NYC

Best of NYC #32: The Shake, Live at Bowery Electric, June 22

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We continue our "Best of NYC Countdown", covering every day one of the artists that made our Year End Best of NYC list (a chart compiled by a jury comprised of local bloggers, music writers, promoters, record store personnel and DJs).

New York quartet, The Shake, have been quaking the city’s music scene in recent months, landing a top spot on The Deli’s “Best of NYC” poll. Their December record release, “The Shake Go Crazy,” is nothing short of pure rock ‘n roll with catching riffs, singable choruses, and spirited guitar solos that embody the youthful rebelliousness that is missing from many acts today. Distinguishing themselves from the typical rock outfit with Jon Merkin’s unmistakable vocals and Eliad Shapiro’s gripping choices in guitar progressions, The Shake also adopt a heavy blues swagger and metal attitude on highlighted tracks, “Got No Soul,” “Merry Musket” and “Galleries,” open “Your Idols” with a cappella flair, and demonstrate great musicianship by collaborating with Matt Butler (Reckless Sons) on “Time Bomb,” Ezra Huleatt (Black Taxi) on “Pop Goes the…,” and Tash Neal (The London Souls) on “Merry Musket (Reprise).” Invigorating on record and on stage, The Shake are ones to watch on the rock ‘n roll Richter scale. www.wearetheshake.com – Meijin Bruttomesso

New England

3rd Deli Showcase at the House of Blues – Boston – Front Room 7/1

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show

The Deli – New England will be holding our 3rd showcase at the House of Blues – Front Room on July 1st. We’ll be featuring three of Massachusetts’ finest. Vostok 4, a unique pop-rock band with the elastic creativity and sound of the Talking Heads. Ghost Quartet’s new album is currently our featured album of the month, they hail from Western Mass. Trip-rockers, Those Wolves Actually Happened sound like Modest Mouse in outer space. Most importantly, this show is FREE! So you have no reason not to come. Take the train to Fenway. There is no Red Sox game, so if you are driving you can find parking, I’m sure.

See you there.

July 1st – House of Blues – Front Room – 15 Landsdowne St. Boston, MA – FREE – 21+

–The Deli Staff

Philadelphia

The Dichotomy of The Homophones at FU Side Chapel June 22

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David Byrne is my hero. I know him well. But how well can you really know someone that you’ve never met? I know him well enough to know that The Homophones’ Jason Ferraro knows him well as well. There is a certain theatrics in Farraro’s performance. It’s the kind of metamorphosis that Byrne would unfold on stage to his audience. And yes, some of those dance moves do look familiar. But with Malkovich-like intensity, he delivers classic gems like “you think you’re better than me/cause you got some fuckin’ degree/from a university like Emory” are lyrics worthy of the intellectual snobbery that it mocks. The Homophones’ music can sway, rock and enlighten you. It brings you back to the times when life was innocent and carefree, but it’s not afraid to slap you in the face with the uglier side of it, however, with a sense of humor. And that’s why you should be at the First Unitarian Side Chapel tonight. First Unitarian Side Chapel, 2125 Chestnut St., 8pm, $10, All Ages – Q.D. Tran
 

 

San Francisco

Silian Rail pre-order two-fer at Parks and Records

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Bay Area record label Parks and Records is throwing in an extra bonus to pre-orders of the new album from Silian Rail [above]. Anyone who orders the instrumental duo’s latest release, Parhelion, can choose between getting a Shuteye Unison self titled CD or a Carcrashlander self titled CD for free – all for the very reasonable price of $8.

Parhelion is filled with the kind of adventurous [yet, melodic] instrumental wandering that has become the signature sound of guitarist Robin L. and multi-instumentalist Erick K. Together they manage to make songs that feel like a narrative; tenuously shifting enough without overindulging in an avant-garde sonic masturbation of sorts [which is sometimes my least favorite part about instrumental bands]. If you close your eyes you can almost see a short film unfolding.

The offer ends June 30th and as a bonus to your conscious and the earth, a portion of all sales at Parks and Records go to statewide and national non-profit park organizations.

Preview snippets of Parhelion below:

You Need to Download Flash to Listen to this MP3

-Nicole Leigh

Philadelphia

XPN Drops Y-Rock from the Air

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We were sad to see in the City Paper that XPN had experienced a bunch of layoffs which included Josh T. Landow, Y-Rock’s champion through all its media format changes in the past few years. Gone with Landow are the Wednesday-through-Friday evening on-air programs that Y-Rock contributed to the station. It amazes us with how quickly the indie rock scene is growing, especially in our own city, that we are still losing a voice in our own community. DIY maybe overused these days, but it still remains a necessary part in fostering the arts.
 
We have also received many emails regarding Roger LaMay’s statement on how he’s particular stoked about them starting a blog that is "100 percent focused on local music". Our response: What took you so long? We are glad that we are making an impact on our beloved music community and that more people are following in our footsteps. There are plenty of music lovers out there who can choose whatever they want to read. We all read different publications and blogs. We all read some of the same publications and blogs. And if you’ve been paying attention to what we write about, do you really think that whatever XPN’s blog with the “Philly-centric name” will actually cover the exact same shit that we do and in the way that we do it? We hope not. If they do, then we might have some beef. ;o) (Photo by Evan M. Lopez, City Paper) – The Deli Staff
 

 

L.A.

The Like’s Latest Video “He’s Not a Boy”

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I wish I were the first to report that The Like are pretty terrific and worthy of your discerning ears.  Alas, I am not.  Z Berg, an Edie Sedgewick doppleganger fronts the band and plays guitar.  Tennessee Thomas plays the drums, Laena Geronimo plays bass and Annie Morgan holds it down on the organ.  Their latest video for "He’s Not A Boy" is a testament to enviable mod styling and lighthearted pop music.  I think you should give it a listen.

Austin

The Pons Interview…

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With a blow-out huge show at the Ghost Room on June 26th with STEREO IS A LIE, Wiretree, and Searching for Signal, we had to hear from the makers of high concept melodious harmonizers, The Pons. Thomas, Ruby, and Steven talk to us about getting together, playing music and bathroom behaviors. Killer photo above by Kaitlin Langdon. 

When did you get together? What kind of factors led to your coming together? Crazy cosmic destiny, the good, old friends-forever bit or just a lucky answer of some classifieds?

Tommy: Ruby and I started out as a two piece band called Lalaland in 2004. We didn’t have a drummer at the time, so we decided to create our own back-up band by recording drums and anything else that we wanted people to hear. We would record on a 4-track, then mix it down to two-track and play it on a DVD player while we played along. Our intentions were to sync-up video at some point. We didn’t make it that far.

While we were recording our first record (Ready? Ready!) in 2004, our producer & engineer Lou Guerrero recommended having his friend Steve Sanders come in and play drums on a few songs.

Steve was already in two bands – Ant Man Bee & Wan Santo Condo – and was under a recording contract with EverLoving who kept him on-call for over a year with the possibility of going on tour with Wan Santo Condo to support Tenacious D, which they did eventually.

However, Ruby and I knew he was our drummer. He knew it too. It was just a matter of time.

Here’s the cosmic part: If I played drums, I would play just like Steve. If I played bass, I would play just like Ruby. It seems like I spent my entire life preparing for this band. 

We played as Lalaland until 2007. We changed our name to The Pons when we released “In the Belly of a Giant” in Dec 2008. We needed a name we could own and one that would allow us to do anything we wanted musically. 

Ruby: Tommy and I have been in projects together for many years now. We initially met at a party in his back yard. Steve came in to help us record some drums for our last band, Lalaland, and we slowly brainwashed him to join us permanently. That took lots of Lone Star and patience, but it eventually paid off. 

What would you say you’re all about? Who your musical influences are, what you want your music to do/where do you want to take it/the genre/your audience?  What genre do you consider yourself, or would you rather try and stay genre-ly undefined?

Ruby: We are about playing music we like to play, and prefer to play that music together. We definitely come from varying musical backgrounds, but still have a lot of overlapping bands in common. I’m sure the guys will cite many artists, but I would have to say that Tommy and Steve are are my biggest influences musically. I want our music to do whatever it is that it’s supposed to do – whether that be to shake your ass, make you cry, stand up for something, shut up, make you think, make you laugh. Hopefully we accomplish a little of that. Even though we’re considered rock in the most general sense, I think we tie in a lot of influences within that. So sometimes it is a little difficult to define the genre, as the song usually determines the feel and style.

Steven: I’m influenced by so much from Tom Waits and Thelonious Monk to Talking Heads and too much more to mention.  I’m not good at defining genres so much but I would say we are a "dynamic alternative melodic rock"

Tommy: In short, we’re about writing great songs. Most everyone has had that moment standing in front of a band and listening to a song that is so good it makes you feel like nothing else matters. Everyone stops talking and the song takes over the room. I have experienced this many times, most recently while watching Cheap Trick play “Surrender” at Auditorium Shores. That song could start riots. Probably has.

Anyway, that’s what I want. To incite riots. 

Influences don’t play a big part in my writing anymore. My ship has drifted too far from the dock at this point. If I think I’ve written a great song, it’s because I feel that I have successfully used everything I know to get there and the song works. If the song sucks, I only have myself to blame.

Genres don’t mean anything to us. I’d play a hammer-on lead if the moment called for it.

Is there anything special about the Ghost Room show?  Will you be returning with the greats from your most recent album? Rocking some new stuff?

Tommy: We are hosting the Ghost Room show, so that’s really our big event for the summer, plus, we’re playing with STEREO IS A LIE and Wiretree. Two of my favorite bands. We will be playing mostly new material with a few songs from Giant. ATX Live will be on hand to film the show in HD and interview Austin Bloggers. This show was intended to be our only Austin appearance this summer so that we could focus on writing and finishing our new record “The Blackest Shine”, which is due for release right after the first of the year. However, we were recently asked to open for Everclear on July 2nd.

Ruby: It’s such a great venue, so we’ve been really excited to get back there. We recently took some time off to write and record, so this will be our first show in town following that. We’ll rock out with all the classic hits, and have a preview on what’s to come on the new album. 

How do you like to get ready for a show?  How do you like to perform a show, what’s it all about for y’all?

Ruby: Live shows are always great because you never know what you’re going to get. You just try to have as much control as possible, but you have to leave a lot up everything else around and go with it as best as you can and have fun. The best part is that the audience is very much a part of the show. I guess that can be the worst part too… 

Steven: A few beers and some cigarettes and some light stretching.

Tommy: Our best shows typically happen after being on the road for a while. So we really like to get in that frame of mind even if we’re only playing local shows. Occasionally we’ll invite friends to watch us rehearse.  

What’s the idea behind your upcoming album, The Blackest Shine?

Tommy: The Blackest Shine will be our second record, so we really want to release something that is more potent than In the Belly of a Giant and shows how much we have developed. But more importantly, we want this record to rank among the best in the grand scheme of things.

Most of our songs have very big, very dark themes, but with very swing-happy music. This record is to biggest, darkest, swingin-est one so far.

The Blackest Shine is about survival – still being able to see yourself even in the most distorted situations.

The CC Grady foreword to your LP is pretty great, high concept sort of stuff.  With talks of post-modernism and poetry, do you take literary influences in your work?  What kind of stuff do you all read? Favorite books/authors? 

Tommy: Grady’s foreword was entirely personal. We didn’t direct or edit him. He simply wrote what he thought after listening to Giant. He’s not the only one to arrive at that place. Many writers explain similar feelings about that record and how much it seems to deal with big issues. Big issue records get big issue reviews. 

I don’t read fiction very much. It’s probably because I like true stories and they seem to be more interesting to me. Unless it’s comedy. David Sedaris kills me. So does Kurt Vonnegut. I like to read about American History. Any time anyone wants to politicize something, I simply remind them pick up a history book.

What are your Top 5 Desert-Island Albums?

Steven: Tom Waits- Closing Time

Pixies- Doolittle

Talking Heads- Remain in Light

PJ Harvey- Dry

Beastie Boys- Paul’s Boutique

and anything Neil Finn

Tommy: Tom Waits – Rain Dogs

Leonard Cohen – Songs of Leonard Cohen

The Beatles – Revolver

Glenn Miller – all of it

Talking Heads – Fear of Music

Let the yellow mellow or flush it down?

Tommy: Flush it. If it looks like piss and smells like piss, it’s piss. 

Steven: Flush it.

Ruby: I always heard it was "if it’s yellow let it mellow, if it’s brown flush it down." If it rhymes, it must be right. Is it? Flush it down gets my vote. 

Guiltiest-Pleasure TV show?

Steven: American Idol

Tommy: Wipe-Out!!!

Ruby: Wipeout. 

All-time favorite movie?

Tommy: Grey Gardens – I’m gauging this question on the number of times I’ve seen the movie.

I think I’ve seen Grey Gardens 10 times. 5 Times in one day.

It’s a true story – one that’s happening in every neighborhood in the world every day.

Ruby: Sorry if it’s a cheesy girl movie, but maybe Amelie? It makes me happy. 

Steven: The Big Lebowski or Withnail and I

Do you consider Austin a part of your band?  Would you be the same without this city?

Steven: Yes, very much so.  Ruby and I are native Austinites.  I have been playing in clubs here since the late eighties.

Tommy: Yes and No.

Ruby: My Mom has said that she made sure her children were born in Austin, so this town is very much a part of me. Plus we all came together here – Austin has a way of doing that. Whether we would be the same without this city is yet to be determined, but it will always be a part of who we are.

 

–Mitchell Mazurek

 

[Ed.: One last reminder…the Pons are headlining the show at The Ghost Room in the very fine company of Wiretree and STEREO IS A LIE, Saturday, June 26th.]

 
NYC

It’s Make Music day! Outdoors show in Williamsburg with tons of NYC bands!

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Make Music New York  is a unique festival of free concerts in public spaces throughout the five boroughs of New York City, all on Monday, June 21st, the first day of summer. MMNY takes place simultaneously with similar festivities in more than 327 cities around the world — a global celebration of music making.

There will be a bunch of outdoors concerts in Williamsburg with local artists who deserved to be checked out. In the middle of Bedford Avenue, Spike Hill will host an outdoors show The Deli helped book with The Courtesy Tier @ 9pm, The Twees @ 10pm, Black Taxi @ 11pm, and The Binary Marketing Show (in the picture above) @ midnight. On North 6 Street, Cameo will host an all day similar event involving a very interesting lineup of NYC artists including Turkuaz, The Yellow Dogs, Hank and Cupcakes, Hollis Brown, Daddy Long Legs, Shilpa Ray, Fredericks Brown, The London Souls, and Fall on your Sword (in the picture below).

NYC

Ava Luna is like a choccolate & bacon bar – Live at Cameo, July 3

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Thursday night at The Cake Shop, while listening to Ava Luna‘s song "Won’t You Be Mine", we experienced an inner time travel that took us back to a 1950s soda shop – were a jukebox was playing… that song. This was probably triggered by the band’s three female vocalists, who reeled the audience in with their velvety doo wop style vocals, feet stomping and hand clapping. That trip was shattered about a minute into the song when frontman Carlos Hernandez’s Prince-esque falsettos combined with some heavy synth and bass impacteded our confused eardrums. This unlikely melding of synth rock/pop and doo wop is a little like those chocolate and bacon bars you see around these days: sweet and funky, but pretty damn yummy. The band has a series of shows scheduled in the NYC area in June and July, make sure to check them out. – Abigail Devora

NYC

NYC Artists on the rise: Arms, live at Matchless, 06.24

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The EP from Brooklyn’s own ARMS is another FTW from the "nu-gaze" wave. It is an album as sophisticated as Sufjan Stevenes and as spirited as Sonic Youth. Lead vocalist and guitarist, Todd Goldstein began writing music under the name ARMS in 2004. After releasing a solo album "Kids Aflame" in 2008, Todd recruited Tlacael Esparza to play drums and Matty Fasano to play bass and sing along under the same name. The trio’s new EP is made up of five refreshing, romantic tracks filled with droning rifts, introspective lyrics and echoy vocals that will be a part of their upcoming full-length album tentatively called "Summer Skills." The lovely lo-fi songs are non-confrontational but holistically downbeat. The kind of complex and inspiring tunes you’d want to play in your room on a rainy day when you’re tired of listening to the Donnie Darko soundtrack. Download their EP for free, here (http://www.armsarms.com/songs/arms_ep.zip) and turn the volume up on Heat & Hot Water. – CBM

NYC

Best of NYC #33: Cavalier Rose

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We continue our "Best of NYC Countdown", covering every day one of the artists that made our Year End Best of NYC list (a chart compiled by a jury comprised of local bloggers, music writers, promoters, record store personnel and DJs).

Maybe it’s the southern twang of Heather Christian’s soprano that absolutely sucks you in. Or maybe it’s the beautifully arranged balance of edgy guitars and strategic piano. Either way, Cavalier Rose is a masterpiece to add to your collection. Be impressed with the rowdy, “Lie to Me” or fall in love with “Lamplight,” a stunning almost romantic track that transports you to a secluded cabin in the country. Intimate and seductive, Christian’s killer voice tugs at your heart strings. Cavalier Rose’s own charming signature sound adds to its bone-chilling live performance that mirrors a Janis Joplin, “rock with me” intensity. Absolutely addicting. – Melissa Wong