produced by Matt Bayles (formerly of Minus The Bear). Perdition Hymns hits the streets August 3rd thanks to Tee Pee records.
You can download their free EP, released back in June, Sympathy Ain’t Free on their official website. If Southern rock gets your mouth watering, the boys will be playing August 8th @ The Echo’s Power of the Riff Festival.