Brothers
Tritone (1508 South St.) SUN Tongue Sculptors
Blockley Pourhouse (3801 Chestnut St.) FRI Bells Bells Bells, SAT Bodega
New Music, Emerging from your Local Scene
Blockley Pourhouse (3801 Chestnut St.) FRI Bells Bells Bells, SAT Bodega
Miracles of Modern Science have been gaining popularity over the past couple of years because of their aggressive approach to a normally mellow genre: orchestral pop. MOMS’ richness of double bass and cello, rare sound of mandolin, violin, drums, and baritone vocals, combine pizzicato and slides against a drum time signature imitating war march vigor. With upcoming scheduled appearances at the Deli’s Best of NYC Fest on May 15 and a scheduled residency at Cake Shop this summer, you too might be curious to hear this colorful orchestral pop-rock band – or as MOMS better describes, “ecstatic live shows [that] have been shaking hips with instruments grandma might have waltzed to.” – Gina Alioto
Local songstress Jamie Drake will be celebrating the release of her debut album When I Was Yours at Hotel Café on May 13th. The show will feature Drake with a full band that features members of The Parson Red Heads. Sally Jaye, Amanda Jo Williams and Brother Sal (one of the best piano players in the city) will play as well. Things will get started at 7pm.
Plenty of shows on this weekend; we’ll just single out a few: The Midgetmen (above) are celebrating their 8th anniversary with The Gary, La Snacks, Ringo Deathstarr and more at the Mohawk on Saturday (5/8), they plan to shower you with FREE PBR at irregular intervals throughout the proceedings. Attend. On the south side of the lake, also Saturday, Leatherbag, Lonesome Heroes, and Till We’re Blue or Destroy will tear things up with a particular ferocity. Lastly – tonight (5/7) – at Encore, you’ve got a full lineup of local heroes helping celebrate the release of Quiet Company‘s EP Songs for Staying In (hmm- ironic), including The Rocketboys, The Eastern Sea, STEREO IS A LIE, and more…
The Press fits into a few different spots: they’ve got this subtle and folky warmth, a kind of cohesive thrash, a straight-forward upbeat dance grove, an in-your-face weirdness. They can touch on Primus and Grizzly Bear and The Stones and Saves the Day all at once, or completely disparately. The Beatles touchstone they cite is odd considering the band’s somewhat conspicuous lack of vocal harmony (they do have moments); but it’s also fitting in some of the ambitious turns the band makes song-to-song. Also on those vocals: the half-sung snarl reminds one of (all people) Daryl Palumbo or the more aggressive side of Isaac Brock – that is, until they make one of those hard turns and a feather-soft croon whomps you in the face with all the power of slumber-party pillow fight – it’s a good-natured kind of pain. The Brooklyn quartet is worth checking out, if only for their impressive collection of influences. See The Press live at The Clash Bar in Clifton NJ on 05.07 – DWE
This Saturday, May 8th, fans of roots music as revisited by NYC (and NJ) hipsters can enjoy a lineup of ass-kickin’ country, punk, Americana, and good ol’ fashioned rock n’ roll. The Roadside Graves (in the picture – who just played with Andrew W.K.), GunFight!, Quiet Loudly, Yoni Gordon and the Goods, Movers and Shakers (Boston), Spirit Family Reunion and Wild Harem (on tour from Austin) will perform at Shea Stadium (warehouse venue) in Brooklyn. Duke Street Blog will be on hand to document the craziness for a new web series. Doors at 8! Don’t miss it!
Semi Precious Weapons (featured on the cover of the 16th issue of the Deli back in 2008) have been circling the globe on Lady Gaga’s “Monster Ball Tour” and ,in between, headlining their very own mini-tour. While this busy band might seem to have no chance to breathe, let alone record an album, the stunning four will release “You Love You” this June in time for more summer stints with Gaga. A blend of balladic and boisterous banter, SPW’s newest album bristles with their penchant for “filthy glamour” and outrageous magnetism. Sexually charged “I Could Die” bursts with shouts and driving riffs, “Put a Diamond in It" stomps, and a wild “Sticky with Champagne” bubbles with innuendo. A change of pace with canon-style “Leave Your Pretty to Me,” dramatic “Statues of Ourselves,” and romantic yet narcissistic “Look at Me” reveal the gentler side of these beautiful Brooklynites. Re-released revisions of the band’s anthems, “Semi Precious Weapons,” “Rock ‘n Roll Never Looked So Beautiful” and “Magnetic Baby” stand as staples in the band’s growing “Precious Empire.” –Meijin Bruttomesso
The latest album from the thoughtful bunch known as Canasta is beautiful and complex and filled with subtle goodness. The sound is a blend of ‘70’s AM pop and sea shanties (i.e. The Decemberists). A good example of this would be “Becoming You”. The song talks about not fitting in and really not waiting to, and despite the slight references to The Decemberists this sums up the Canasta sound. They really do pave through own path and the results are remarkable. The Fakeout, the Tease and the Breather is the album the band was always meant to make and they have made it look effortless. My favorite track on the album is “Magazine (Songwriter on a Train)”. It reminds me slightly on Mountain Goats territory and is a fast paced stomp.
The album will be released on May 18th but Canasta is celebrating the release on May 8th at Schubas. They will be performing two show that night, one with Gregory & The Hawk and on with Brighton MA.
We stumbled upon this video by Darwin Deez and it became a perfect excuse to mention once again how much we like this guy (we already did in October 2009 when we "proclaimed" his album "Constellations" NYC CD of the Month). The man is currently touring the UK, but he’ll be back in NYC on June 22 with a show at Santos Party House – fans may want to look for those tickets now.
In Conestyle’s inaugural CD Organizer there are all sorts of sweet surprises. Upon first listen to the 6-track collection you’ll find a diverse and all-encompassing sound comprised of melody-driven keyboards by David Camp and frantic, unorthodox beats by drummer Weston Sparks. The record begins with "Still Des Kegels," a sample-based intro serving as an example of Conestyle’s ambient side. This easing-in process is followed by the thunderous "Conestyle," an extremely driving, fist-pumpable track. Heavily syncopated relationships between the keys and drums, covered by what sound like the shrieks of a man whose life is flashing before his eyes, flavor the title track, setting a tone for the rest of the album.
"Shamrock Syndrome" is a fast paced number in the middle of the album, boosting it forward into "Preemptive Karma," which has elements of an 8-bit video game soundtrack matched over splashy blanketing drums that keep the pace of the song fast and the feel somewhat sporadic.
"No Go" starts with a disco-oriented beat, building at times to explosive blasts that dissolve back into the original dance-ish groove of the song, proving a capability on behalf of Conestyle to use their minimal setup not only to create ambient punk rock, but also to push out highly danceable beats.
The EP closer "Tunguska Event" sounds at times like a funeral arrangement set to drums, with an extremely hooky melody that evolves into a somewhat prog-inspired section, ultimately signing off with an eerie keyboard solo.
As a whole, Organize is an extremely impressive offering. At times it sounds like the fully arranged sountrack to Bjork on an LSD trip. The record holds your interest from start to finish, indicative of future awesomeness.
Pick it up at Conestyle’s shows, or contact Conestyle via their myspace. – Jesse Baker