New Music, Emerging from your Local Scene
The Readers’ Poll segment of our very first annual Emerging Artist of the Year survey is drawing to a close…poll will close on the 15th (Friday). Right now International Waters, Stereo Is a Lie, The Sour Notes (pictured above, & slated to play the Mohawk on the 28th), Missions, and Whitman are enjoying a lot of love from Deli Austin readers. If you haven’t voted yet, here’s your chance, and if you’re among the nominated, good luck! We’ll be crowning a winner shortly…
(Editor: Bit of a break from form here for us to write up a cover band, but when the band has shared bills with Follow That Bird, Persian Wars, The Octopus Project, and Sunset, you know they’re not your average cover band. Ellen Green brings us the story on possibly the best-named band around Austin…)
At the park with my daughter on a Sunday…my friend Professor Barry Stone of Texas State University and his daughter approached. He had a really wide grin on his face.
"You ready? I saw an all girl Guns N’ Roses cover band last night!"
That was all I needed to hear, but it gets better.
"They’re called Paradise Titty…"
It’s almost to good to be true. Paradise Titty…PARADISE TITTY! Growing up in the 80’s I remember going to see The Cult in 87′ supporting their album, (yes, album), Electric. Some silly band called Guns N’ Roses were opening for them. What a shit name for a band, I thought. Seriously, Guns N’ Roses, how melodramatic. How Poison of them! I wasn’t looking forward to seeing them. How could I know they were going to change rock at the time, for the better?? Watching Axl swerve and move, with that ridiculous voice, he was amazing. They all were….they were punks, too. Axl kicked a guy in the face for screaming "Bring on The Cult!" Temper, temper. As this was all flashing in my mind, I wondered, is Paradise Titty going to recapture the angst, the power, the undeniable force that was GNR?? I recently had the opportunity to meet them at the Highball on Lamar to find out. I spent over 2 hours with the ladies and talked shop and about their love of cowbells.
The vocals for this particular band is so crucial! How did you find [lead singer] Kitty?
Lori: Wow! The auditions!
Beth: We have some really good audition stories.
Emily: Well, they weren’t all bad! But it’s just when Kitty came in, we were like Oh my Gosh, she just had it.
Deb: We had some come in that were singers around town and then we had a few that were going to come in but kind of chickened out. I think because they realized we wanted a commitment. Or they could really sing, but when they tried singing along to their cd, they were like, forget it!
Beth: We had some amazing singers, but weren’t the right style. Just random. Yeah, we had people come in completely unprepared, didn’t know any of the words…
Didn’t know the words to GNR’s songs??
Emily: It was sort of like American Idol. You know, the nights where it’s all about the messing up. But some were really great! And then we had a girl who brought her band mate in, you know, to see if the "girls" could play.
Lori: That’s why I want to blow peoples’ faces off! We’re women playing these GNR’s songs.
Emily: Yea, like everyone is like, oh you play like all of those Slash parts?? And I’m like, yeah!
Beth: She really does!
Emily: I really do!!
Lori: If people could see Emily playing these Slash parts, it’s like she’s just taking a walk in the park.
Emily: Sometimes people will tell me, you need to look like you’re trying to play the guitar because you don’t make any of the faces!
So, tell me about Kitty?
Beth: Man, we all knew she was the one!
Lori: That’s for sure, it was like dating.
Beth: You know, before Kitty, someone would come in and had a little bit of this we liked, but needed more of that. Like dating, when the one walks through the door, it’s like, ok we’re done.
Lori: And we all felt that way about Kitty. Everyone. And so we were all nervous about it and thinking…is she going to call me back?? What do I do? What do I do? Because when you really like someone, you really give a shit and you think man, I want to make the right move.
Emily: And we tell her that now and she thinks it’s so funny! Because she was nervous, too.
Beth: Well, we wanted to have a really tight band before we even auditioned a singer. We didn’t want to be loose and then have a professional singer come in and we have this loose band. They’re not going to take it seriously. So we tightened it up before we even auditioned.
What inspires you musically, obviously outside of GNR?
Lori: GNR, Whitesnake (giggling), I LOVE 80’s hair music. But I don’t listen to it all of the time. I grew up listening to country music. You know, if there was a girls’ rock camp, my parents would take me to girls’ country camp. I grew up on a farm, I barrel raced. But I mean, I like avant-garde, I was listening to that on the way over here. I love jazz music pretty much everything. I’m really inspired by music, except for rap and some of this no poppy whiney indie stuff.
Beth: I like the whiney indie music (laughs). I grew up on The Cure! I actually did really like GNR in college, but hadn’t really listened to it again until I started learning the music. I actually dressed up as Axl for Halloween one year. Back in college! But I just got into more underground indie stuff, like I listened to Radiohead. I mean I even got into the folk thing for a minute, but then quickly got out of that. I mean I listen to The Strokes and The White Stripes and stuff like that. But, I grew up on Debbie Gibson because I’m from Connecticut. I grew up on the mall singers. New wave, too. Then Oingo Boingo hit and it was all over. I loved them.
Deb: I grew up in Detroit, so I was listening to a lot of hard rock. Like hard rock, hard rock. But then my dad was listening to a lot of John Denver and Johnny Cash and so I listened to all of those albums. But I was listening to hard rock until high school and then got into new wave, and punk, not goth, I got into a lot of the hard core bands, but I didn’t have a mohawk or anything. I liked the Dead Kennedys, the Circle Jerks….I was really into X in high school and college. They’re still one of my all time favorite bands.
X is still one of my all time favorite shows. Rocked my face.
Beth: That’s what GNR is all about! Rocking your face! We call ourselves Paradise Titty because that’s what it’s all about… GNR. We are so excited to play.
Deb: Ahhh, there she is!
(Kitty, the lead singer, was late because she had been stuck in traffic for an hour and a half, poor dear!)
Emily: Oh, Kitty!! Come here!
Lori: Come closer, sit down.
Emily: We were like, she’s like Axl, she’s not going to show up!
Kitty, did you sing growing up?
Kitty: There were not a lot of opportunities for me growing up singing wise, so I sang at a lot of oprys doing country music. I love country music.
This is totally not pc, but you don’t look like you would love country music.
Kitty: Oh!! You should see pictures! Me in a cowboy hat and long black curly hair. I used to sing every Tuesday night at this place called Billy Bob’s.
What are your plans for Paradise Titty?
Lori: We need to slap some photos up of the band. I’m ready to put a picture of my cat up on facebook. Although, they wouldn’t let us put Titty in the name. We’re on there under Paradise T. But that’s ok. We haven’t found any evidence of another all girl GNR cover band out there. That market hasn’t been saturated, yet.
So, what is the draw for coming to see you play?
Deb: It really is like going to see a GNR show. That’s how I would describe it. And for people who love GNR and their classic songs, you’re going to love us. Great rock songs, it’s a great show.
Beth: It’s high energy, it’s really a fast, hard show. We have a lot of energy, but more than that, there’s a lot of energy in the crowd. Everybody knows all of the words, and they’re singing and looking at their neighbor going (Beth plays air guitar at this point and hums a lick from a song) Like come on!!! Let’s go!!
Emily: I even had a friend who didn’t really like GNR come to our show and loved every minute of it. Couldn’t get enough.
Beth: There are a lot of secret GNR fans.
Deb: It’s a great rock show, period. And everybody seems to have their personal reasons, whether it’s high school memories, or whatever, but they love GNR. Everyone can relate to where they were when these songs came out.
Kitty: I’m always thinking, I better not fuck these words up! (laughter) Seriously, there are so many words and it’s so fast and I’m running around and out of breath. Then I look out into the crowd and I see everyone singing every single word. I BETTER NOT FUCK THESE WORDS UP!!
Lori: It’s almost like a rap, there are so many words. Like, I was singing bullshit, like "surfing nipples on the side of the street". I am terrible with the words.
Kitty: It’s "Just an urchin living on the side of the street."
Lori: Oh ok.
I have to say, I don’t care if Kitty messes up the words, people! Paradise Titty will, I guarantee, rock your face off. Check them out this Friday, January 15th, at Stubb’s.
–Ellen Green
Personal favorite, funk-jazz trio, Otis Grove, will be playing the Regatta Bar (in the Charles Hotel. Harvard Sq.) on 1.21 next week. They just let word out about a new album coming soon, The Runk. Their last album, Crank it Up is a delicious funk compilation (see rock-u-mentry of Crank it Up CD release above). Otis Grove will be playing the early show at 7:30pm Thursday the 21st. Tickets are $10, which is a really sweet deal, the Regatta Bar is a more elegant venue. You can go skating outside on that cute little pond they made and then go in and warm yourself up with the juiciest funk Boston has to offer.
–Meghan Chiampa
The Schubas sponsored Tomorrow Never Knows has a decent line-up this year and we felt had to give it some attention. $75 for 5 days event take place at both Schubas and Lincoln Hall and features bands like Sufer Blood, Freelance Whales, Bear In Heaven, Neon Indian, and even one or two local act. I suppose that is why we are giving the event more space because again the venue has failed to make an effort to really highlight Chicago music in their signature event. Among the local s you will find The Hood Internet, Laser, Fast & S**t, Only Children, Netherfriends, and Skybox, but the main headliners are all from out of town. For the full line-up visit the TNK Calendar.
The morning benders’ recently released "Promises", the first single from their new album Big Echo, as a free download from their website for a limited time. True Panther Sounds will release the 7′ single with the B-side "Oh Annie" in late February. Big Echo is due out on March 9th.
The members of Cootie Platoon love beer, cigarettes and rock. Surprise, surprise! What garage/punk band doesn’t love those things? Or at least claim to. They also love fishnets, tight short skirts, The Ramones and roller derby. If you’re thinking this band sounds a lot like a leftover product of the ’90s Riot Grrrl movement, you might be half right—but don’t underestimate the power of a girl rocking.
The members of Cootie Platoon are not at all new to the Portland music scene—their songs have been featured on several compilation cds, including Northwest Kicked In The Nuts, Monkey Business III and PDX POPNOW 2009. Singer/guitarist Melodie Beirwagen went through many bands, including some all-girl groups, before starting Cootie Platoon in 2001 with former members of the White Trash Debutantes, and Candyass via San Francsico transplant Rico De Guyo. Cootie Platoon’s style is similar to that of Veruca Salt, The Donnas and The Butthole Surfers. The band calls their sound "the Brady kids hopped up on cherry squishies," and even though I don’t quite see the connection, considering the Brady kids suck ass and Cootie Platoon doesn’t, I appreciate the imagery.
The Cootie Platoon plays with 48 Thrills, Minty Rosa and Molly Bolt on Friday, January 15th at The Red Room. 9:00 p.m., 21 and over.
– Deanna Uutela
This entry is from our Open Blog. I don’t know a lot of whippersnappers, but all of the ones I do know seem to go to Berkeley High. How big is Berkeley High anyway? These kids definitely have talent but I can’t help but wonder, do they ever get beat up?
After meeting in the renowned Berkeley High Jazz Ensemble two years ago, Thirstbusters began performing Pop/Rock around the Bay Area. Incorporating jazz sensibilities, the young band puts on a diverse, energetic, and mature performance. Now at UCLA, UC Irvine, Oberlin and Vassar, the band always has a new exciting project waiting for them when they come home. In addition to having shows, they recorded and produced an album of all originals. The release of Time You Awake was a huge success last summer at Ashkenaz in Berkeley and the debut album is now on iTunes. Now the high-caliber music video takes Thirstbusters to a level unexpected from such recent high school graduates. They’re currently planning a California tour for next summer. With Zach Sorgen on vocals and keyboard, Ryan Thomas on guitar, Forrest Mitchell on drums, and Chase Jackson on bass, Thirstbusters realize that with inspiration, dedication, and a little elbow grease, the dream can become a reality. Thirstbusters are young, full of passion, and on their way. While maintaining their youth and feel-good vibe, this band is lyrically and musically on the forefront of creative output.
You can post about your band to our open blog by visiting this site.
-Nicole
Dudes and She Dudes,
The 21st issue of The Deli is out!!! Hurrah!
Glass Ghost on the Cover + features on Lissie Trully, The Antlers, Langhorne Slim, Jones Street Station, plus lots of interviews including Small Black, Motel Motel, Girls at Dawn, Phenomelal Hanclap Band, Savoir Adore, She Keeps Bees etc. etc…
PHLUS!!!! Super slick new Kitchen section about guitar pedals and plug ins!!!
You can find it in many musical places in The LES, East Village, Chelsea, West Village, Williamsburg, Greenpoint, Flatbush and Park Slope.
Enjoy!
The Deli’s Staff
This all-Portland revue of talented rock bands is sure to please, especially for those looking to find some enjoyable lo-fi pop, shoegaze tones or garage-rock college tunes. Check out these bit-sized features and then check out their tunes.
Soft Tags: Their songwriting is like standing aboard a ship sailing its steady course while cutting through white noise and distortion. It takes no detours until it finds its proper resting point after an enjoyable five-minute tour (sometimes longer). With the recent release of their double LP Mathematical Monsters, Soft Tags are on the rise as they promote their new work.
Bodhi: Quality pop rock. Good leading melodic lines. A breath of ’80s spill out the vocal chords, often with tones of Bowie. Songs can vary from a heavy influence of Joy Division to a rock-a-billy groove. All tastefully done, of course.
We Miss the Earth: Smooth reverb guitar effects and delay-soaked synth slide through their chord changes. The songwriting is solid. These guys have a darker side that is at times mixed with more cheerful melodies one might find on a My Bloody Valentine song.
Soft Tags, Bodhi, and We Miss the Earth will be performing at the excellent Doug Fir, for the small cost of $6.
– Joel Sommer
If you like alt country and authentic bluegrass, you’ll want to make a bee-line for Club Passim this Thursday night at 8PM. The Dixie Bee-Liners are taking the storied Harvard Square stage to play in support of their new release, Susanville, described on their Web site as “a concept album that takes listeners on a musical road trip along America’s highways and byways.” Explains co-writer and mandolinist, Buddy Woodward, in a press release, "It’s a collection of short stories set to music. Each song is a vignette about a different person in a different car or truck in a different highway in America, and they’re all headed either to or from Susanville." The Bee-liners are fronted by Brandi Hart, a native of the Bluegrass State who was featured at the official ASCAP/IBMA Songwriters’ Showcase at World of Bluegrass 2006 in Nashville. Hart is not only a singer/songwriter but also “plays rhythm guitar, Nashville guitar, fiddle, and mountain dulcimer.” Hart and Woodward are joined by Rachel Renee Johnson on vocals and fiddle, Robin Davis on lead guitar and mandolin, jazz-trained Jeremy Darrow on double bass, and Casey Henry on Banjo. The southern sextet is known for blending contemporary and traditional sounds, and their latest album includes not only tradition strings but also bouzoukis, dulcimers and cellos. Should be a good night to break out your best boots…and bourbon.
Oren Lavie | "Her Morning Elegance"
Dir. by O. Lavie, Yuval and Merav Nathan
Singer/songwriter Oren Lavie is on his way up. The newly LA-based is seeing a fair share of notoriety, from scores of sets on both coasts to a noteworthy television debut on Jimmy Kimmel Live. But what really got heads turning was Lavie’s video to "Her Morning Elegance," released early last year. With nearly 10 million views (not including the heaps of copies floating around the web), Lavie’s vision of big, dreamy landscapes in small spaces is resonating. Not bad for a first-time filmmaker.
Oren Lavie plays the Hotel Cafe every Monday in January — 21+