San Francisco

From our Open Blog: The Limousines

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The last time we posted about The Limousines they were playing last years Treasure Island Music Fest. This week they’ve dropped us a line via our Open Blog to warn us that Rock n’ Roll zombies are in the imminent future [see below]. Their debut album Get Sharp released last week.

You can also spare us from catastrophe and organ eating entities by posting about your band in our open blog HERE.

-Nicole Leigh

If you like MGMT you will love this group! The Limousines was born when Eric Victorino of Strata and Giovanni Giusti AKA Nozebleed made sweet love in the SF Bay Area underground. Catchy lyrics, dance worthy beats, electro-pop at its finest. They just released there first full length album, Get Sharp which you can download on itunes and pick up in local Bay Area music Stores. Topping charts on XM radio, local radio, and itunes. Their album is already gaining popularity in international markets and has a tight hold on the Bay Area’s hipster scene.Mark my words, The Limo’s won’t be hitting the breaks anytime soon.

L.A.

Patrolled By Radar @ The LA Zoo August 6th

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LA Band Patrolled By Radar

Lions, tigers, and bands? Oh my! Patrolled By Radar (formally 50 Cent Haircut) will be joined by a number of special friends at the LA Zoo on August 6th. A bit down tempo alt-country, there is enough twang to keep a smile on your face.

If the furry animals don’t keep your attention, The Happy Hollows, Voxhaul Broadcast, Useless Keys, The Lonely Wild, Walking Sleep, and Slang Chickens will.

More info and tickets are available here.

Portland

Scattered…Picccctuuurreesss – PDX Pop Now! Through the Lens of Someone Who Kept Forgetting to Take Pictures

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Fortunately for our faithful Deli Portland readership, your humble Associate Editor did not snap thousands of photos of this year’s weekend mega-pop fest at Rotture. Truth be told, he prefers to let the camera do most of the work anyway. His skills are, on the high end, derivative of the cogs employed within the black plastics and gears of his lady-friend’s Nikon D-40.

It’s with that kind of frame of mind that he took real, actual photos of only four or so acts. Well, to be fair, he did take more, but he didn’t know how to use this goddamn digi-monstrosity (he prefers the FX Camera app for his Smartphone above all other technological profundity), and consequently his indoor stage shots looked like Ansel Adams had been taking snifters of Jonestown Kool-Aid.

So here is what we do have:

 

O Bruxo live on Saturday, July 31, providing a much needed Latin-rock shuffle to the purveying masses of over-easy dance and experimental hoopla.

 

A personal favorite, Da’Rel Junior, along with his DJ Dr. Adam, regaled stories of nerd-dom against heady beats to an appreciative afternoon crowd on Saturday. Hip-hoppers take note: Da’Rel brings it with more than an ample dose of humility slathering his potent rhymes.


 

Mike D and the rest of I Can Lick Any Sonofabitch in the House pretty much scared the shit out of every person in attendance who hadn’t seen them before, despite their god-fearing sentimentalism and appropriately Care Bear-esque dispositions. The band only had time enough to blaze through five songs or so before the weight of their bar-room cow punk would take a bow. If I find more worthwhile shots, I’ll post them here for sure.

You’re welcome…

Ryan J. Prado

Portland

Bite-sized Reviews: Rollerball at PDX Pop Now!

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The experimental three-piece Rollerball molded tight melodies into somewhat funky drones. For a band 15 years down the line, I shit myself to ask, where was I?

The female-fronted trio flirted with chamber-pop sounds before being fully deconstructed into energetic, effect-laden bursts of noise that shone perfectly under Rotture’s blue-stage lights.

Nick Walker

Portland

Get Hustle Slay PDX Pop Now!

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The third evening of PDX Pop Now! featured the long-running (though not Portland-exclusive) Get Hustle. Joining the normally three-piece machine was the bass-wielding living-history of thudding-doom, Joe Preston of Salem, OR’s Thrones. With a consistent low-end, Get Hustle’s chaotic psychic energies were well-delivered.

The blistering organ/keyboards of Mac Mann blasted aural epithets against the cymbal-crashing, skin-pounding brutality of Maxamillion Avila. Not a word is lost on Valentine Falcon. The singer exuded a Plant-like sexual presence while controlling the tiny Rotture stage with something all her own.

Some sets you just need to go sans ear plugs, and Get Hustle provided PPN! with such a set. Not bad for a band 13-plus years in the making.

Nick Walker

Austin

Oh No Oh My’s New Designer: You

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The dangerously likable indie rockers Oh No Oh My have invited you all to design their new poster…details straight from the band below: 

Are you one of those people that never win anything? I know, me too. I did win tickets to see Mighty Ducks 2 when I was in first grade, for this sweet joke I submitted to the Denver Post. But you know, that doesn’t really count. I had to go with my parents. And I think my sister got to go too, so really, that was a shared victory, and not something to call my own.

BUT I DIGRESS. We’re going to give away the following:

1 Shoot ‘Em Up T-Shirt (in whatever size you want)
1 Brains/Walking Into Me on 7" 45RPM Vinyl (just released, featuring 2 songs from our upcoming album)
1 Dmitrij Dmitrij EP on 12" 45 rpm Vinyl
1 Dmitrij Dmitrij EP CD
1 "Oh No! Oh My!" CD 
2 Oh No Oh My Beer Coozys
A bunch of Oh No Oh My temporary tattoos
and some Oh No Oh My buttons/pins/badges/whatev..er you want to call them

HOLY CRAP THAT’S AWESOME. How do you have to do in exchange for such an awesome prize package?? Make us a tour poster! To summarize what we’re looking for:

11×17 Poster
Preferably 1-2 Colors (in case it’s so awesome that we decide have it screen printed but if you feel your vision needs full color, then I guess that would be okay…)
300 DPI
Must have "Oh No Oh My" on it
Please nothing cute, or precious, or things like that.
Simple is good.

Send a smaller file version of your entry (something like 550×850 pixels) to daniel@ohnoohmy.com with the subject "Poster Contest" and YOU’LL BE ON YOUR WAY TO GLORIOUS PRIZES. 

Nashville

The Little Bear: The Infinity Cat’s Meow

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If you thought you had found all the buried treasure in Nashville’s local music scene, you thought wrong—unless you’ve been lucky enough to stumble across The Little BearInfinity Cat’s atypically non-punk trio. They are quite the hidden gem—never seeming to play with any of the Infinity Cat staples, i.e. JEFF the Brotherhood, PUJOL, Heavy Cream, etc.—(probably because they aren’t a punk band). Instead, they play pop/rock with a hint of folk, lead by singer/songwriter Claire Guerrero, who is joined by Mandy Rogers on keyboards/vocals, and Justin Baker, on electric guitar/vocals. A good comparison would be local folk band, Korean is Asian, but more upbeat and less folksy.

The Little Bear tends to entrance you with tight harmonies, and clever, polyphonic little ditties to build a more rhythmic layer of sound above the ambience of the keyboard/synth and electric guitar. (The song, “Parachute,” is a good example of this). The background vocal bedazzlements are a central theme in their material, helping to create both of The Little Bear’s dominant styles, which are either abundantly pretty folk/pop, or more theatrical, pop/rock. Listening to “Slow and Steady,” is like listening to Queen’s “Killer Queen,” with the bouncy, almost big-band approach, while “Coldest Cloud” almost grinds along to the point of being an old PJ Harvey tune. This variation in material is admirable, and while Claire will tell you that her biggest influences are Portishead, Fiona Apple, Bjork, and Stevie Wonder, her songs are also reminiscent of Jewel, Tori Amos, or even Michelle Branch (before she got pregnant and joined The Wreckers).

Assuming that none of the members of The Little Bear get pregnant, they should have some pretty exciting things going on in the near future. They recently recorded an album with Infinity Cat founder/legendary songwriter, Robert Orrall, and sound engineer, Jacquire King, whose previous collaborations include Kings of Leon, Norah Jones, and Tom Waits. You can also look forward to hearing SEXTTAPE, which is an upcoming split tape they’re doing with PUJOL on Infinity Cat Records. The Little Bear seems to be riding on a fast train that’s headed to the land of fame and fortune, so you should get on that train too, and take it to their next show, which will be at the 5 Spot on September 24th.—Erin Manning

Chicago

Justine

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A couple of weeks ago we brought you the news of the new album from Unicycle Loves You, Mirror Mirror being released this September. Now we have a track from that album called “Justine”. The video for “Justine” was released a year ago and was directed by Athony Dixon.

The release of Mirror Mirror will be celebrated at Schubas on Sept. 11th with The Nurse’s Novels and Village.

San Francisco

Billy & Dolly Rumble

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April’s Artist of the Month winners Billy & Dolly will be playing this weeks The Rumble San Francisco as presented by Future Sounds. The best part about The Rumble [as always] is that its free to anyone who RSVP’s and its only $5 to those with commitment issues and/or those who are socially sensitized to making plans. Billy & Dolly will perform along with  LA’s Rumspringa and Terror Pigeon Dance Revolt. Wednesday, August 4th at Cafe du Nord. No street fighting just sound.

-Nicole Leigh

Chicago

From our Open Blog: Loose Lips Sink Ships / Victor Villarreal

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Chicago indie rock veteran/guitar virtuoso Victor Villarreal (Cap’n Jazz, Owls, Ghosts and Vodka) and DeKalb, IL’s math rock wunderkids Loose Lips Sink Ships are gearing up for the pressing of a split 7" record, entitled Eating Happens. The record is set for release August 27th on Chicago newcomers Whaleplane Records. Eating Happens is Villarreal’s second release under his own name (the first being 2009’s Alive), and is Loose Lips Sink Ships’ second 7" record on Whaleplane, a label that got its start in the college town of Fredonia, NY. The record features a track from each artist, Loose Lips contribute the knotty, spastic "Sarah Palin’s Parasailing" and Victor offers up a fingerpicked folk song entitled "Prophesying Hypothesis." The record is a limited edition item (just 500 hand numbered copies are to be released this August) and is available for preorder now.

Preordering the record not only includes immediate download of this album, it also ensures that it will be shipped out before the release date. A free stream of both tracks is available, as well, at Loose Lips’ webstore.

Chicago

La Scala

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Last week La Scala released their new ep The Last Carousel by performing at Empty Bottle. The EP was recorded at Stereophonic Studios by Marshall Terry in April of 2010 and was mixed by Balthazar de Ley at Audio Bordello. It mixes traditional indie rock with a flair for the dramatic. The band has that cabaret style that bands like My Gold Mask and The Loneliest Monk are perfecting. You can stream the ep and purchase the vinyl 12” here.

Speaking of My Gold Mask you can download the track that Gretta Rochelle of My Gold Mask performed with La Scala here. It is a cover of "Tu Farai" by Mina.

Philadelphia

The Deli’s CD of the Month: Univox – Univox

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Univox’s self-titled debut full length from Brooklyn indie label ROIR is a joyous rollercoaster ride through music history. I guess that you can call it Glam rock because it is quite theatrical and certainly rocks, but these aren’t posers smearing on makeup and tight outfits to somehow get the chicks (though drummer Kent Boersma has been known to dawn a dress). These are four young men brought together by the rock gods to twist the meaning of what they believe pop music is. With a sound that deserves to be heard through arena stacks, this quartet creates epic rock anthems, but it’s more than just power chords and guitar riffs from below the waist (well, opener “Pi” is a little bit). Led by their radio-ready vocals and the strong backbone drumming of Boersma, Univox combine monster pop hooks and straight-up pedal-to-the-floor rock with such theatrical flare that you can’t help but be swept away over the top with them.
 
Josh Jones’ baritone Bowie-esque vocals and the band’s impressive harmonies have you already hearing tracks like “Everybody Knows” and “You Don’t Know” on the radio (that is if you still listen to radio). “Lever Master City” embodies what I think of as the Univox sound: catchy pop hooks, strange mind-warping lyrics, steady rockin’ backbeat and guitars with gorgeous harmonies. When they drop into “die, don’t leave me alone/call me on the phone/phone make me at home/child to the wave then in the sand/light in your heart/your heart in my hand/holy master crow/who lives in a cage/letting him out in a couple of days/call to my throat/throat lend me a line/line in the salt/salt sand in my eyes/I’m seeing the sand/drop from the days/laying you out in different ways/child to the wave and in the sand/light in your heart/your heart in my hand,” it always brings a smile to my face. Did I already use the word “epic”? The band flexes their vocal muscles in the a cappella track “All This Blood Came From My Heart” which plays out like a sadistic operatic musical reminding you that Univox’s artistic vision far exceeds your normal everyday rock band. Predictable – Univox is not. “Conan” unexpectedly breaks out into an angry Devo dance party while album closer “Nobody’s That Smart” just leaves you wondering what these guys will do next. Long-awaited debut worth the wait. – Q.D. Tran