Austin

From the Open Blog: Norushi Minx!

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Austin dream pop/indie rock band Norushi Minx will record their second EP with new member Andy Bracht engineering the session at ACC Studios in North Austin in July 2010. Bracht and Norushi Minx bassist V. Marc Fort met during the early ’90s while playing together in the ambitious indie rock band bo bud greene. Look for the new Norushi Minx EP to receive a digital release in August 2010 and a physical release during the fall.

(Ed.: this post taken from Norushi Minx’s post on our DIY Open Blog, check out other Open Blog posts in the Deli Kitchen.)

 

NYC

File under “NYC Melting Pot”: Rav Shmuel plays Lach’s show, July 28

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A good humored Orthodox Hasidic rabbi father of six who hangs out in Greenwich Village and plays original compositions on his guitar, Rav Shmuel does not see an inconsistency between these two identities. Rather, he thinks of Judaism and pop music as complementary and often coalescing tools and methods for communication. Rav, who has taught Jewish Philosophy and Talmud at various Universities, has also toured the country with Gefiltefish, his first band, playing sold-out parking lots before and after Phish shows. He does not play klezmer, although he does make the odd Maimonidean joke, and he thinks of himself as a Rock Star. Rav Shmuel will play the Marlin Room at Webster on July 28, during Lach’s monthly appointment with Anti-Folk music.

New England

Farewell, Christopher Pappas!

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I can’t remember the first time I saw Chris Pappas sing or the first time I saw The Everyday Visuals. I think I know. I think it was at the Lizard Lounge while I was working there. I remember they sang “God Only Knows” by the Beach Boys which is one of my favorite songs. I think it is #2 on my ultimate list. Chris Pappas is an extra-ordinary, once-in-a-life-time local musician. He’s kind, humble and talented as hell. I’ve seen him perform in the Lizard Lounge basement, in the attic of a bookstore in Western Mass with Forest Fires and in the courtyard of Kendall Square. He never fails to impress.

I recently saw him conduct an orchestra at the Middle East Downstairs. It was one of the most thrilling musical experiences I’ve had in Boston. He even composed a concerto for feedback guitar. I’ve never heard the crowd at the Middle East be dead silent. Pappas is a treasure, he’s a diamond in the rough, the rough isn’t that bad but, he’s definitely a very sparkly musician. Sadly, Pappas will be leaving us in Boston in July for LA to work on his band The Everyday Visuals and get some fresh air (metaphorically). You can catch him at the Middle East downstairs this Friday with Oranjuly (kick-ass CD release, remember?), The Luxury and Spirit Kid.

Good-bye and Bon Voyage, Chris Pappas, come back soon! You are one of my favorite local musicians.

–Meghan Chiampa

 

 
Philadelphia

The Deli’s Featured Artist of the Month: Dani Mari

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Our recent featured artist is certainly no stranger to Philly’s indie music scene. Whether she’s performing at one of our many venues, hosting an open mic of fresh faces or making sure that your glass is never empty as you listen to your new favorite tunes, Dani Mari is happy to be there helping our local music scene grow. Now, you have a chance to support her when she performs this Friday, July 2 at World Café Live (Downstairs). But first, here are a few words from the lovely Ms. Dani Mari.
 
The Deli: What inspired you to start writing and performing your own music? 
 
Dani Mari: I grew up in a very musical family. My father plays guitar and was always jamming out to Eric Clapton, the Allman Brothers Band, the Doors…my mother sings and has a powerful broadway voice singing mostly in that genre and my brother plays drums, guitar and bass. I did the choir and band geek thing throughout high school and finally picked up a guitar in college. I walked away from it for a bit until I was just about 25. Then I decided it was now or never to try to play my music out. I started playing "Fool Me Twice" at the Lickety Split open mic, the Fire, Fergies and just about every other open mic until I got my first show at the Grape Street Pub. I haven’t stopped writing or playing since then.  
 
TD: What artists (local, national and/or international) are you currently listening to?
 
DM: I was recently introduced to Sparklehorse who I cannot get enough of. Locally I’ve been listening to Paper Masques, Hezekiah Jones, Berry Jones, Ryan Williams, Good Boy Elroy and Boy Wonder. There are so many talented musicians here in Philly.
 
TD: What’s the first concert that you ever attended and first album that you ever bought?
 
DM: The first concert I ever went to was Jewel, and I fell asleep…lol. After that I saw Radiohead at Madison Square Garden, and it was an amazing show. The first album I ever owned was Debbie Gibson "Electric Youth".
 
TD: What do you love about Philly?
 
DM: I love the Philly music scene. Before I started playing out here, I thought the city would be very intimidating. Everyone has been very supportive, and the array of talent in Philly is very inspiring.
 
TD: What do you hate about Philly?
 
DM: The Philadelphia Parking Authority – enough said.
 
TD: What are your plans for 2010?
 
DM: I plan on having an Album Release Party for Impulsive sometime in the fall. I am also in the process of shooting another music video.
 
TD: What was your most memorable live show?
 
DM: One of my most memorable live shows was at this place called Arianna Miles in Quakertown. I opened up for Jeffrey Gaines. It was a cozy room to play in the middle of a snowstorm. The food was great, and Jeffrey Gaines put on a great show. He was also a really nice guy.   
 
TD: What’s your favorite thing to get at the deli?
 
DM: I like learning about new local artists.  
 
(Photo by Kristen Cummings)
 
– The Deli Staff
 

 

NYC

Deli Record of the Month: Adult Themes

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The Noise Rock genre seems to have three main branches: the unstructured, purely noisy one that finds inspiration in Lou Reed’s Metal Machine Music; the very structured, super poppy prong that likes to bury beautiful melodies under layers and layers of feedback and guitar noise – a la’ Jesus and Mary Chain’s Psycho Candy; and finally the still structured but inherently non-pop "thing" that Sonic Youth invented and then refined in their "mature" period, when they mastered the art of what can be called "dissonant songwriting": i.e. noise rock that works like pop music, but achieves that genre’s "liberating" effect through the interaction of dissonant elements, rather than melodic ones. Adult Themes is one of the few bands that’s developing that idea and making it their own. This band’s deranged melodies and dissonant instrumental deviations somehow make perfect musical sense. Their controlled cacophony raises musical tension exactly to the point of alarm rather than ear piercing, unbearable madness. The songs in their debut 7" – Young Bodies and Four Fires – are perfect examples of this and mark an obvious improvement from the band’s previous unreleased recorded material. Highly recommended.

NYC

Existential Rock from NYC: Son Lux

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Son Lux, brainchild of classically trained composer Ryan Lott, bravely explores and blends genres that our average NYC hipster won’t find too attractive – industrial, jungle, jazz, ambient, hip hop, and – of course – classical (no trace of surf music here). The result is an epic, almost schizofrenic carousel of sounds that picks up where Radiohead’s Kid A left off, but with an even eerier approach to existential rock. Landis Smither’s video of the single "Weapons VII" adds a sexy cinematic layer that’s appropriately part David Lynch (those red curtains!) and part Japanese horror movie. 

NYC

Best of NYC 28: Air Waves (now touring Europe)

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Air Waves‘ sweet, lighthearted sing-along-style folky songs, complete with delightful, echoed vocals, are the creation of Nicole Schneit. Her catchy melodies and falsetto vocals give the tunes a magical, upbeat quality that wouldn’t be expected of a lo-fi band. But the bouncy guitars and intimate lyrics are welcoming warm as they gently sink through the speakers. The best part is the unassuming aspect that Schneit’s vocals emit: Air Waves could be total strangers or your best friends, but the music would sound just as lovely. – Lauren Piper

Philadelphia

FYI on DIYs in PHL: Pterodactyl

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Pterodactyl, Philadelphia’s innovative arts space that has featured some seriously entertaining artist receptions and shows will be celebrating its first birthday tonight. And it plans to do so in epic fashion with live performances by Mount Joy, TJ Kong and the Atomic Bomb, Oso, Out Like Lambs, and Montagna and the Mouth to Mouth as well as art from the good people at the Big Art Show. We recently had the chance to sit down and talk with Catherine Dentino about Pterodactyl’s origin, the show, and a preview of what’s to come.
 
The Deli: How did Pterodactyl’s origin come about?
 
Catherine Dentino: Pterodactyl originated through the efforts of its two organizers, Paul and myself. Both of us are artists and have been aspiring for a long time to create spaces where art could happen in a low key and participatory setting. Paul had already been working to provide opportunities for artists to show their work through Big Art Show. I had been working on getting my Masters in Arts and Cultural Management with the intention of starting a nonprofit organization. We had both been thinking about starting an art space and we were presented with the opportunity to do so in early 2009. At that time, we moved our partner company, Fireball Printing, into a new space and were able to acquire a studio with enough room to start Pterodactyl.
 
TD: How did Big Art Show and Fireball Printing get involved?
 
CD: Fireball Printing is our partner company, and provides support for Pterodactyl through our ability to share resources, such as space and utilities. As Pterodactyl grows, the two will inevitably become less connected, but because Pterodactyl is still a young organization, Fireball’s support gives it stability and basically makes Pterodactyl possible.
 
As I mentioned before, Big Art Show is an organization that Paul has been running for several years. Big Art Shows are basically one-night art parties that are open to all artists who want to participate. Our vision for Pterodactyl is very much rooted in the concept behind Big Art Show, especially the idea that art is for everyone. While Pterodactyl does take a slightly more curated approach and has ongoing shows in addition to one night art events, we encourage outside voices through art submissions and curatorial proposals, and even through proposals and suggestions for our classes. We also hope to continue hosting Big Art Shows on a regular basis.
 
TD: How did organizing concerts become a part of your art space?
 
CD: Music and art have been integrated at Pterodactyl since our first show. In part, it’s another throwback to Big Art Show, but that’s mostly because it’s a combination that works really well. Having live music creates a really laid back, open atmosphere, which helps break down some of the fears that people have about going to look at art. It also creates cross-pollination between the different audiences, who may be coming for one reason but find themselves exposed to other things as well.
 
TD: What can you tell us about your studio spaces and the art classes that you offer?
 
CD: The availability of our studio spaces has diminished as we’re beginning to outgrow our current space (we currently only have one rentable art studio), but our hope is that in the next couple of years we’ll move into a new building with a lot more space for artist studios, as well as other resources to help facilitate art making. 
 
The art classes take place 2-3 times per year, and they usually occur on a weekly basis and run for 4-8 weeks. The classes offered vary with each session. We typically offer classes covering basic techniques such as silk screening and sewing, along side classes that address more esoteric topics, like Contemporary Conceptions of Bones as Material. Right now, we’re scheduling our Fall session, and we plan to add in a few new class topics. The Fall class listings should be up on our site in the next few weeks.
 
TD: What do artists/musicians/etc. have to do to get involved with any Pterodactyl exhibit?
 
CD: We have several opportunities posted on our website, including a call for curatorial proposals and a call for art submissions. We also post calls for entry for specific shows, such as the Big Art Show this weekend. Bands that are interested in playing at our space are welcome to email us at info@pterodactylphiladelphia.org
 
TD: What can you tell us about Saturday’s 1st Birthday show?
 
CD: The Birthday Show marks one year of Pterodactyl’s existence, measured by the first art classes we offered, which started in June 2009. It’s a nice time to celebrate what we’ve done over the past year and think about what’s next.
 
TD: Can you give us a preview of any upcoming art exhibits/lectures/film screenings/etc.?
 
CD: Our next show, “Mystic Monsters”, is a collaboration between Pat Aulisio and Adam Fergurson and includes comics, paintings, collaborations, appropriated advertising, and an in-gallery installation. The show opens on July 17 with a live DJ set. Our September show is called “Boy’s Life”, and explores youth and nature through the guise of Boy’s Life Magazine.
 
TD: What’s your favorite thing to get at the deli?
 
CD: Egg salad sandwich on whole wheat with lettuce and tomato (and a shout out to Misnik’s Deli on Belgrade and Allegheny, even though they don’t usually have egg salad).
 
– The Deli Staff
 
 

 

Philadelphia

Toy Soldiers Come In Peace at JB’s June 26

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Toy Soldiers are coming back into town to rock Johnny Brenda’s. Every time I write about these guys something new has happened to give me more appreciation for the ramshackle folk-rock music these committed musicians bring to the table. Toy Soldiers may have begun as a joke, but they are the ones who will be laughing all the way to the bank when they start getting the big bucks to get wasted and play nostalgic and raucous music to the masses. No, they are not stadium status like U2, but if they are not certified XPN sweethearts yet, they will be soon, and unlike much of XPN’s repertoire, this band may actually live up to the hype. They are riding high on the recent release of their debut LP Whisper Down The Lane on Mad Dragon Records and are working on what sounds like an ambitious 2 EP release some time in the near future. Make sure to get out to their hometown shows before they hit the road for a summer trek. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $10, 21+ – Adam G.