Philadelphia

Philly Rocks for Haiti at The Troc Feb. 4

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Check out Philly Rocks for Haiti tonight at The Troc! Led Zeppelin tribute band, Get the Led Out, and Fishtown’s own Blood Feathers will be performing acoustic sets, and the rock soul explosion of Black Landlord and Eastern European dance party of West Philadelphia Orchestra are sure to get the crowd moving. Free Energy, who placed third in the Deli’s Best of Philly 2009 Poll, will also share the stage before heading out on a nationwide tour. Proceeds from the show go towards the Haitian Professionals of Philadelphia who will be shipping supplies to Haiti. The show is ALL Ages, followed by a 21+ after-party in the Balcony with DJ Jersey Dan. The Troc, 1003 Arch Street, 7:30pm, $12 (Tickets can be purchased here.) – H.M. Kauffman

 

 

 
Portland

Band of the Month Nominee Spotlight: Pegasus Dream

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Pegasus Dream – Lady Luck from Andy Carlson on Vimeo.

With a guitar and a keyboard, J.T. Lindsey and Andy Carlson make up yet another fantastic electro-pop duo hailing from the fine City of Roses. This one’s called Pegasus Dream, and the name is fitting for the psychedelic, spacey dance tunes produced by this twosome.

Lindsey’s high-pitched croons layered with poppy keyboard riffs and effect pedal-laden guitar chords create a sound much larger than two people, not to mention a sound that makes its listener involuntarily break out in dance.

Though the drum machine saturated, electro beat loving pair has yet to be signed, the boys have had the privilege to perform with such acts as Mew, Hockey, Boy Eats Drum Machine, Japanther, Pyramiddd, and my favorite local electro duo, The Helio Sequence. So they must be doing something right, right?

Pegasus Dream will be playing at The Parlour February 17th before embarking on a small Washington tour with our favorite little arsonists Housefire in March, so mark your calendar! The band’s music video for “Lady Luck,” will give you a good idea of the duo’s sound, but if this isn’t enough, you can download Pegasus Dream’s EP, Miles of Sound, here, and if you dig it, you can give them your vote on our Band of the Month poll.

-Katrina Nattress

Philadelphia

Prowler Funkin’ Up KFN Feb. 4

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Got a thing for funk? Prowler’s got you covered. Philly-based party people responsible for disco dance jams like “Beware Delaware” and “Ahead of the Pack” are known for heating things up in venues citywide. Since their ’08 release En Garde, Prowler’s DFA-esque backbeats and sassy lyrics have kept their fan base growing, making local favorites out of this funktastic five-piece. With vocals reminiscent of LCD Soundsystem’s mastermind James Murphy, tracks like “OK Girl” and “Spooky Pussy” mix post-punk bravado with world beat sophistication a la the Talking Heads. Set to open tonight at Kung Fu Necktie for noise-core duo Telepathe, Prowler’s upbeat anthems and high-octane rock might easily overshadow the lo-fi antics of their androgynous headliner. Dust off your dancin’ shoes, its time to get down. Kung Fu Necktie, 1250 N Front St., 8pm, $10, 21+ myspace.com/prowler1Dianca Potts

 

Portland

“Don’t Quit Your Day Job” Features Reporter’s Michael aka Mr. Potato Head

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Into the Woods TV has unleashed yet another awesome Portland-based insider anomaly with the first episode in their series "Don’t Quit Your Day Job." The series goes behind the scenes into the working week of PDX rockers and rollers in a candid, often hilarious overview of their careers offstage.

The first episode was uploaded today, and features Mike from ambient-poppers Reporter and his uber-popular Potato Champion french fry cart, located on SE 12th and Hawthorne – one of many fantastic late-night wheeled eateries on the corner.

Also be sure to check out the additional video series’ being produced by the guys from Into the Woods, including the site’s namesake, which documents bands playing intimate performances (where else?) in the woods; "Learning Curve," which are tech-y tutorials led by various Portland musicians; or "Feels Like Home," a series documenting bands playing in their own homes.

And if you haven’t been to Potato Champion yet, you’re doing it wrong.

– Ryan J. Prado

NYC

Weekly Feature 188b: Mon Khmer – Live at Glasslands 02.19

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After winning our Artist of the Month Poll in October, Mon Khmer landed a residency at the LES indie-rock hotspot Piano and therefore headed into the studio to record their debut LP, set to drop in a few weeks. Led by the enigmatically-named Hammarsing, the band’s ambient-leaning sound is grounded in steady rhythms and solid song structuring influenced by the more electronically-oriented descendants of Bowie. The Deli caught up with Hammarsing to discuss the band’s creative’s process, where to catch the best live music in the city, and future of Mon Khmer’s rule. – Read Toney Palumbo’s interview with the band here.

NYC

Weekly Feature 188a: Madison Square Gardeners

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The Madison Square Gardeners, a rock ‘n roll band with members from Canada, Ohio, and New York, released their EP this December,  and are planning to release four EPs a few months apart—each with its own hand drawn cover art, t-shirt package and video content. With a tinge of country soul, they describe their songwriting as both a collective and individual process.  As one MSGer may enter rehearsal with a song individually composed, it will be revised and arranged by the entire band as a group effort. “Usually the person who writes the song trusts the other members of the band to come up with parts, blah blah blah… – Read Gina Alioto’s interview with the band here.

New England

Haiti Benefit TONIGHT at Precinct Bar in Somerville

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The Doctors Fox

Wednesday Feb 3rd, Precinct Bar (70 Union Sq. Somerville, MA) is
throwing a benefit concert for victims of the Haitian Earthquake. For
only $15 you can see 13 live bands playing from 6pm-1am. Precinct will
be passing around free appetizers for a few hours and there will also
be a silent auction.

Live performances from:
Otis Grove
One Fine Morning
Abbie Barrett
Gold Star Morning
The Doctors Fox
Super Volcano
Top Heavy
6th Degree
Maddyln Elyse & Mike Moore
Christoph Krey (From McAlister Drive)
Jesse McCullough

$15.00 All Proceeds donated to the Red Cross. This show is supported by Hear Now Live as well. It is a great show for a great cause.

–The Deli Staff

NYC

NYC Artists on the rise: Tanlines

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The revolution brought by affordable computers powerful enough to allow home recording is generating a slew of indie electronic one or two man bands/remixers. Half of this slew is apparently based in the land comprised between the beaches of Montaulk and South Jersey – with a higher concentration in Brooklyn of course. Tanline is a two man project that rises from the pack for their tastefully textured tribal use of electronics and for their clinical melodies. The duo is scheduled to release a new EP called "Settings" in March and play Brooklyn Bowl with Acrylics on February 5.

NYC

Jim Campolongo CD release party at Living Room on 02.15

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Orange, linguists like to point out, is the most famous word in the English language that has no rhyme. It stands alone, in a class by itself, boldly declaring its independence and spirit of defiance. It’s entirely appropriate, then, that guitarist Jim Campilongo‘s ninth album bears that lone word–Orange–as its title. Considering his obvious Italian descent, Jim could have called this album "Fegato" – Italian for liver – which is the corresponding un-rhymeable word in the mediterranean language. "Orange" definitely sounds better, no doubt about that… but interestingly enough Italians say that you need to have a big "fegato" (liver) to do something bold, and being an original musician that plays instrumental music is definitely something bold – at least in our eyes. Don’t miss the show at The Living Room on February 15 (photo by Arthi Krishnaswami).

P.S. I have no idea why the italian word for liver is used this way, but apparently this digestive organ has been a symbol of courage and physical strenght since the ancient Greeks.

Chicago

Midstates and the Choir of Ghosts have Death Cab’s Number

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The first thing you notice when turning on this EP is the snowy guitar and relaxing drum flow. You can already picture yourself cruising down a sunlit highway going to who knows where. After the intense daydream phase, you notice something peculiar for an indie rock band, the melody and chords actually go to predictable places. Something noticeable with indie bands that actually have big plans.

Once the singers voice kicks in you can only think of the soothing vocal melodies made popular by the one and only Benjamin Gibbart of Death Cab fame. The band manages this without being a total and complete rip off or copy. Even lyrically it is very similar. Singing about concepts of dieing and the fear attached to it.

This band will get you up and dancing all the way through the album. The track "Don’t stop it" sounds like it’s coming from a Passion Pit jam session. This continues to show that this band knows exactly how to make hook laden, fun hits, while still maintaining enough indie "cred" to keep the hipsters and jaded youth happy.

The only thing that is bad about this album is that it is barely a real "EP". Every track is either a remix or some sort of extended jam track. If you really liked the intro track "Hate To see you smile" then you will have fun listening to the very remixes. But if your looking for more original tracks you’ll be very disappointed.

Despite this small complaint, the EP is very fun and catchy. With their danceable hooks and snowy melodies this band is definitely one to watch in the coming years. They will just have to release more originals to keep people interested.

Midstates and The Choir of Ghosts are playing a free show tonight at The Empty Bottle with Camera and House of Normandie. The show starts at 9:30pm. – Nick Coamey

Chicago

CD Of The Month: Pretty Good Dance Moves

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From a duo split between Chicago and Brooklyn comes an ep, PGDM, that is just divided but still quite enjoyable. The first aspect is their ability to recruit talented vocalist to sing over their beat driven sound-sculptures. Second, it is the inventive but danceable instrumentals they provide their vocalists. Featuring contributions from Angelica Lucer, Bjorn Yttling, Heather Christian, Sydny and Wayser, the ep offers depth in texture and sounds that was not as prevalent in the duos first ep. A track like “600 Days” finds the bands pushing into a slower, more mature area of sound, while “Leave Me Alone” is more radio-ready catchy pop. Yes, this is dance music, but it has more soul than most. It’s a mixture that will prove successful when Jimmy Giannapoulos and Aaron Allieta do attempt to venture out and record a full-length album.

Pretty Good Dance Moves will be playing a record release shows at Schubas on March 12th and 13th before they head down to SXSW.