L.A.

Shlohmo to release Shlomoshun Deluxe LP May 24

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shlohmo

Shlohmo, aka Henry Laufer brings a keen ear to the music he makes, using mostly found sound, fragile old gear and a laptop. With beat and soundscape arrangements that leave the listener hypnotized, the songs breath life from the organic and electronic worlds colliding. Fan favorites "Hot Boxing The Cockpit" and "Antigravity" place him right amongst neu-bass contemporaries like Flying Lotus, Nosaj Thing, Ras G and others in the Low End Theory-fueled Los Angeles beat scene while a track like "7am" oozes Dilla-esque swagger; all the while remaining effortlessly cinematic. Laufer will release Shlomoshun Deluxe on May 24, as a follow-up to his acclaimed Shlomoshun EP out late 2009.

 
NYC

NYC’s potential next big thing: The Dig, concert review

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May Day, 2010, NY’s The Dig – a band we’ve been following for a few years now – played to a sold out Mercury Lounge alongside the UK’s The Joy Formidable on the second day of their mini-tour. These guys’ infectious grooves on “You’re Already Gone” and “Two Sisters in Love” pumped up the packed Lounge, while “Look Inside” and “Sick Sad Morning” blended heartfelt verses with romantic melodies and pounding bass lines. Impassioned vocals floated over ringing guitars and syncopated backbeats on “Penitentiary”; and “He’s a Woman” undulated with instrumental feedback and distortion, championing The Dig’s psychedelic inspirations spiced with alternative rock flavor. “She’s Going to Kill That Boy” shook with a haunting guitar and trippy keyboard reverb and erupted into a head-banging refrain. Closer, “I Just Wanna Talk to You,” interspersed with crowd clap-along segments, oozed with bluesy seduction and a classic rock ‘n roll spirit. On June 5, The Dig will return to Mercury Lounge to celebrate the release of “Electric Toys” due out officially on June 8.  –Meijin Bruttomesso

Chicago

CD Of The Month: Sonoi

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The press release for Sonoi’s debut album defines their sound as experimental pop, and with an album that is diverse and complex I can see why they defaulted to that verbiage. However, this album is very accessible, melodic, and clearly driven more by pop than experiment. What adds that extra element and excitement are the layered and textured sound that the listen will find hidden throughout the album. Yes, there is cowbell and catchy rhythms, but the band does expand their sonic palette and breaks some patterns with horns and other surprising elements. A song the really brings all of this together is the albums very first track, “Red Ant”. The track begins with what sounds like flutes or horn and then transitions into a calculated guitar rhythm before giving way to Adam Busch’s creative vocals. My favorite track on the album is the mysterious and eerie “Rotativa”, it’s all instrumental and beautifully constructed. Coupled with the closing track, “Friends In Dry Places”, Sonoi becomes more closely related to the likes of The Books than anything else. Sonoi made it live debut just over two years ago at the Hideout, and since then have culled a strong local following that with this worldwide release on Low Transit Industries should begin to spread.

Sonoi plays at Empty Bottle on May 14th.

NYC

Best of NYC #53: Zambri

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We continue our "Best of NYC Countdown", covering every day one of the artists that made our Year End Best of NYC list (a chart compiled by a jury comprised of local bloggers, music writers, promoters, record sotre personnel and DJs). Many of the bands in this list will play The Deli’s Best of NYC Fest in Williamsburg in May (6 shows in 3 different venues between the 13 and the 15).


Dreamlike and echoing, Zambri layer an array of effects over airy female vocals performed by front sisters Jessica and Christi Jo.  The Brooklyn-based group’s first release, “Bang for Changes EP” explores elements of shoegaze, placing heavy emphasis on synthesizers, reverb, and grungy distortion, and mixes these musical facets with electronic tidbits and dance club undertones. Experimenting with changes in the tempo within songs and following unusual melodic patterns, Zambri fashion a trippy listening experience. -Meijin Bruttomesso

Philadelphia

Pete Rose Documentary Scored by Guided by Voices’ Robert Pollard

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Does Pete Rose deserve to be in the Baseball Hall of Fame? Fuck yeah! Does Pete Rose like to gamble? Sure, but what does that have to do with his accomplishments as a baseball player? I guess “Charlie Hustle” will have to settle for a documentary scored by Guided by Voices’ Robert Pollard for now. Yeah, he’d rather be in Cooperstown, but we hope that this photo helps to ease your case of the Mondays a bit. Well, at least it does for us. (Photo by Charles Sotto, CEI Sports Inc.) – The Deli Staff

 

Philadelphia

Attia Taylor Droppin’ Science at KFN May 2

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Child of the Girls Rock Philly program, Attia Taylor has since taken what she’s learned from her first band Oak Oak Okay which she started in GRP and has used her Mac and condenser mic to work her way into The Deli’s DIY heart. Rocking futuristic keyboard loops, synth twists, and echoey metallic vocals, her track “Mad Scientist” is reminiscent to Thomas Dolby’s 80’s new wave hit, “She Blinded Me with Science” – blended with a little Feist chill-wave. With self-described “music you can dance and cry to at the same time”, you could be candy-flipping in a packed warehouse or at home alone in your underwear, and still have the same intimate and exhilarating listening experience. Well, you could also listen to it in a packed warehouse in your underwear. But do you really want to be “that guy”? Kung Fu Necktie, 1250 N. Front St., 8pm, FREE, 21+ – Katie Bennett
 

 

Portland

Pierced Arrows Set to Teach the Pipsqueaks a Thing or Two Tonight at Rotture

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Though married musicians Fred and Toody Cole are now in their 60s, the rock ‘n’ roll duo show no signs of retirement. The indie rock veterans performed for 20 years with their band Dead Moon, but since that band’s demise in 2006, you’ll have to see them grace the stage of Rotture tonight with Pierced Arrows. This is most definitely not a bad thing.

The ’80s garage/country-rock style that Dead Moon was known and respected for is not missing from Pierced Arrows’ potent lineup of tunes, but you will hear more of a punk influence thanks in part to the tenacious drumming of Kelly Halliburton. This band has more fire, stage presence and energy than a band half their age, and it’s easy to see why they have been owning Portland stages for over two decades.

Check out these living legends at Rotture tonight along with Hungry Ghost, and Lana Rebel & the Broken Promises. And don’t forget to help welcome Don’t’s new CD into the world, as they parlay their old school punk/blues/country conglomerate under the watchful lead guitar of Dan Lowinger, and the Hynde-esque vocals of Jenny Don’t. 

Show kicks off at 9 p.m with a cover charge of a measly $8.

Deanna Uutela

Philadelphia

The Deli’s May CD of the Month: Stuck on Nothing – Free Energy

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When I first listened to Free Energy’s debut album Stuck on Nothing, I was cruising around in my station wagon ingesting the joyous cassette, yes – cassette, and beating my poor speakers within an inch of their lives. I chose this setting for two reasons. Firstly, it is home to the last living tape player in my possession. Secondly, it is nearly impossible to listen to this music without desiring a wind-blown face. Their tunes are so completely purified and unself-conscious that it begins to seem as though these Bill and Ted spirited time-travelers somehow inherited all the secrets of the world and after much deliberation settled on, “Fuck it, let’s just rock ‘n roll!” They are the perfect older brother that will let you smoke his cigarettes, but won’t buy them for you before you are 18. He’d let you take sips from his tall boy while you watched him and his band perform some timeless amalgamation of good time songs filled with lots of love. The band kicks-in the album’s front door with the anthemic “Free Energy” carried by tasty dueling guitar licks and explosive drums. Paul Spranger sings with confident ease while the rhythmic dudes carry the energy of the song with just enough cowbell. The record seamlessly transitions into the mild tempered boogie “Dream City” with its beautiful hooks which highlight James Murphy’s endlessly creative and deliberate production. The snares that become handclaps and blissfully juvenile backing vocals contrasted by silky horn sections create a subtle, indefinable style present in all of their songs. The body of the album blasts through highlights like relatively downbeat, Strokes-esque “All I Know” that manages to implement a string section and bongos over their electric guitars and still keeps that effortless feel. “Psychic Lightening” pulses with good vibes equal to Nick Lowe’s Jesus Of Cool, and dare I say The Stranger era Billie Joel before they show off their musical mastery in blissfully poppy rock songs that ooze with Thin Lizzie influences such as “Light Love” and “Hope Child”. These boys certainly don’t shy away from their influences, yet they still managed to record a fully contemporary feeling album that shows creativity and progressiveness is not always about implementing the newest technology and following the newest trends, but rather utilizing the lessons of the past and making them relevant and new again. Physical copies available May 4, 2010 and released digitally on March 9, 2010.  – Adam G.

 

Philadelphia

The Swimmers Treading a New Wave at JB’s May 1

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So has it been a while since you’ve seen The Swimmers? You remember them from back in the day when The Fire was their stomping grounds. You were around for the multiple times they released Fighting Trees so you know what they’re about. Right? Well, People Are Soft will surely change what you thought that you knew about The Swimmers. Yes, their pop catchiness will still get them on XPN, but along the way they’ve decided to take a journey through their 80’s new wave collection creating some infectious tunes that will get your eye-glass wearing head bobbing uncontrollably with nostalgic approval. They’ll be sharing the stage tonight with fellow XPN friendly rockers East Hundred. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $10, 21+ (Photo by Dawn Walsh) – H.M. Kauffman

 

Philadelphia

Mondo Topless Freaking Out and Taking It All Off at KFN May 1

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For a band that’s just 2 years shy of being around for 20 years, Mondo Topless has not missed a beat. And when you toss in the re-emergence of the garage punk sound that has been brought on by younger bucks like Tough Shits and The Midnight Beat, Philadelphia could not have a better predecessor that’s still going on strong! Mondo Topless has recently been hard at work on their first new album since 2006’s Take It Slow, and tonight the band is finally ready to have you Freaking Out with its lo-fi, guitar-fueled rock celebration. They’ll be joined by another classic throwback band in The Three 4 Tens, who have been rocking their 60s fetish since the summer of ‘97. The band has formed a tight knit bond with the likes of The Asteroid #4, whose bassist Gregg Weiss offered to release Throw Back Move on his label Lounge Records. And they have even opened up for The Who. Kung Fu Necktie, 1250 N. Frankford Ave., 8pm, $8, 21+ – Bill McThrill