Trenchtown release self-titled EP
Trenchtown is an interesting beast. I recently had the chance to sit down and savor their new album the Trenchtown EP. Bred out of Hermosa Beach, they wear their influences on their sleeve. I was greeted with a high energy mix of LA punk and ska that was bit Greenday, a bit Rancid, a bit Sublime and all fun.
A six song EP with punk-length songs isn’t more than a musical nibble, but I walked away wanting more. The EP starts with "Ay Oh" with a distinct oy punk feel. A little deeper in, Murderer is a standout song that’s devious fun with ominous lyrics. Later, the closer Unpaid Holiday winds the collection down, but I have confidence it’ll become a summer anthem for some.
If the band is as fun live as their abum makes them out to be, I can’t wait to see them. You can check out the EP for free at their official site here.
88 Miles an Hour! Unadvertised Show TONIGHT at Mississippi Studios with Blue Giant, Dolorean! 9 PM, FREE
Didn’t this just happen yesterday? Not the same show, but the same last-minuteness of our alerts to you, our dear readers! Goddamn day jobs…
Anyway, check this out! Tonight at Mississippi Studios you can check out a special, unadvertised show featuring Blue Giant, and Dolorean for FREE!
That’s right, no catch. Get there early for a good spot. The show starts at 9 p.m.
Then, to show your appreciation for our hot tip, go to Mississippi Studios tomorrow night (Wednesday) for our second sponsored show along with our buddy Mark at The Days of Lore. This trio of mayhem will feature the soothing sounds of Black Whales, Nucular Aminals, and Ravishers. 9 p.m. $7.
– Ryan J. Prado
Pics from Pickathon
We could ramble on and on about how massively amazing Pickathon 2010 was, and we tried to facilitate said rambling by taking copious stage-side notes, by imbibing mind-altering elixirs and berries, by becoming one in spirit with the albino philly in the horse paddock (don’t read too far into that). Still, without some visual imagery for you, all the ranting in the barn would probably be pretty nebulous.
Luckily, San Francisco photographer Joseph Schell graced the hay-strewn farmland with his nimble eye for detail, and provided us with the following images from this year’s festival that make my words appear more like rabbit shit than they already do.
Bonnie "Prince" Billy
The Cave Singers
Fruit Bats
Langhorne Slim
Richmond Fontaine
Roadside Graves
These United States
Dr. Dog
Thanks a ton, Joseph! Check out more of Mr. Schell’s work here.
From The Deli’s Open Blog: Heliotropes play Bruar Falls on 08.13
Brooklyn band Heliotropes unleashed a rather heavy debut EP entitled "III". The all-female trio plays a surprisingly bizarre blend of violin-laced psych-rock and dark, goth ditties — finding themselves conjuring up comparisons to Black Sabbath and Spiritualized. Though slightly at odds with their beached-out Brooklyn counterparts, the band plays frequently around their mother borough and Manhattan. Heliotropes plays 8/13 at Bruar Falls in Brooklyn with Poison Arrows (ex-Don Caballero), Heavy Hands, and Telenovelas. – (as posted in The Deli’s Open Blog – post your band’s entries, videos, and Mp3s here).
Best of NYC #7: Sleigh Bells
We continue our "Best of NYC Countdown", covering every day one of the artists that made our Year End Best of NYC list (a chart compiled by a jury comprised of local bloggers, music writers, promoters, record store personnel, DJs, and our writers and readers).
The creation of noise pop duo Sleigh Bells resulted from an unlikely pairing of Derek Miller, a former guitarist for post-hardcore band Poison the Well, and Alexis Krauss, a member of the now-defunct teen pop group RubyBlue. Miller writes songs that radiate such a colossal impact that they make the speakers sound like they will melt at any moment. Audiophiles be damned: The duo purposefully creates a blown-out sound by disregarding levels and pushing them way over into the red.
Their demos boast a range of intense club ragers to melodic, buttery tunes. Often compared to Crystal Castles for their visceral energy and strong female vocals, Sleigh Bells’ music is more beat conscious and incorporates the creative use of guitar as a driving, almost obsessive force.
Their clipped, infectious songs and high energy performances elevated them to one of last year’s CMJ Music Marathon favorites. Not only they impressed the music media, but they also caught the ear of their sound sister, M.I.A. In early February Sleigh Bells helped produce M.I.A’s forthcoming album. M.I.A. returned the favor by helping co-release their debut album “Treats” through her NEET imprint with Mom + Pop Records. Of course this help make Sleigh Bells one of the most successful NYC bands of 2010.
Free Energy Featured on Pitchfork’s POV
Praise the Lord and Pass the Jack Daniels: The Whiskey Priest
The Whiskey Priest preaches with a sound reminiscent of a tent-covered revival. A raw, visceral sound that often toes the line between melancholia and exuberance, the sermons of The Whiskey Priest have been a project of songwriter Seth Woods—of Sad Accordions, and often Zookeeper, and Alex Dupree’s Trapdoor Band—since 2006. The years of work and ache have come to fruition in the forthcoming debut LP, Wave & Cloud, an album that, if the first single, “If A Train Was A Doctor Was A Song,” promises to exhibit that special kind of avant-garde styled folk-rock/bluegrass music that feels like a mule kick to the heart; it’s the kind of thing you don’t notice rarely possesses a drum section until someone points it out to you, and makes you realize you don’t at all miss the convention of it. The right kind of music at the right time. The Whiskey Priest goes down smooth and mellow, with sweet melodies that hides the underlying sting of bitter heartache the joy in spite of it.
The Whiskey Priest will be performing this Saturday, the 14th at End of An Ear Records on 2209 South 1st to celebrate the impending release of Wave & Cloud, which debuts on August 23rd.
–Mitchell Mazurek (photo by Valerie Fremin)
Secret Colours @ Beat Kitchen
In anticipation of their album release show on Saturday, Aug. 14th, Secret Colours have released a beautiful cover of The Beatles “Tomorrow Never Knows”. The bands much anticipated self-titled debut can be streamed at their bandcamp site.
Secret Colours will perform at Beat Kitchen on August 14th with Panda Riot and Geronimo.
Strand of Oaks Survives the Flames at KFN Aug. 10
FUEL.tv videotaping The Ro Sham Bo’s at The Tube TONIGHT!!!
I know this is RIDICULOUSLY short notice, considering the show is in, oh, two hours, but ungodly short notice is better than no notice at all, right?
The piano-driven, Tori Amos-esque trio, The Ro Sham Bo’s, headed by the ever-so-talented Madeline Williams-Brownlee’s burlesque vocals and cabaret-style keys, are playing a FREE show at THE TUBE TONIGHT at 9 pm.
And what’s even cooler than a free show? Oh yeah, the fact that mother effing FUEL.tv will be videotaping the whole damn thing! So peel yourself off your couch, put on your dancing shoes, and for god’s sake, brush your hair so you can look halfway decent on camera.
See ya there!!
-Katrina Nattress
From the Open Blog: Megafauna!
Riding the recent wave of publicity from their fifth national tour, Megafauna is finally releasing its full-length debut album, Larger than Human. Fans and press alike are singing the praises of Megafauna, Austin’s newest rock sensation.
Megafauna features Dani Neff as vocalist/axe-wielding guitar goddess and Will Krause and Cameron Page as her rocking rhythm section. Neff has been called a "sexy maniac" and often comes on stage in a Tyrannosaurus Rex costume, which she then strips off to reveal a skintight leopard print unitard, tutu or a star track mini dress. Neff has been described as a “shredmaster” and consistently stuns audiences with one-million-notes-a-second blasts of power.
“Will Krause and Cameron Page’s brimstone rhythm heed to solos that will melt the seals off seven scrolls,” writes Jeremy Martin from the San Antonio Current. “Neff pulls off several of the moves that eventually required Van Halen to undergo hand surgery.” Austin blog, Big Western Flavor, described Neff’s solos as “blood-curdling, burning flesh.” Called “noise-pop glory” by Detroit blog Deep Cutz, and “grunge rock and metal-inspired madness” by Flagpole Magazine, Megafauna is making quite the impact around the country. One awe-struck fan said that it is a “shocking co-mingling of everything that matters.”
Underground poet Thax Douglas, who has introduced the likes of MGMT and Dirty Projectors, read a poem before Megafauna’s last show at Mohawkand then explained that Megafauna is “one of the best bands on the planet.”
Much like Megafauna’s music and live performances, their newest album Larger than Human is a pastiche. Larger than Human was recorded at four Austin recording studios: Cacophony Recorders, Premium Recording, The Bubble and Cucuy Productions. “It’s an unconventional approach,” Will Krause explains. “We wanted the album to have a unique texture. We thought that recording different kinds of songs at different studios would accentuate the area covered by the album.” “It remains cohesive though,” adds Neff. “We also wanted to offer listeners around the country a sampling of what Austin has to offer in the way of recording.” At Cacophony Recorders, Megafauna worked with Eric Wofford, the man behind the Black Angels’ first album. They also worked with Alex Lyon at The Bubble, a studio that has recorded And You Will Know Us by the Trail of Dead, Jet, and Explosions in the Sky.
Larger than Human is heroic and outlandish, at once heavy and poppy, improvisational and staunchly composed. It is Stereolab meets ACDC, featuring vintage metal riffs paired with gorgeous ethereal vocals. The album is epic yet fiercely catchy. One listener noted, “these songs are crazy, but they get stuck in your head.” “Not enough can be said about this band” said Austin blog Cannibal Cheerleader, “they supply a smorgasbord of indie-rock madness for all to enjoy.”
Hole in the Wall will be abuzz on the night of Saturday, August 21st in celebration of Larger than Human’s release. “We’re really excited,” guitarist/vocalist Dani Neff says of the new release, “It sounds fantastic.”
The party kicks off at seven and features eleven Austin indie-rock bands, including Transmography, Red Leaves, Death is Not a Joyride, We the Granada and The Hi-Tones. The event is free before 9:00pm and $3 after 9pm. “We try to make sure all of our shows are cheap,” says Neff. “We don’t want anyone to be turned away because of money.” Austin booking and promotion company, Lucy The Poodle Productions, is putting on the event. “There will probably be a special appearance by our favorite poet and good friend, Thax Douglas,” Neff assures.
Texas and Louisiana tour dates for August and September, as well as more information on buying the CD, can be found at www.myspace.com/mymegafauna.
(Ed.: this post taken from Megafauna’s post on our DIY Open Blog, check out other Open Blog posts in the Deli Kitchen.)