San Francisco

Album Review – Manuel’s Parking Lot

Posted on:

Manuel's Parking Lot

Manuel’s Parking Lot pays tribute where tribute is due. Jake Sinetos and Alex Musto invoke Joni Mitchell’s most well known hit with both the title of the CD and the intro. They close with Eugene (Please Don’t Take My Van), which has opening lines that will take anybody back the childhood where they were forced to listen to Dolly Parton by the Country & Western loving parents. I still have nightmares of those days.

Though the album is far from anything resembling actual country, it does call on both folk and do-wop. The opening track, You Stole My Grandma (Let you Granny go Round), mixes folk rhythms on the guitar with do-wop style background vocals. My knee jerk reaction was, “This will never work.” I am happy to say that after multiple listenings, it does work. Quite well in fact.

The opening piece sets the tone for most of the album. Stripped down music, primarily just guitar tambourine, accented with the occasional sound clip or electric guitar riff. The CD maintains the sound, only slowing down for Dinosaur (twee pop a lop), which serves as the nostalgic ballad, making me long for days of recess twice a day. It also makes me wish I knew the rules to “…the game we called dinosaur.”

The most rousing track, and probably my favorite, is Fuck Art Lets dance (A Symphony in 3 Movements). The boys actual pull of three movements, encouraging their listeners to get out on the dance floor. The further flaunt their knowledge of artists before them with the Orwellian named Knowing is Unkowing. All though Big Brother would be proud of their prowess in Double Speak, it’s more a call to look beyond the thin surface and find the beauty underneath. To look critically and appreciatively view at the world around us, with a special emphasis on the music we listen too.

Manuel’s Parking Lot is a must have for someone who is looking for fun music with something to say. It’s the kind of music that forces you to nod in time and hum along, even at the office. Sinetos and Musto may borrow a bit from other artists, but make no mistake, they have used it to create something truly unique in a musicscape where everybody is trying to be different just like everyone else.

Manuel’s Parking Lot is available for download at CDBaby now, and soon on iTunes. Your discriminating music tastes will be wanting with out it.

-Jonathon L. Miller

Permalink

San Francisco

Five Questions with: Misisipi Rider

Posted on:

Misisipi Rider

Doug E. Blumer, bassist and vocalist for October Artist of the Month winners Misisipi Rider answers The Deli SF’s Five Questions this week. The indie folk/americanana foursome play the Rite Spot CafeSunday, November 15th.

What food item best describes your music?
Home cookin’, like fried chicken, mashed potatoes and greens.

What instrument have you wanted to include but have yet to find a way to fit into your sound?
Banjo. We’re not really bluegrass so it would have to be more ‘rock’ banjo.

Embarrassing childhood memory?
Pulling the chair out from under the kid in front of me in Sunday school ’cause I thought it was funny. It wasn’t.

What musical artist would you like to grab a beer with?
Matthew Sweet. One of my fave pop stars.

And finally, time travel or space travel?
Space travel. I’m a UFO buff and might find a few answers out there

If your band has answers to The Deli SF’s Five Questions send them on to sfeditor@thedelimagazine.com

-Nicole

Permalink

Chicago

Renee-Louise Carafice

Posted on:

It’s been almost a year and a half since the uniquely experimental Renee-Louise Carafice released her debut album Tells You to Fight. Her music is lo-fi folk with slight electronic elements, but it is more her quirky lyrics that give off an experimental feel. Take the first single, “Bodhisattva” (mp3), from her album for example, and her wondering tales of youth romance. She adds all of these wild references and images that catch the listener by surprise. That’s not to mention her tiger mask! That inventive storytelling continues throughout the album in tracks like “House on Fire” and “A Kick To The Head”, and are even more endearing because for her soft and breathy vocals at times. If you’ve missed out on Caraface’s debut I suggest you take a listen and try to check her out live.

Renee-Louise Caraface is performing four shows in the first eight days of December. She will be at The Whistler on Dec. 1st, Empty Bottle on Dec. 2nd, Elastic Arts on Dec 5th, and Funhouse Collective on Dec. 8th.

Chicago

Rough Cut @ Bird’s Nest

Posted on:

I’m not sure if Thanksgiving weekend is the best time for the blues, but perhaps you didn’t get the wishbone or didn’t make it to the Best Buy in time to get the best deal or possibly you wasted your morning in a mile long line. Whatever the reason if you feel your life could use a bit of the blues then you need to check out sound and soul of Rough Cut. These four musicians have a knack for making the blues fun, loud, and exciting. Rough Cut makes pro-quality, live recordings of each show in order to keep popular songs featured on their web page fresh, and listeners coming back. They offer free, constantly updated live versions of popular tracks on their web page, which is a unique strategy developed in order to keep fan content fresh. This also gives potential fans a good idea of the live experience may be like. So after you have your cold turkey sandwich head out to Bird’s Nest this Saturday (11/28) and check out Cris Lauer, Mike Tate, Josh Izzo, and Tom Rogus of Rough Cut.

Chicago

Rhymefest Premier’s on MTV

Posted on:

We still have not seen an official release date for Rhymefest’s new album El Che, but he did release two videos from the album over the last year. MTV announced this week that both videos, “Chicago” and “Stolen” will premier on MTV Jams this Friday (11/27). Both videos were produced by the talented Chicago video director Konee Rok.

NYC

The Silent League is back! CD release on 01.16

Posted on:

The Silent League is releasing a new record, its third, in Feb 2010, …But You’ve Always Been The Caretaker. Formed in 2004 in Brooklyn by Justin Russo (at the time, keyboardist for Mercury Rev during the classic Deserter’s Songs / All is Dream era), The Silent League may sometimes appear like an on-again/off-again relationship between a collective of musicians interested only in periodically making records, playing shows, and disappearing again. Another good reason not to miss their CD release party at Gramercy Theater on January 16 with Elephant.

L.A.

One Word: Versant

Posted on:

This is one of the most exciting projects we’ve ever heard of. Ex-Shiny Toy Guns’ Carah Faye is involved with a new band: Versant. The demos that we’ve heard ("Push Away" and "Out of Touch") are really well-written. Listen to the demos HERE and mark your calendars on February 17, 2010. That is when the self-titled album will come out. – Nicholas Palumbo

Chicago

Brilliant Pebbles

Posted on:

I don’t know if you could ever say that the members of Brilliant Pebbles are under the radar or quiet in anyway, but it seems like they managed to release their debut ep without making the necessary waves. I think it has more to with the new direction of the band the actually ep itself. The self-titled ep is high energy, glamorous, and well-produced, but the new direction of the band is more electronic than this material. I feel the releasing of this seven track ep is more of a ritualistic release to clear room for their new material than anything else. However, this should not affect the listeners approach to the record, this is a colorful carnival of sound and dramatic vocalization and should be a welcome addition to any collection.

Brilliant Pebbles’ debut Ep is now available on Itunes, Amazon, and Emusic, along with local fav Reckless Records.

Austin

Happy Turkey! Thanksgiving News + Shows…

Posted on:

Over here we are gearing up for our Year End Poll of the Best Emerging Austin Acts of 2009, as voted on by a jury of local writers, bloggers, record shop owners, radio DJs, and all around music heads. More on that to come, for now we wanted to let you know that…

…Ume grabbed the November cover of Soundcheck Magazine; they’re accompanied on the inside by fellow Austinites T-Bird (above) and Black Joe Lewis, reflecting what we believe to be a sensible Austin bias on the part of the Austin-based mag. T-Bird and the Breaks, btw, play a Thanksgiving show at Momo’s, so you know where to go if you need a little old school, deep funky R&B to get your tryptophan-riddled self moving; they’ll be joined by Blues Mafia and Brett Randell, who happens to be the newest addition to our charts. (Climbing?) Over the weekend you’ll have Neon Indian with The Tunnels at Stubb’s on Friday, and some serious stalwarts on Saturday: Alejandro Escovedo at the Continental, Patrice Pike and Suzanna Choffel at Momo’s, and Bob Schneider at Antone’s.

Finally, we have to mention that Matt the Electrician & Southpaw Jones will again hold down their Wednesday night Flipnotics gig (the 25th), and they made an offer to offend & horrify any of your visiting relatives – really, they did, I was there last week…so bring ’em on by, the show is free.

Happy Turkey…or tofurkey…

 

NYC

Weekly Special #181b: Werewolves, live at Glasslands on 12.02

Posted on:

Werewolves have synthesized pop, psych, punk, and minimalist noise into a cohesive (yet seemingly chaotic) sound that has the capacity to both elevate and destroy the listener’s mind, often in the same song. The guitars slide between effervescent, chiming tones and fuzzed-out riffs, the baritone bass lines weave counter melodies that propel the songs forward or leave them on end, and the vocals hover over the instrumentation with equal parts croon and nightmarish wail. The band’s newest release, Dance Raincoat Glass (BNS Sessions/Plays With Dolls), revels in these disparate elements. – Read Bill Dvorak full feature on the band here.