San Francisco

Live Review: Epic Sauce Presents French Miami, White Cloud, and Silian Rail @ Milk

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With turn out last Thursday at Milk being quite impressive, kudos should be thrown in the direction of Epic Sauce for putting together a great show. The crowd was thick and all ears were open, and though (much to everyone’s chagrin) the drink specials ran out in all of about 5 minutes, there was for the most part a good night of music to be had in the Haight.

 

Silian Rail were the first up laying down there minimalist post-rock. I’ve seen Silian Rail a few times, and while I like their music on a fundamental level I’m usually left wanting more by the end of their sets. There is something of an oxymoron in minimalist post-rock as that style in many ways demands an orchestra. There is always a certain amount of tension in the give and take of instruments in any particular post-rock song — when split between several instruments there is fascinating power relationship to listen for, but with just the two it becomes more of a fight for one to be heard over the other. These two talented musicians are making interesting music, but if they fleshed out their sound with more bodies on stage they could take their music from intriguing to downright compelling.

White Cloud came up next, and it’s been a while since I’ve seen them. They seem to have shed most of their garage-rock elements and replaced them with reverb-drenched psyche. Still just as fascinating to listen to, White Cloud’s wall of sound hit the crowd like a tsunami. Nabbing little snippets of unique tones, I sat in the incredibly dim light and swam through their layers of echoing sounds.

French Miami closed out the night and were everything you would expect. Playing their math-rock influenced dance-punk, they hammered away squealing guitar lines over synth sounds and heavily hit drums. Playing mostly from their last record, we were lucky enough to catch a couple of new tunes. It would seem they have a new record coming out this summer, anticipation abound.

Minus the almost immediate disappearance of cheap drinks, Epic Sauce put together quite a good show. This is the first in a weekly series from them so keep an eye on their site for future gigs and if you can make it, head up to Milk next Thursday for the next show.

 

Words and Photos by Ada Lann

Chicago

JBTV is Back!

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Growing up a kid in Chicagoland without cable or any access to MTV I got my music fix by taping (yes, vhs) episodes of JBTV and watching them endlessly. Jerry Byrant is a Chicago legend in my mind, but still, after 25 years, has not received the attention and recognition he deserves. For the launch 25th season Jerry has added a few new hosts ((including Q101 DJ Ryan Manno and Lawrence Arms frontman Brendan Kelly) and in turn has revamped the show and its visibility. They are increased the size of the crew producing the show. This relaunch will hopefully gain JBTV a whole new audience and keep the show thriving for another 25 years.

Portugal. The Man is the featured guest, with Chicago band Treaty of Paris on the JBTV soundstage, and Jerry taking a look back at the last 25 years on the show. JBTV airs five times a week on cable channels 25 and 62, and we just started streaming full episodes online at JBTV Online.

Chicago

Tutu & The Pirates and DA

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You have to love what Brooklyn’s Factory 25 is doing to preserve the historical archives of music. This is especially valuable for us in Chicago when they present a project like the DVD they released last Fall, You Weren’t There A History of Chicago Punk 1977-1984. The documentary was fascinating and hopefully exposed many of you to a side of Chicago music that you may had not been that familiar with. Two of the bands featured in the documentary were Tutu & The Pirates and DA. Next month (April 17th), Factory 25 will be releasing two albums of music by these bands and in turn exposing a whole new generation of punk fans to their sounds. Tutu & The Pirates, Chicago’s first anti-lectual sub-urban insult rock band and perhaps even its first punk band finally gets its due in their first 17-track LP compilation of demos (from ’77/’78), practice tapes and live material (from ’78). They quickly became the go-to opening band when acts like The Ramones and The Pretenders came to town. DA came along a few years later and played a part in Chicago’s post-punk scene. The label will be re-releasing DA’s album “Exclamation Point”. If you preorder this album you will get the Original Pressing of the "Dark Rooms" 7”.

These are both exciting releases for punk rock fans, music historians, and Chicago music in general.

NYC

Deli CD of the Month: The Secret History – release at The Knit 03.18

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Well it seems like the sounds from the 80s are back in vogue, right? All the cheesy blips and the "housy" synths and the gasping vocals and the campy clothing and so on and on and on… Well you won’t find all this in The Secret History‘s debut CD "The World That Never Was". You will find references to to great artists from that decade which followed a more personal and sincere musical path though. We are referring (for example) to the melancholic, beautiful and supremely blip free tunes of 10,000 Maniacs, or the daring, electric songs of The Throwing Muses, and their spin off super-dreamy project Belly. Besides the songwriting, what really hits you here is Lisa Ronson’s voice – warm and strong, it confers character and personality to the band’s elegant tunes through melodies that are never banal nor foreign. We also recommend you to check out the band members’ previous project, "My Favorite", which probably failed to emerge because of an unfortunate name choice in this "Google Age", but that has recently garnered some post-mortem attention from music scene fat cats Pitchfork.com. Don’t Miss The Secret History’s CD release party at The Knitting Factory in Brooklyn on March 18.

Austin

South By South Congress 2010!

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One could, if one were so inclined, spend a a good SXSW exclusively on South Congress: It’s always a little tricky to get this schedule, but here is what they’ve got going on for SXSan Jose this year, definitely free, definitely worthwhile. Just across the street you’ve got your Music By the Slice happening, this year with Brazos (above) playing an early Thursday set + dozens of other excellent bands, no wristband, no RSVP, no problem. Guero’s has the Boxing Lesson, My Education, Dan Dyer, Suzanna Choffel, and many more for their day parties, full lineup right here. Of course the Continental has a full slate. Yard Dog gallery always packs in some weird and wonderful bands, like these, plus Friday they have the Bloodshot Records day party, no badge, no wristband, and no shortage of Exene Cervenka. As the Austin Motel says, so close yet so far out…

Austin

Here’s Your Tuesday

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A dusty codebook of journalistic ethics I found recommends that I disclose the following: the Deli Austin editor had a hand in putting together the Frog Music Licensing showcase, but even so, the all-local, stellar lineup (below), the killer venue (Ghost Room), and the price (free) combine to require that you spend part of your Tuesday there; for the other part, of course, you’ll be at the Deli-sponsored Music Tech Mashup at Rusty Spurs, awed by the three stages, the emerging technologies, and its own extensive and none-too-shabby lineup.

Frog! Tuesday 3/16 @ The Ghost Room…

7:30 Peoplefood

8:15 Sunset

9:00 Leatherbag

9:45 Wiretree

10:30 New Roman Times

11:15 The Morakestra

12:00 Followed By Static

12:45 Frantic Clam

Philadelphia

The Deli’s Featured Artist(s) of the Month: The Spinning Leaves

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The Spinning Leaves recently released the vinyl Love on Ropeadope Records. Probably aptly named for the way that they feel about Philly’s local music scene, the duo Michael “the” Baker and Barbara “B the Leaf” Gettes are the proud parents of Excited Light Productions who have been responsible for The Philly Folk Parade, but this interview is about the celebration of their music and victory in our most recent poll.
 
The Deli: When did you start playing together?
 
The Spinning Leaves: October 16, 2006 ~ a day after Michael met Barbara at her birthday party.
 
TD: What are your biggest musical influences, and what artists (local/national/international) are you currently listening to?
 
B:  Hmmm…The Pixies, Otis Redding, Van Morrison, Joni Mitchell, The Grateful Dead, Bonnie Prince Billy, David Byrne, Devendra (& family), really dig the new Hope Sandoval & Massive Attack stuff right now, Leonard Cohen, The Flamingoes, Maurice Sendak, Woody Guthrie, A Tribe Called Quest, soundtracks from Wes Anderson movies, The American Roots program on NPR, Scrapper Blackwell, The Shins, Ali Farka Toure, Cat Power, The Beatles, The Velvet Underground, Townes Van Zandt, The Beastie Boys, Bob Dylan, Radiohead, and Klezmer music. As for local – The Philly Folk Parade folks and the West Philly Orchestra!
 
M:  Gonna go ahead and agree with B on all that. And, without repeating, add Pavement and Malkmus with the Jicks, Johnny Showcase and the Lefty Lucy Cabaret, Chris Bathgate, Vetiver, Animal Collective, Neil Young, NOMO, Miles Davis, John Coltrane, Air, Gillian Welch, Madlib, The Kinks, Will Oldham’s other stuff such as the Palace jawns and Superwolf, Califone, Phil D’agostino, Joanna Newsom, The Liars, Johnny Miles, love, The Skygreen Leopards, Castanets, Silver Jews, Black Star, old French movies, Sly and the Family, and an eclectic mix of others I just can’t think of right now. I mean, influences are weird as far as inspiration goes. I can listen to something really developed on a recording and spring forth into fantastical new ideas, or sometimes just sit and look at something like a blade of grass and see the fabric of the universe. I like to imagine and nurture new things and be open to the nearest now.
 
TD: What’s the first concert that you ever attended and first album that you ever bought?
 
B: Jackie Pack, with my family.. repeatedly.  Jackie Pack is a woman who sang folk music for children. I loved her and had all of her records! The first album…well, I consider this one of the triggers to my music addiction. I bought 10 tapes or (something like that) for a penny from a Columbia House thing the summer before 6th grade. The tapes that I remember getting are a few Simon and Garfunkle, The Violent Femmes, Skeletons in the Closet from Grateful Dead, Eric Clapton, They Might Be Giants, and the soundtrack to Grease

M:  Uhmm…this one time my friend Matt and I were riding in the car with my mom and we heard a contest for concert tickets on this radio station called WSTO. The DJ was at a gas station and said that the first person to come claim the tickets could have them. We were basically in the parking lot. SO, my friend Matt and I saw Toni Braxton and Kenny G up close in the age of silk shirts and in the full blossom of early junior high. Truly magnificent! Kenny G is maybe five feet tall and Toni Braxton seeped sex. But my first concerts were the W.C. Handy Blues and Barbecue Festivals in my hometown of Henderson, KY. W.C. Handy wrote the "St. Louis Blues" in my hometown. Can’t remember my first album, but I definitely remember locking myself in my room with Boyz II Men’s II and wailing for hours.   
 
TD: What’s your take on the Philly music scene?

 
B: Ever-growing glowing family of love and incredible talent.
 
M: We are ultra-blessed! There are so many genius people making all kinds of genius music of all types in Philadelphia. And the kicker – this city is big and little enough for there to be plenty of room in the gene pool for new people to get in there and swim around yet, we’re packed into the petri dish tight enough for the familiars to get familiar with each other, ya dig? Or should I say, "If you know what I’m sayin’" wink, wink.  We’re set up for cross-pollination and our particular scene, the weird folky thing, feels more like a moving growing animal than an amalgamation of bands and albums and shows. There’s something extra alive here right now. And this is an endless fountain of inspiration for us.   
 
TD: What are your plans for 2010?

B: The sky is the limit!

M: A new album, some videos, tours to the Pacific Northwest, the Southeast, and Europe and the wild new things that will certainly spring forth from all that. Also, I would like to publish a few zines of my drawings and poetry.  

 
TD: What was your most memorable live show?
 
B: That’s a hard question…but off the top of my head in the recent past, our last show in moscow…a big warehouse sort of venue pretty packed…and everyone was dancing and stomping with us and smiling and celebrating in some sort of love all together. I felt like I was flying. At the end of the show, people showered us with beautiful presents. Some guy gave me a beautiful antique amber ring…and told me that it had magical powers.  Absolutely incredible, right? The last show made me even sad to leave amidst the negative 20 degree weather of Moscow!
 
M: Gonna agree with Beeb on the last show in Moscow. We were a complete oddity there and had an immense amount of energy surrounding us everywhere! Will never forget that. But also, you know, we just added a horn section to our band by way of Larry Toft and Adam Hershberger of the West Philly Orchestra and it is it ~ they make the room want to dance all night without fright. Our show last Friday at The Fire was sooo snappy!
 
TD: What’s your favorite thing to get at the deli?
 
B: The pickles and matzoh ball soup!
 
M: An Italian sub. I’m from Kentucky. That’s how we say it.
 
(Photo by Lisa Schaffer)
 
The Deli Staff
 

 

Portland

Album Review: Parenthetical Girls 12-inch “Privilege, Part One: On Death and Endearments”

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Parenthetical Girls‘ new album Privilege is going to be released on five separate, limited-edition 12-inch EPs over the next 15 months, with the final LP coming out in May of 2011. The LP release will include a special collector’s box to hold all five vinyl discs.

Privilege, Part One: On Death and Endearments came out February 23rd on Slender Means Society, through which the vinyl EP and accompanying digital download can be purchased for $15. Make haste on that; they probably won’t be around for too long considering that the pressings come in batches of 500 for each EP released.

Just to add to the personalization factor (not to mention creepy factor), each release will purportedly be hand numbered in the blood of one of the band members. The first to lend his appendage to calligraphic phlebotomy is none other than vocalist Zac Pennington.

Their last album, 2008’s Entanglements, has been met with considerable praise, though often prefaced with warning to its at times overwhelming orchestration. If this first installment is any indication, they are returning to a compositional restraint that holds the mark of song writing experience.

The first track and chosen single, "Evelyn McHale," is named after the famously photographed 1947 Empire State Building jumper who appears to be resting peacefully atop the automobile that cushioned her rushing descent. This mid-tempo, catchy number makes a good starter and does well to cement the motif that is so unsubtly written into the EP’s title. You can check "Evelyn McHale" as a downloadable MP3 over at Sterogum or as a music video here.

The four songs unravel a theme, if not a narrative, of melancholy situation created out of past mistakes and losses. The tracks seem to draw beauty out of the sadness of  days gone bye, while leaving some room for hope in the future. The cuts should not be categorized as depressing, instead they’re better defined as mournful and nostalgic, although admittedly saturated in the idea of the mortality of the human life in past, present and future.

Though it may be hard to convince someone who is not already a fan to drop $15 dollars on a four-song collector’s edition purchase, as an EP, the songs are not only quality, but emerge as artistically coherent both musically and lyrically.

Should the Girls continue to be consistent over the next 13 months or so, Privilege will be something that cannot be contained on a vinyl limited release.

Joel Sommer

NYC

Two Deli Sponsoerd parties at SXSW

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Hey discerning eared people,

The Deli this year will sponsor two parties during SXSW:

MUSIC-TECH MASHUP PARTY!
Mashup

The Music Tech Mashup Showcase is a two day/three stages event during SXSW’s transition from Interactive Week to Music Week. Featuring a ton of great bands, brands, and emerging new technologies, the Mashup party celebrates the opportunities presented through the convergence of these industries.  Hosted by Shinobi Ninja and Coast to Coast Models & Events and presented by GreenShoeLace, HunnyPot, The Deli Mag and Planet Ill, this showcase will assemble the movers and shakers of these converging fields.

Artist shortlist: Shinobi Ninja, Vaxhaul Broadcast, McAlister Drive, Bamboo Shoots.

MORE INFO HERE!

NYC in ATX PARTY

NYC at ATX

The Deli Magazine NY and CitizenMusic have teamed up to bring some of the best Alt Rock bands from New York to Austin for South By Southwest 2010! "NYC in ATX" will take place on Thursday, March 18, at Hyde Park Bar and Grill (South Location).

Music will begin prompty at 6pm!

Here’s the kick-ass line up! 6.00: Blackbells
6:50: New Madrid
7:40: The Shake
8:30: Deadbeat Darling
9.20: Black Taxi

And, to make it rock even harder, it’s FREE and ALL AGES. So, if you’re heading down to SXSW or if you’re already in Austin, come experience some of the greatest rock n roll, and best french fries [so we’ve been told] New York City has to offer!

MORE INFO HERE

 

 

NYC

Anamanaguchi and the 8-bit “Devolution” hit SXSW

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Anamanaguchi joined forces with other NYC and UK artists who also blend old-school video game sounds into their music, to launch the "8-bit Alliance Tour". After bringing the "8-bit Devolution" to cities down the East Coast, like our nation’s capital, and even stop by New Orleans, the band and its comrades will hit Austin by storm with 3 SXSW dates, followed by two gigs at two separate music festivals. According to the Facebook event, the band promises that each one of these shows will be the “BEST PARTY THAT HAS EVER HAPPENED” – Enjoy it bit by bit if you can! Dates here. – Abigail Devora