L.A.

Best of ’09 Poll Update: Hold tight!

Posted on:

As you already know, The Deli runs in several major cities across the country, and when the Best Of poll comes around, this means mega, mega, mega traffic. While we love the attention (we really do) this often goes hand-in-hand with severe congestion and traffic outages which result in delays and balding. So just hold tight, Angelenos — we’ll let the rest of our sister sites go ahead of us until it’s our turn. If there’s anything we know how to do, it’s wait in traffic, amiright!? In the meantime, keep checking in for regular posting. Rock!

New England

The Organ Beats @ Middle East Upstairs 1/9 (w/ Luxury, Conservitive Man and This Blue Heaven)

Posted on:

The Organ Beats – Sleep When We Are Dead from Ben Fee on Vimeo.

The Organ Beats play the Middle East Upstairs Saturday, 1/9. Part of show (guaranteed to make you forget it’s the middle of January and you live in New England) featuring Conservative Man‘s EP release. Indie-pop The Luxury and This Blue Heaven are also supporting. All the bands have 80’s rock undertones, which is good because I mean like Pixies/New Order 80’s with a 20-teens (I can’t think of a better term for this decade) energy. See you there?

In the meantime check out this interview the Deli’s Michael Spencer did with The Organ Beats. They are also up for Artist of the Year. Vote if you love them the most!

–The Deli Staff

Portland

Autopilot is for Lovers Tonight at The Woods! Funeral Parlors and Banjos!

Posted on:

 

Autopilot is for Lovers is one of those rare Portland combinations of intimate musicianship and sincere urgency…actually backed up by talent. Anchored by multi-instrumentalist Paul Seely (formerly of The Builders and the Butchers, now also guitarist in Dr. Helicopter), Autopilot maintains a choral arc over their indie-rock kitsch. This isn’t a dig on them – they have simply nailed all corners of folk, orchestral-pop, gloomy rock, and railway blues into one cohesive presentation. The effect is eerie and fresh, as is evidenced on their debut album To the Wolves, released last spring.

Vocalist Adrian Hatkin (also Seely’s fiancee) weaves warbly melodies throughout tracks like "Pessimist," like a New Age Stevie Nicks with a newfound love of accordions. The result from the spiraling din of instrumentation, melodies plucked from the Maker, and the combined efforts of cellist Jessie Dettwiller, violinist Emily Nelson, and bassist Sterling Myles, is engaging, if not inspiring. If you don’t believe me, go listen to "Workhorse Blues" right now. Or if you don’t trust me, would you trust NPR?

You can see for yourself tonight, when Autopilot is for Lovers takes the stage at Portland’s favorite funeral-parlor-turned-music-venue The Woods! Opening the show will be former Deli Portland band of the month winners Porches, who’ve been skippin’ up an Americana whirlwind all over town as of late, showcasing the floppy mane of guitarist/bad dude Keenan Cloud, vocalist/guitarist Ryan Olson, saw(ist?) Matt Radke, and…hey what do you know! Paul Seely! Among other equally amazing band members whom I’m spacing the names of.

The whole goddamn thing is a recipe for rad. Mr. Frederick rounds out the bill. Tickets are $5 in advance, $5 at the door. Doors at 8:00 p.m., show at 9:00 p.m. 21 and over.

Ryan J. Prado

 

NYC

Two Subjects give birth to Cavemen

Posted on:

It doesn’t happen very often that a NON all star band plays its first show in a sold out Bowery Ballroom. This is the case of Cavemen, a brand new musical project born from two members of Brooklyn band The Subjects. However, we can’t really say that they sold out the Bowery, as on January 24 they are opening for Glass Ghost and White Rabbits… but still, this could be well interpreted as a sign from God! The band’s sound, reminiscent of a more psychedelic version of Bell and Sebastian or The Shins, definitely has appeal and potential. Simple song with beautiful melodies – that’s really all you need sometimes. Check out these guys’ demo here.

P.S. By the way, we have our own name for this kind of music here at The Deli: we call it "Mellow Core". Here’s a list of the Best Mellow Core Artists in NYC.

Austin

Casual Victim Pile: The Shows

Posted on:

In conjunction with the release of the anagrammatic comp Casual Victim Pile (that’s ‘Live Music Capital’ re-scrambled – someone had fun with a Scrabble set) WOXY, Austinist, and Matador records will be presenting a series of shows at Beerland this Feb. 4th – 6th. Included will be the freshly scrubbed but slightly dizzy band Follow That Bird (pictured above). Also worth knowing: "WOXY is giving away three-night passes between now and February 4: send us an email to woxycontests @ gmail.com and use the subject line Casual Victim Pile. We’ll let you know if you’ve won by Feb. 4." 

Show lineups…

2/4
Follow That Bird!
Dikes Of Holland
Kingdom Of Suicide Lovers
Distant Seconds
The Persimmons

2/5
Woven Bones
The Young
Wild America
Flesh Lights
Elvis
The No No No Hopes

2/6
Harlem
Golden Boys
Bad Sports
Love Collector
Stuffies
Lost Controls

NYC

Dawn Landes CD release party, 01.22 at Mercury

Posted on:

Raised in Branson, MO and Louisville, KY, Dawn Landes is a Brooklyn Resident with a playful approach to rootsy music. Her third full-length album will be available January 19 on Cooking Vinyl. In support of the album’s U.K. release, Landes recently completed European tours with Okkervil River and Elvis Perkins. Don’t Miss the January 22 show at the Mercury Lounge.

Philadelphia

Weekend Warrior, January 8-10

Posted on:

Sure, he recently signed to Matador, rung in the new year with The Black Keys, and is heading out on tour with Dinosaur Jr. and Fucked Up. But Kurt Vile’s notable success in 2009 still takes him back to his Philly roots. Tonight Vile brings his signature lo-fi croon to Johnny Brenda’s.  He’ll be joined by minimalist psych-folk rockers Strapping Fieldhands and Princeton-based indie garage outfit, Home Blitz. Johnny Brenda’s, 1201 N. Frankford Ave., 9pm, $10, 21+ myspace.com/kurtvileofphilly, myspace.com/strappingfieldhands

Also this weekend…

Johnny Brenda’s (1201 N. Frankford Ave.) SAT The Extraordinaires, SAT and SUN Paul Green School of Rock Presents :URGH! A Music War
 
Kung Fu Necktie (1250 N. Front St.) SUN Decontrol, Violent Society
 
North Star (2639 Poplar St.) SAT Levee Drivers

Tin Angel (20 S. 2nd St.)  FRI Dante Bucci

World Cafe Live (3025 Walnut St.) FRI The Hustle, SAT Drink Up Buttercup

Tritone (1508 South St.) SAT Da Comrade! and Tongue Sculptors

(Photo by Sarah McKay)
 

Philadelphia

Drink Up Buttercup Help Create More Kidrockers at WCL Jan. 9

Posted on:

Let newly signed Yep Roc artists Drink Up Buttercup help you get in touch with your inner child – and hey, if you have kids bring ‘em along too – this Saturday at World Café Live.  DUB, the Deli Philly’s 2008 Band of the Year, will be performing their percussive psychedelic rock as part of the KiDROCKERS all-ages concert geared towards children ages 3 – 13 and produced by Beth Lorge.  If you’ve ever been to a DUB show and have been too embarrassed to clap, shout, and bang along, now’s your chance.  Saturday, January 9, World Café Live, 3025 Walnut St., 11:30am, Advance Tickets Adults: $13, Children: $11, Family Four-Pack Discount $44 Free for children under the age of one!  myspace.com/drinkupbuttercupband – Jaime Pannone

Chicago

Concert Review: Gun Hat @ Reggie’s

Posted on:

I spoke to the male lead of Gun Hat a few weeks before the show on the 29th at Reggie’s; Andrew was a little nervous. With good cause, one can suppose, as he had found out that they’d been booked to open for Country-Rock legends Supersuckers. Their first night of a three night cycle of shows culminating in a New Year’s Eve show. Andrew knew there would be quite the crowd and quite the show, he expressed a genuine desire to go on stage and give the audience the show they came for. This conversation represented the entire crew’s approach to their set and their attitude on stage. Comprised of the vocal stylings of Andy and Sarah, a Tenor and an Alto, Gun Hat’s steady country song structure is melodic and pleasing to the ear. The melodies are well underscored by the strings that Andy, Laura, Tara and Nick all deftly leverage towards this unique group’s sound. Held together by the classic and steady beats, as laid down by Andy’s wife Ann, these folks don’t disappoint.

Disposing of the modern notions involving “country” music they are a rare breed of music that shares few local comparisons. Perhaps The Golden Horse Ranch Band or The Steepwater Band may give you a hint as to what you might hear; but you wouldn’t be close. Everyone on stage was free of any twang or pop sensibilities, with this home-made style of American Rock N Roll, harking back to the early big bands of Little Richard or Elvis Presley. Even with that early rock swagger, they remember the roots of American music and provide the simple flavor of a country tempo and structure to delight the ear and the audience.

Full of energy and all evidently very happy and grateful to be there, Gun Hat gave a wonderful show. With a 10-song set they all had a great time and interacted with the audience as a family might. Clearly a tight knit group this can often translate into the performance of their songs. From “When You Lie” or “Theme from Gun.Hat” you can tell they all have a good sense of each other. Their easy smiles and friendly demeanor was a breath of warm air on a brisk Chicago morning. Gun Hat’s unique Country-Rock sound is definitely refreshing in a world oversaturated with honky-tonk-hijinks and pop-tarts. If you want a fun band to take friends or family to see, keep your ears perked for these guys. The well-written songs and lively performance will not disappoint and will surely put you in a Rock-N-Roll kind of way. – Ben Kessell

Portland

Year End Best of Portland Poll – Open Contest Winners + READERS’ POLL BEGINS!

Posted on:

Hey Portlanders,

We just finished collecting the nominations for The Deli Year End Best of Portland Poll for emerging artists from our knowledgeable and attractive panel of jurors – THE READER’S POLL IS NOW OPEN VOTE HERE! (full list of bands is on the right – If you’d like to learn more about our voting process, please check out the rules here.)

We are also ready to announce the winners of our Open Contest, which contributed to the nominations of artists for the poll. We’d like to thank all the artists who participated in our Open Contest. This was not an easy decision to make for The Deli writers, which is a testament to our amazing music scene. We are happy to announce that these Portland bands:

Housefire
Parenthetical Girls
Mint Chicks
Bombs Into You
Dr. Helicopter
Dropa

Have been selected to join our jurors’ list of nominees, and special congratulations to Housefire who were the overall winners of our Open Contest!

The Deli Portland Staff

P.S. Housefire guys, get us a nice picture of your faces!!! (instead of your feet…)

Portland

The Deli’s Guide to New Year’s Eve!

Posted on:

NYE

It’s New Year’s Eve, and you know what that means—an excuse for bars to jack up their drink prices and charge ridiculous covers because some shitty band will be butchering other bands’ music all night with a complimentary champagne toast. But have no fear, my fellow Portlanders, for if you sift through all the NYE bullshit, you will find gold. Below are some fantastic local NYE shows that will be worth the cover charge.

Doug Fir: The first time I read about this, I had to do a double take, but yes, Quasi is performing The Who for New Year’s Eve, and it’s going to be epic. What makes this show even more epic is the fact that other local folk monsters The Shaky Hands and indie darlings, Inside Voices, will be accompanying them. If you want to chill out and listen to some amazing Portland folk music (and good covers) this is the NYE celebration for you! Show starts at 9 p.m. $15.

Holocene: The theme of this New Year’s Eve bash is “NYE 102,010,” as in it’s set 100,000 years in the future. Portland’s spacey electro-pop trio Reporter’s synthesized beats paired with Guidance Counselor’s gritty, lo-fi electronica, not to mention a mess of local DJs, is a fitting lineup for such a premise. If you want to get hot and sweaty with people dressed like robots, or spacemen, or Neanderthals (you never know, the apocalypse could happen in the next 100,00 years) then this is the NYE celebration for you! Show starts at 8 p.m. $15.

Mission Theater: Two of Portland’s more melancholic indie bands, Weinland and The Dimes, are doing something very out of their element (or seemingly so) this New Year’s Eve. The bands have promised a dance off, where they will be performing “some of the best dance music of the last 40 years,” and though neither band seems to fit the mold for “dance music,” they each do an extremely good job of incorporating pop and melody into their music. If you want to witness quite possibly the most awkward (or surprisingly awesome) dance party of 2009, then this is the NYE celebration for you! Show starts at 9 p.m. $15.

Mississippi Studios: Portland’s morbid Americana-ers, The Builders & The Butchers, have been playing nothing but large venue shows this year, and though I wish them nothing but success in 2010, they are the type of band that is much more impressive in intimate settings where they can get the audience involved, so the quaint Mississippi Studios will be a perfect place for them to ring in the new year. Fellow swamp stomping blues boys Dr. Helicopter are also on the bill. If you want to feel like you’re celebrating the turn of the century in Louisiana, then this is the NYE celebration for you! Show starts at 10 p.m. $15.

There are other great shows happening at venues such as the Ash Street Saloon, Branx, Rotture, and Slabtown, just to name a few, so if none of these tickle your fancy, check out their NYE rosters.

-Katrina Nattress

Portland

Check them Out: Rollerball

Posted on:

Even though these guys have been slinging out records since the ’90s, I hadn’t heard of them until today.

Rollerball recently released yet another record, their 15th, called Two Feathers. I personally think that’s a lot of records. I’m only just beginning to realize the depth and the assortment of layers of music this town has to offer.

From what I’ve read and heard so far, I would pitch their sound as extremely varied – ranging from experimental jazz influenced rock to slower tunes that are atmospheric and ambient. Their sound often seems to carry a reverberating presence, akin to the expansive spatial dome of a cathedral, and along with it, the same intensity and seriousness one might find under that type of religious dome. Some cool shit here.

Rollerball rocks rich, interesting and weird compositions with just piano, bass, drums, sax and female vocals. Take a minute and check it out.

Joel Sommer